Today we invite you to take a closer look at outstanding actress Hollywood cinema, the charming woman Marlene Dietrich. Her real name is Marie Magdalena von Losch. This is a person who combined the incongruous - bewitching beauty and arrogant coldness, depravity and innocence, sexuality and inaccessibility at the same time.

Marlene Dietrich has lived long enough bright life, but in the end, despite its former popularity, frequent attention from the male sex and large number awards I felt forgotten.

Marlene Dietrich was born in 1901, in the city of Berlin. The actress died on May 6, 1992. At any time, be it a year or a century, there were favorites or, as it later became commonly called, “sex symbols.” The parameters by which beauty was assessed and the status of “sex symbol” was assigned were different for each era and time period. So what is the height, weight, age, how old is Marlene Dietrich? Surely not a single woman asked this question, and there were probably men who were unlikely to agree with her “title.” With an average height of 1 m 68 cm and a weight of 58 kg, with light curly hair, she fully met the beauty requirements of that time.

Therefore, it is understandable why Marlene Dietrich became one of the three muses famous fashion designer Christian Dior. They had mutual sympathy, based on creative roots, namely, after visiting one of the shows fashionable clothes Christian Dior, Marlene Dietrich decided to radically change her image and change her favorite trousers to elegant long skirts. Marlene Dietrich - photo in her youth and now, acts as proof of the actress’s devotion to her favorite fashion designer. On the set of the next masterpiece, Marlene said that she would only act in costumes from Dior and no others. At the end of work on the film, all the costumes were given to Marlene Dietrich.

Biography of Marlene Dietrich

WITH early childhood Marlene Dietrich was fond of art, in particular music. The first musical instrument she mastered was the lute, and later the violin also succumbed to her.

The biography of Marlene Dietrich, namely her childhood, fell in the post-war period. To protect her daughter from any danger, her mother, Wilhelmine Josephine Felsing, sends youngest daughter and her sister Elizabeth for 4 years in a boarding school closed type in Weimar, the girls' father had left the family long before. During her studies at the boarding school, Marie improved her playing musical instrument. Later she began working in the orchestra at the cinema.

Here Marie reveals herself not only as a musician, but also as a singer. As a result, Marlene’s career as a musician did not work out, and it was not Marie’s fault - male colleagues looked at Marlene more often than at their music stands, confusing the notes and losing the rhythm. It was at this time that Marlene Dietrich realized that her calling was cinema.

To achieve her goal, the future film actress gets a job as a dancer and singer in a cabaret. At the same time, he takes acting lessons from a famous movie star. With her help, Marlene is enrolled in an acting school.

Filmography: films starring Marlene Dietrich

Upon completion of her studies, Marlene Dietrich participated in various theatrical productions. Marlene's filmography begins at the same time. She plays roles in such films as “That’s How Men Are” and “The Tragedy of Love.” In 1928, the first music album “It's in the Air” was released. The actress continues to act in films, but she has not yet been offered leading roles. Only after the release of the film “The Blue Angel” did the actress receive public recognition.

After successful debut our heroine moved to America, where she eventually became a US citizen. In the early thirties, Marlene starred in the films: “Morocco”, “Bloody Empress”, “The Devil is a Woman”. Her popularity and public recognition reaches unprecedented heights. During this period, the actress starred in such films as “Destry is Back in the Saddle,” “Seven Sinners,” “So the Lady Wants.”

With Adolf Hitler coming to power, the German government invites the actress to return and promises incredible fees for roles in films that will be filmed in the actress’s homeland. But Marlene categorically refuses any proposals of this kind, moreover, she provides support to the enemy troops of Germany. For several years she has been touring garrisons and hospitals with concerts, to the detriment of her career, not shying away from soldiers’ conditions. Her actions were subsequently assessed as a feat and at the end of hostilities, Marlene Dietrich was presented with an award. In the fifties, the actress returned to cinema and eventually moved from Hollywood to Las Vegas, where she continued her career as a singer.

Between filming films, Marlene also managed to raise her four grandchildren: Michael, Peter, David and the most youngest son daughters.

The heroine's career ends after a serious hip injury. The last film role was played in the film “Beautiful Zhigalo, Poor Zhigalo”, the soundtrack of which was Marlene’s song. The last years of her life, the actress and singer was bedridden and shielded from almost all visits. Only very close people could have the honor of seeing what was once one of the most beautiful and successful women in such a deplorable and helpless state. In 1992, Marlene Dietrich died in Paris, where she had recently lived.

Personal life of Marlene Dietrich

Marlene Dietrich's personal life was very bright and eventful. As a result of hard work on herself and strong-willed character, the actress achieved not only great success in her career as a singer and actress, but became the desired object of many men, among whom were very famous people.

The actress had one of the most striking romances with director Joseph von Sternberg - the fruit of this relationship was many films. The actress’s romance with the writer who embodied the image of Marlene Dietrich in the work “Arc de Triomphe. Marlene was also credited with an affair with the writer Ernest Hemingway, and the question of what happened between the two people still remains unclear. According to my daughter, it was a very kind and gentle relationship, but there was never any intimacy. What happened in reality - we can only guess.

Marlene Dietrich family

By the standards of those post-war times, Marlene Dietrich's family was of average income. When Marlene was six years old, her father left the family, and this event became a with a strong blow. Exactly a year later, her father passed away and this became the reason for her interest in acting.

In her childhood games, Marlene played not “mother and daughter,” but “father and daughter,” portraying two heroes at the same time - father and daughter. My mother, despite the harshness of her character, did not prohibit staging “one-man” performances, but rather encouraged them.

Children of Marlene Dietrich

From time immemorial, every fan wants to know everything about their idol. Fans of our heroine were no exception. They are interested in the biography, personal life, career, family and children of Marlene Dietrich. In this article we will try to touch upon each of the topics of interest and provide the most complete and truthful information. We have already talked about the family and personal life of the film actress. We also got acquainted with the biography and touched upon the topic of our heroine’s career. Questions about the husband and children remain open and we will definitely raise them.

Now I would like to say the following - Marlene Dietrich was married, and, oddly enough, once and for the rest of her life. In marriage, she gave birth to a daughter, and she became the only, very adored and beloved child. As the daughter herself said, “Mom loved me more than anything in the world, and with some kind of unmotherly love.”

Daughter of Marlene Dietrich - Maria Riva (Maria Sieber)

Marlene Dietrich's daughter, Maria Riva (Maria Sieber), was born in Berlin in 1924. From early childhood, the girl determined her direction in life - and this was also a career as an actress. In the 1930s, mother and daughter moved to Los Angeles. After working with their mother in the film Morocco, the women move to California. There was another one collaboration in the film The Bloody Empress.

During the war, Maria Sieber managed to enter and graduate from acting school in Hollywood. The daughter's first marriage turned out to be fleeting.

In 1947, Marie married for the second time. for William Riva. This marriage became more successful. Soon, Dietrich’s daughter’s family became large: four boys were born one after another.

Maria adored her star mother and admired her intelligence and strong will.

Marlene Dietrich's husband - Rudolf Sieber

In 1976, Marlene Dietrich's husband, Rudolf Sieber, died of cancer. Their first meeting occurred during the filming of the film “The Tragedy of Love.”

During the filming of the film, Marlene began a relationship with a young man who at that time was an administrator. The actress was not stopped at all by the fact that her chosen one was engaged at that time. The relationship developed rapidly and on May 17, 1923 the wedding took place. Exactly one year later intimate relationships between the spouses ceased, and after another two years, their life together ended.

Despite the fact that the couple had not lived together since 1926 - no one began to divorce, they supported friendly relations throughout life.

Marlene Dietrich died before the very popular men's magazine Maxim was published (1995). But we are sure that if this publication existed during the turbulent career of our main character, it is very likely that photos of Marlene Dietrich would definitely have appeared in Maxim magazine.

The great actress adored her acting. At the same time, she carefully monitored her reputation. Therefore, the directors did not even offer her roles where the actress had to play naked.

Marlene was a style icon; millions of women tried to imitate her style of dressing. Sometimes it seemed to critics that if an actress had gone on stage in a swimsuit, the next day half of the female population would have walked the same way.

The actress was undoubtedly a beauty; even today many are attracted by Dietrich’s appearance, her talent and charm. At the same time, by those standards it was believed that candid photos- these are pictures where she gracefully exposed her shoulders or legs.

Instagram and Wikipedia Marlene Dietrich

Yes, the fans are very unlucky greatest actress and the singer that at the time in which she lived there were no Internet resources. But today, when we enter “Instagram and Wikipedia Marlene Dietrich” into the search, we can read a lot interesting information about celebrities, and in particular about our heroine.

Admirers of her talent maintain an Instagram page where you can find very rare footage and information from the actress’s life, see feature films with her participation, and watch documentaries about her life and work. And Wikipedia offers us chronological order get acquainted with the biography, career, family and personal life of the actress.

Her own name is Maria Magdalena von Losch. American film actress. She starred in the films “The Blue Angel” (1930), “Morocco” (1930), “Desire” (1936), “Witness for the Prosecution” (1957), “Beautiful Gigolo - Poor Gigolo” (1978), etc. She is also known as a pop singer singer. She published a book of memoirs.

In her image, the main thing was mystery. The movie star turned her life into a profession: her manner of dressing, her manner of tempting fate - with scandal or risk - created the legend of Dietrich.

In 1929, American film director Joseph von Sternberg, who was called the “Renoir of cinema,” came to Berlin from Hollywood. This was not a planned twist in the fate of Marlene Dietrich. She did not know a man named von Sternberg, did not hear about his success, but she was friends with the secretaries of the UFA studio, the largest German film concern.

Von Sternberg told studio management that he had found an actress for his film The Blue Angel. But at UFA, Marlene was notorious, and the director was told that Dietrich had no talent. But she had talent, but in love affair She was not involved with anyone from the company’s management. It came to a scandal: after one of the auditions of another lady, Sternberg shouted: “Either you approve Dietrich, or I’m leaving for America.” Sternberg had no idea which actress he cast. main role…

At that time, the Excellent bar-cafe was especially popular in Berlin. Men came there rouged and with painted lips. Marlene appeared in Excellent in a man's tailcoat. The suit suited her. To the tailcoat she also added an exclusively masculine detail of the toilet - a monocle, which was scandalously rented from her own mother. There Marlene met her future husband Rudolf Sieber, an aspiring film producer.

Dietrich got married after a bitter struggle with her family. The mother did not so much agree with her arguments as give in to her stubbornness. Witnesses from both sides were invited, and Rudolf Sieber was married to Maria Magdalena von Losch - Marlene Dietrich in the Lutheran church. At first, the joys of marriage swallowed her whole; she gave birth to a daughter, Maria, the same Maria who later married the famous furniture manufacturer of Romanian origin, Riva, who set up shop in New York. famous shows with elephants and eventually wrote a scandalous book about her mother’s life.

The Blue Angel was the first sound film in Europe. When the “great mute” spoke, it turned out that Marlene’s hoarse voice was full of eroticism. And there was still a body... which already belonged entirely to Joseph von Sternberg. In the home circle, Marlene said about him: “This one in golf pants, who loves eccentricities.”

Sternberg seduced Dietrich with Hollywood. Marlene overacted somewhat in her ironic attitude towards him. Joseph was her first hero-lover, to whom she obeyed unquestioningly. The image he came up with for Marlene - an aristocrat indifferent to aristocratic principles - was pleasing to the snobbish public. Sternberg taught Marlene the beauty of vice. Captivated by this dark beauty, the actress created her famous image as a “heart conqueror.”

A young German woman who came to film in an unfamiliar country did not think that she would stay in America. Von Sternberg convinced the owners of Paramount 2 that they needed a superstar. Dietrich had to endure hard fight for the hearts of the audience, although her mood did not foretell victory: she was very skeptical of herself: “Have you ever seen such hips?” - she complained to the costume designers. After her first audition for “Morocco,” von Sternberg quietly told her that she had nothing of a sex bomb about her. A new image had to be created. Joseph devoted himself completely to this task and was a little overzealous: when one of the directors of Paramount saw Marlene, he immediately tried to seduce her. The prospect of becoming the administrator's toy scared Marlene, and she finally entrusted herself to the “Hollywood Marquis” - Sternberg.

Marlene was the winner. To the audience, her love seemed genuine. But the victory was not without consequences.

In 1932, von Sternberg gave her a Rolls-Royce (the second car in her life) with the condition that she use the services of a chauffeur. Sternberg was afraid that such a secretive woman as Marlene would one day want to leave wherever she looked. Marlene complied with his conditions, but bought herself a white leather driver's jacket, white gloves and white boots with black toes. This is what drivers and gangsters looked like in films. The wheels of the car were also white, and special tires were ordered. Marlene sat behind the driver in the back seat and frightened Sternberg that someday she would sit in the front seat.

Sternberg called his gift “the ship on which Paris kidnapped Helen.” He was not the only one who noted this psychological closeness of Marlene to the one who seduced Menelaus, then Paris, and in essence always acted as she wanted, and not the men in love with her.

Sternberg's gift became the subject of numerous newspaper publications. Journalists described the car, noticed that it had a mystical number consisting of two sevens, a three and a zero, and a figurine of the goddess Nike was attached to the bumper. After this, a Rolls-Royce of the same model was immediately bought by dozens of rich people within a few days.

After the phenomenal success of Morocco, Marlene bought herself a house in Beverly Hills, on the corner of Roxboro Avenue and Sunset Boulevard. Houses at intersections were usually more expensive than those in the middle of the street. “Corner” ones were considered architectural flagships, they started the line of stone buildings, and were sold at flagship prices. Marlene's house was two-story, in a colonial style. Later, a copy of it was built by David Selznick for the film Gone with the Wind.

Marlene ordered all the walls of the new home to be covered with white fur. Where this was impossible, I glued white wallpaper. The dressing room was an exhibition-parade of perfumes from the best companies world and occupied a considerable area. At this time, Marlene began to accept invitations to pose for photographers. IN new home Gossip reporters began to filter in.

The only place where they were allowed with cameras was toilet room. Marlene came out to pose in a white robe against the backdrop of white walls with mirrors. Reports about the new home of the Paramount studio star made a name for interior designer Marlene. But she played a great joke on him.

Marlene asked the young maestro to stay and rest for a few days in the house that he had so brilliantly decorated. The young man agreed. One afternoon, Marlene invited some of her friends, as well as photo reporters, to her place to evaluate the designer’s work. The guests walked room by room, looking into all corners. We reached the bathroom, Marlene hospitably opened the door.

The designer sat in a gorgeous white bubble bathtub. The embarrassed man stood up to his full height, as if making an attempt to sneak away. The women closed their eyes. The awkward scene was defused by a canvas blanket falling from above, hiding from prying eyes bathing.

Marlene was pleased. She explained: “Everything is in place in case reporters get in on me while I’m taking a bath.”

The brilliant designer was rewarded with applause. From under the canvas blanket he replied with an embarrassed “thank you.” This funny incident it was enough for the designer to be inundated with similar orders from wealthy residents of Beverly Hills. Marlene knew how to bring happiness to the people she worked with.

In her life, lovers changed, but the rule did not change: they are all famous and each wears his own mask: Remarque drank, Gabin played the accordion... Marlene seemed only a detail of a large love mechanism, in life she was coldness and detachment itself, and only on stage and screen - live bright woman. But it was her coldness and isolation that perhaps helped her conquer life. And she emerged victorious. The one with whom she competed - Greta Garbo - left the stage much earlier.

In 1939, Dietrich accepted American citizenship.

Marlene always tried to look strong. Therefore, her friendship with Charlie Chaplin, who himself always remained successful and self-confident, did not work out. She noticed the weaknesses of every person, and could be an angry and ironic commentator on the actions of any man from her environment. Maybe only Sinatra and Hemingway were not affected by it sharp tongue. She was forever connected with Hemingway by memories of the brightest moments in her life. She idolized his gifts, carried a photograph everywhere with an intimate inscription: “To my sweet cabbage.”

She quarreled with Remarque, forcing him to go out into the world, instead of drinking his favorite red wine with him. She called him a traitor when he listened to Tchaikovsky's music for hours, keeping Marlene awake. He wore a jacket with bubbles on the elbows, and Marlene was so irritated that when Jean Gabin appeared in her life, who preferred to wear a thick fisherman's sweater at home, Marlene thought this was happiness.

In mid-February 1941, Jean Gabin left German-occupied France and moved to the United States. Gabin was sad, felt lonely and useless in this city, he had nothing to do with his old Parisian habits and bad English. In one of the fashionable stores in New York, naturally called “Parisian Life”, he met... Marlene Dietrich. Even before the war they knew each other, but only briefly... “Gabin was a man, a superman, what every woman is looking for,” Marlene wrote in her “Memoirs.” - He had no flaws. He was perfection and far surpassed everything that I had vainly sought or tried to imagine.”

Another important circumstance in the development of history was the following: Jean Gabin was a Frenchman, and French was Marlene's second language. She never tired of repeating that she was raised by a French governess and that deep down she always felt like a European. The pain that France turned out to be a defeated and unhappy country was deep and sincere in Marlene. Gabin appeared in Hollywood not as a poor emigrant, but at the very peak of his talent and in an energetic search for new cinematic fame. A rival of Greta Garbo, Marlene knew how to admire and respect her lovers. Jean Gabin was not an intellectual. At the opera he always yawned; when Marlene advised him to read a Hemingway novel, he shrugged and muttered: “There’s nothing to even think about here!” - “Your head is empty! Listen, how empty it is inside,” Marlene laughed, hitting him on the forehead. - But don't change. You are perfection."

Having failed to introduce Gaben to literature, Dietrich risked energetically taking on his career. Marlene's career was in some decline during this period. She enthusiastically performed all the roles that were offered to her, but for some reason the films failed financially. Fortunately, failures did not affect her much: she had so much creative power...

Marlene's energy and charm were enough to convince producer Darryl Zanuck to be interested in one of her projects. “Well, maybe this will help him finally learn English,” Zanuck muttered when he heard Gaben’s name.

Marlene took everything upon herself.

The lovers rented a house in Brentwood, not far from the film studio. The property next door belonged to Greta Garbo. Gabin was quite amazed, noting that every day at 18 o’clock “The Divine” (Garbo), hiding behind a shock of hair and black glasses, went down into the garden and watched the “movements” of the neighboring couple. The woman who was worshiped all over the world loved to peep! Gabin was disappointed. The food was equally disappointing. Hamburgers and Coca-Cola! Marlene stood at the stove. Stuffed cabbage and boiled meat became her signature dishes. Subsequently, Marcel Dalot, who worked side by side with Jean Gabin in the film “Great Illusion” by Jean Renoir, in his memoirs made fun of Dietrich receiving guests in her “golden kitchen” in an expensive apron from the Hermes company.

To make the atmosphere even more like Paris, Marlene took Gabin’s harmonium, and he put a scarf around his neck and a cap on his head. And under the California sun, songs from the musicals of her youth sounded. He called her “Great”, and she said: “I became his mother, sister, friend and everything in the world.” Her intention to quit the stage and devote herself completely to this man became obvious to journalists.

Marlene was in the clouds, and Gaben signed a contract with Fox.

Maria Sieber, daughter of Dietrich and Rudolf Sieber, caused a lot of trouble for her famous mother. The seventeen-year-old girl perfectly remembered her first steps in the cinema in “The Red Empress” (where she played the role of little Catherine) and in “The Garden of Allah”. Now she dreamed of gaining popularity and getting rid of the humiliating position of being the daughter of a celebrity. She no longer wanted to be in the shadow of Marlene's gigantic and all-pervasive glory. The conflict broke out over Maria's intention to marry a director. The conversation with my mother about marriage did not lead to anything good. Marlene was indignant. Never! Maria is too young! Gaben intervened in the conflict, taking the side of the rebel, hoping to soften the situation. Gabin could no longer hide his irritation.

Europe was in the fire of battle, and he was so far away, he was just “the Great’s darling,” chilling in Hollywood! Marlene added fuel to the fire: her extravagance as a Hollywood sex symbol, her emancipated behavior - all this was too much, especially for a person like Gabin. At the end of 1942, he decided to leave the United States and say goodbye to cinema in order to join the French liberation forces. “We understand your intentions perfectly,” Fox told him, “but it would be much better to follow the example of our colleagues who are participating in the fight against Nazism by creating patriotic films.”

But Gabin still achieved his goal: soon after completing work in Julien Devivier’s film “The Deceiver,” he met in New York with a representative of the Naval Armed Forces liberation forces France and entered military service. Marlene was inconsolable. As a parting gift, Gaben gave her three paintings: Sisley, Vlaminck and Renoir... What was Marlene’s parting gift? As Gabin was leaving American customs, a certain package - a “luxurious gift” that he handled with great care - gave rise to rumors in the corridor that it was a “diamond necklace”. In mid-April 1943, Gaben received an order to report to the port of Norfolk on board a ship intended for escort. Marlene accompanied him. They just had dinner at a restaurant, watched a war film starring Humphrey Bogart and parted at two in the morning.

Marlene felt like she was dying of grief. She couldn't even think about returning to Hollywood to star in English. Her soul was in constant restlessness, she wandered around the house, which from now on seemed to her forever empty, and lingered for a long time in front of photographs of the times of their happiness.

Thirty years later, Dietrich said: “He lit a fire in me that will never go out.” But the actress was not one of those women who were ready to drown themselves in their grief. After going through all the military authorities, Marlene decided to enlist in the women's department of the WAF. Of course, despite her pompous speeches about patriotism, all this was done for one single purpose: to find Gaben. Perhaps the thought of crossing the Atlantic to see Marlene also visited Gabin. But he was in Algeria on a military assignment. The announcement of the possible arrival of the actress was not a surprise for Gabin: he knew how stubborn she was.

During the war, Dietrich became the embodiment of a soldier's dream. There was something sinful in her appearance. In this depravity, the soldiers saw the features of those of their lovers who were not waiting for them from the front. The units where Marlene visited were recruited more readily than those where she was not. Marlene went everywhere with her photographer and gave her countless photographs everywhere. Her photos with the soldiers confirmed that the aristocrat Marlene “sat” in the trenches, although her daughter Maria Riva later claimed that this was fiction. During the war they told a joke. Marlene is asked: “Is it true that you had an affair with Eisenhower during the war?” "What do you! - Marlene answers. “The general has never come so close to the front line.”

In winter, Dietrich found herself in the very center of the battle for Bastogne - there, in the midst of exploding bombs and the roar of diving planes, was Gabin. One evening, having wandered around the front line in search of “gray hair under the helmet of a naval gunner,” Dietrich suddenly saw a familiar figure and shouted: “Jean!” In her autobiography, Marlene described the scene in the dramatic style of Hollywood. IN real life Gabin seemed disheartened to see the “Great One” so excited about the meeting. “What the hell are you doing here?” - he muttered.

Both were already crowned with glory. But time trembled a little and rolled away from them... The United States presented the star with the Medal of Freedom; France awarded the orders “Chevalier of the Legion of Honor” and “Officer of the Legion of Honor”. Gaben was awarded the Cross for his participation in the war. But all this did not suit the “Great”. Gabin was too modest, the French were too indifferent, they underestimated the courage of her man and everything he did to help his compatriots who were captured in Germany.

In liberated Paris we were amazed to see gray hair Gabena. The young rebel from the film “Banner” has matured and aged. There was no place for him in post-war cinema. Almost the same thing was said about Marlene, who, after leaving for America to treat frostbite received during the frosty war winter, returned to Jean in Paris. She rented an apartment on Avenue Montagna, which she did not leave until her death in May 1992. The relationship between Marlene and Gaben has changed. They began to treat each other with humor. They were sarcastically referred to as “an odd couple.” The winner of the war next to a German woman: what a provocation! But Jean Gabin was stubborn. He agreed to star in the film “Doors in the Night” by Marcel Carné, but with the indispensable condition that “The Great” would also star in it. The deal did not go through. The role was given to Yves Montand. In 1946, they intended to participate together in the filming of the film “Martin Romagnac Goes Bankrupt.” Marlene later angrily quoted someone’s verdict in her memoirs: “The names of Jean Gabin and Marlene Dietrich are not yet enough to attract the viewer.” She was depressed. He is calm: “We’ll wait a little.”

Marlene, whose finances were somewhat upset, returned to Hollywood to film The Golden Years, which added virtually nothing to her previous successes. What did they say to each other while standing at the plane's steps? Maybe he was trying to convince her to marry him? He wanted a family, children. The rebellious spirit of youth remained behind. She may have rejected his proposal. Marlene had not yet divorced Rudolf Sieber, to whom she regularly confided her cinematic and personal secrets. She adored Paris and France... but she belonged to the whole world.

When Marlene returned to Paris to be closer to Jean, she again became a slave to her love. Still hoping to revive the magic of their relationship, she was shocked to learn that Gabin had been spotted in the company of actress Martine Carol. Jean gradually moved away from Marlene, who was no longer so necessary for him. One evening, in a cabaret, they accidentally ended up next to each other at tables. Unable to avoid the meeting, he greeted her by rising from the table. And nothing more. He leaves, walking with his sea gait, without turning his head and expressing nothing with his gaze.

“My love, which I proved to him, is great and unbreakable,” Marlene assured. She only truly panicked when she read about Gabin's marriage in March 1949 to Domenique Fournier, a fashion model from Lanvin, who later gave him what he dreamed of: three children and normal life devoid of pomposity. In desperation, Marlene decided to see Gaben at all costs. One day she followed a married couple and, when they sat down in a restaurant, she sat down at a table next to her, hoping that Gabin would talk to her. He greeted her so deliberately loudly that he was confused. For several years she continued to call him, but she was never able to break or understand his icy silence. “I lost it, as all ideals lose.” Gabin died in 1976. Marlene Dietrich, whose husband passed away a little earlier, said: “I am widowed for the second time.”

Dietrich was looking for new recipes to live and awaken attention. She decided to give her viewers frozen time - the Marlene they remembered in the era of their youth, in the heyday of her career, the Dietrich of legend. She decided to return to the theater stage with her show.

Her first performance took place in Las Vegas in 1954. In no other city could she immediately set such high ticket prices. She appeared on stage in a gold-colored dress with metal threads weighing 36 kilograms. And she was already 53 years old. But the heaviness had to be understood symbolically: the heaviness of the time lived and the space traversed over the years, which trailed like a train behind Marlene’s shoulders. This gave her heroines a sense of tragedy, and this was what the public liked most...

In the last years of her life, Marlene was often seen sitting on the balcony of her house and looking down. What was she thinking? Maybe she just slept in a rocking chair on the third floor of a Parisian house at 12 Rue Montagne, all alone, without maids or concierges.

Childhood

Marlene Dietrich came up with her name herself. At birth she was named Maria Magdalena, and at home they called her Marie or Lena. By adding these two names, Dietrich received the name Marlene, which later became known throughout the world.

Marlene Dietrich was born in 1901 (but some say 1900 and 1904) in the Berlin district of Schöneberg in the family of a Prussian military man and the daughter of a jeweler. Marlene had older sister Elizabeth. When Marlene was six years old, her parents separated, and some time later, Officer Dietrich died. The mother raised her daughters in strictness, believing that in a real lady What matters most is self-discipline, thin ankles and a straight back.

Before the start of the First World War future actress studied at a girls' school, but then the Dietrichs had to immigrate to Dessau. They returned to Berlin in 1917, where Marlene completed her studies. Young Dietrich played the lute and violin, sang, danced and recited poetry. She was predicted to have a future as a great violinist, but due to pain in her hand she had to give up her studies.

Marlene Dietrich: filmography

When the time came to earn her own living, Marlene Dietrich got a job in an orchestra accompanying silent films. Thanks to her work, she became interested in cinema. But very quickly Fräulein Dietrich was fired: being the only woman in the orchestra, she distracted the men too much from their work. Then Marlene goes to work in a cabaret and decides to get serious theatrical career. In 1922, she tried to enter the Max Reinhardt drama school. The first time Dietrich fails the exam, but later he still achieves his goal using roundabout ways. That same year, she made her theatrical debut in the play Pandora's Box, and Dietrich also managed to play a tiny role in the film Little Napoleon.

The year 1930 was a turning point for actress Marlene Dietrich. Before him, of course, Marlene played in the theater and acted in films, but the roles were minor. Finally, Dietrich gets the role of cabaret singer Lola-Lola in Joseph von Sternberg's film The Blue Angel. The film becomes a real sensation, and Marlene Dietrich enjoys her first success. The actress signs a contract with the Hollywood studio Paramount Pictures and leaves Berlin. In Hollywood, she starred in six more films by Sternberg, including Morocco and Blonde Venus. The film “The Devil is a Woman” was their last collaboration.

In 1936, the Minister of Nazi Germany, Joseph Goebbels, offered the actress 200,000 Reichsmarks and a free choice of producer and director for each film made with her participation in Germany, but Dietrich refused. In 1939 she received American citizenship.

After Sternberg, actress Marlene Dietrich starred in various films for some time, where she tried to move away from the created image femme fatale. In 1943, she interrupted filming and began performing concerts with Allied troops in Italy, France and North America. She was later awarded the highest decoration of the US War Department, the Medal of Freedom and the French orders of Chevalier of the Legion of Honor and Officer of the Legion of Honor.

Since 1946, Marlene Dietrich has been acting in films again, hosting radio broadcasts, and writing articles for magazines. In Las Vegas she became famous as a singer. In 1960, Marlene went on tour to Germany, where she was denied hospitality because she worked with Jewish directors (including Sternberg). Dietrich's career ended in 1975 when an accident left her with a broken hip.

Marlene Dietrich: height, weight

Marlene Dietrich's height is 168 cm, and her weight is 58 kg.

Marlene Dietrich: personal life

At the beginning of her career, while starring in one of the episodic roles in “The Tragedy of Love,” Marlene Dietrich began dating assistant director Rudolf Sieber. On May 17, 1923 they got married, and a year later their daughter Maria was born. They lived together for only five years, but remained in the barque until Sieber's death in 1976.

Marlene Dietrich was not known for her constancy and started new affairs almost every month, sometimes even with several partners at the same time. John Gilbert, James Stewart, and Maurice Chevalier fell under her spell. In addition, the writer Erich Maria Remarque was in love with her. Main character his book Arc de Triomphe is almost entirely based on Marlene.

Dietrich was not afraid of relationships with women. Most likely, it began while working in a cabaret with lesbian Claire Waldoff. Dietrich herself said that “sex with a woman is much better than sex with a man, but you won’t live with a woman.”

Most great love her life was the actor Jean Gabin. When he went to fight in North Africa, Marlene Dietrich followed him. After the war, the couple moved to Paris. But the relationship between Jean and Marlene did not work out: Gaben wanted a family, but Dietrich did not want to get married, and could no longer have children. After the separation, Gabin married model Dominique Fourier, who looked like Marlene. Like Sieber, he died in 1976.

Marlene Dietrich spent the last 15 years of her life in a Paris apartment, maintaining contact with the outside world only by telephone. In 1982, she agreed to an audio interview that became the basis for the film Marlene.

On May 6, 1992, Marlene Dietrich died. Her coffin was covered with three flags: France, USA and Germany. The actress was buried in Schöneberg next to her mother. On the Hollywood Walk of Fame, at number 6400, you can find a star for this stunning woman.

Text: Irina Matveeva

Marlene Dietrich, photo in her youth: Eastnews

Text: Sascha Gluwein

Photo: Getty/Fotobank; Rex/Fotodom

Luxurious blonde she knew how to turn heads and drive them crazy: the list of her fans is almost longer than the list of roles she played in films. But who did the film star herself love? On the birthday of Marlene, who was born on December 27, 1901, we remember those men who made her heart beat faster. And there were not so many of them!

Rudolf Sieber: love at second sight

Young Maria Magdalena (site note: Marlene Dietrich came up with a stage name for herself by adding the syllables of her first and second name) “fell madly in love” with a tall, blond handsome man right on film set(Sieber was an assistant director) as soon as he noticed her. However, she... was not allowed to immediately jump out to marry Rudi (site note: Rudi is a diminutive version of the name Rudolf) (note that the times when Dietrich behaved the way her mother wanted passed very quickly)! At the insistence of Josephine's mother, he was appointed probation, which, however, Rudy successfully completed. A year later, on May 17, 1923, the couple got married, and on December 13, 1924, baby Maria Elizabeth was born, the first and only child of the future star.

“He was sweet, he was gentle, and he made me feel like I could trust him. And this feeling will remain unchanged throughout the years of our life together. Our trust was mutual and complete,” Marlene describes her first and only husband, with whom she lived together for only five years, but never divorced. It was, as they would say now, an open marriage. Soon after the birth of her daughter, Dietrich ends sexual relations with her husband. Rudy has a mistress, Tami (site note: young ballerina of Russian origin Tamara Matul).

This couple’s relationship was far from average! Marlene (as evidenced by documents published by her daughter) invited her husband... to read the letters that she received from her lovers, and also sent him copies of the messages that she wrote to them. Moreover, any, let’s not be afraid of this word, lover who dared to be jealous of Rudy because of his access to the stellar body, Marlene immediately rebuked: “What does this have to do with you? This is my husband!

Erich Maria Remarque: “Too much in the past, but no future”

“It was a strike of lightning and a flash of lightning,” - this is how Erich Maria will once comment on his impressions of meeting Marlene in 1937. Take a look at her portraits - would you imagine that this “Blue Angel” reads Kant and adores Rilke’s poetry? So Remarque couldn’t. She amazed him to the core by reciting by heart the poems of her favorite poet - any poem, from any line!

The “sensual thunderstorm” was damn protracted - lightning blazed for three whole years, despite the fact that Dietrich did everything to stop it. Can you name the whirlpool of feelings in which the 35-year-old actress, who was experiencing a creative crisis and a series of unsuccessful roles, and the 39-year-old writer, who, after the phenomenal success of his creation “On Western Front“no change” could not put pen to paper again, with love? More likely yes than no.

His “heart, cherished dream, light over all the forests”, “little monkey”, “angel of the annunciation”, “madonna of his blood”, “northern light”, “flame over the snow” and even “little melancholy blond - partner in the zoo” drove Remarque crazy with her reluctance to divorce her husband in order to marry him, and with her views on the relationship between a man and a woman. He wrote her three hundred letters (not a word about politics, regime, problems), and she wrote him twenty. However, the point is not at all in the number of letters. It was with Dietrich’s encouragement that Remarque was able to get an American visa and leave.

It wasn't boring! Here Marlene exchanges one lover for another - Remarque is beside himself with rage and drives his “Puma” away (at least, he writes about this desire in his diary). Here they are together again - and in the same diary a new entry appears: “There is no more misfortune, because you are with me.” Despite all these circumstances, or, more precisely, thanks to them, Remarque began to write again. Re-read " Arc de Triomphe”, substituting Erich Maria instead of the name “Ravik”, and Marlene instead of “Joan Madu”.

Ernest Hemingway: “It doesn’t matter how she breaks your heart, as long as she’s there to fix it.”

Marlene and Ernest met in 1934, on the French Island ship (even before Dietrich met Remarque). The writer was returning from a safari to east africa through Paris to Key West, and the actress from Nazi Germany to Hollywood. Dietrich “fell in love with Hemingway at first sight,” with a “pure, boundless” love, but the feelings that flared up did not prevent both of them from arranging their personal lives with others. According to Marlene herself, they were connected by... complete hopelessness. The novel (mostly epistolary) dragged on for a long time - until the death of the writer, perhaps precisely because Dietrich and Hemingway never became lovers. Ernest aptly calls what happened between them “unsynchronized passion” - when he was free, she was in love with another (or others) and vice versa.

Their letters were filled with such feelings that one was surprised that the paper did not start smoking. “You are so beautiful that your passport photos should have been three meters high,” “I kiss you passionately!”, “I’m falling in love with you, it’s terrible!” - Hemingway ends his messages. “It is impossible to love you more than I love you,” “I will love you forever and even longer!” - Dietrich assures him.

It can be considered very significant that Remarque was jealous of Dietrich’s colleague Hemingway more than Gabin (and it seems to us that it was not in vain, if only because Marlene was the person who read Hemingway’s manuscripts first).

What about Ernest? It was he who showed Marlene a couple of boxing techniques, including a “sudden blow to the jaw”, so that she could defend herself at the moment when Gabin began to open his hands (alas, no matter how wild it may sound, the temperamental actor loved to make a scandal in the heat of the moment). quarrel could hit a woman). Well, Marlene did not fail to put into practice the lessons learned from her “Rock of Gibraltar,” but that’s another story...

Jean Gabin: “You were, are and will be my only true love. Unfortunately, I feel like I've lost you."

The love story of two movie stars began in 1941 in Hollywood. They say that Marlene herself took the first step and invited Jean to a table in a cafe, where she met Ernest Hemingway. “I was his mother, his sister, his girlfriend and more. I loved him very much!” - Marlene admits one day. So much so that she herself stood at the stove in a stylish Hermes apron, preparing Jean’s favorite soups and roasts, and spoke to her beloved exclusively in French (fortunately, thanks to her bonne, she knew the language perfectly).

By the way, he, like Remarque, repeatedly suggested that the actress divorce her husband and marry him. But Marlene never said yes to him. However, when Gabin went to war, joining de Gaulle’s troops, Dietrich went to Algeria, where Jean served, to see her beloved. After the end of World War II, Gabin rented an apartment in Paris, Marlene came to him. And everything would be fine if it weren’t for one “but” - the film “Martin Roumagnac”, in which the actors played together, was crushed to smithereens by film critics. Ambitious (and providing for the whole family, including her husband and his mistress) Marlene immediately thought about returning to America, but Jean was against it. We don’t know which of them made the biggest mistake - Gabin, who decided to dot the i’s and put forward an ultimatum: “If you leave Paris now, then everything is over between us,” or Dietrich, who nevertheless packed her things and went to filming in the States. Then she waited all her life for him to come to his senses and return, but, alas, this never happened. Gabin in once again got married, and once during a chance meeting he pretended that he didn’t recognize his ex-lover. In 1976, Gabin died, “taking with him half of Marlene’s soul.” Dietrich, who did not want the public to remember her as an old woman, recent years life became a recluse. She refused the company of living people, preferring to spend time in the company of a portrait of her " ideal man", which is said to have hung on the wall in her room.

From May 26 to 29, the Russia K TV channel will host a retrospective of films with the participation of Marlene Dietrich and the documentary “Marlene Dietrich. Twilight of an Angel."

Documentary"Marlene Dietrich. Twilight of an Angel" (May 26, 22.35) is the story of the famous German and American actress and singer, who created one of the perfect cinematic female images. “Three beings live inside me,” said Marlene Dietrich. - First of all, an actress. I know well what I am capable of and I know the limits of my capabilities. Among my generation I could find a dozen actresses more gifted than me. Then there is a woman, she had her own life. Thirdly, there is what I have become and what does not belong to me. This is a legend." Marlene Dietrich did everything to become a legend, and even the end of her life was evidence that she wanted to remain as such in people's memory.

A fatal beauty and an unusually sensual woman - this is how she looks in photographs and films. Men's suit, top hat, aristocratic sophistication, cold sparkle in the eyes. This image, which has not lost its attractive power for many years, was created in the 30s of the last century, when the American director Joseph von Sternberg gave the young German actress the main role in the film “The Blue Angel” and revealed her to the whole world. From now on, her name was Marlene Dietrich (the name is short for Mary Magdalene, the full name of the future star, and Dietrich means “master key” in German).

In the movies, she was an odalisque in a harem, a passionate Spanish woman, a cabaret singer, and twice a murderer. own husband: in Alfred Hitchcock's film "Stage Fright" and in Billy Wilder's film "Witness for the Prosecution".

She had a greatness of spirit that transcended time. Hemingway wrote to Marlene: “I never took you for a goddess or a movie star. You can be whoever you want, and even star in Westerns. You will still remain my hero." Jean Cocteau, another famous lover of Marlene, said: “Marlene Dietrich. Your name At first it sounds like a caress, but then you hear the crack of a whip.” Others went crazy for her too famous men XX century - Erich Maria Remarque, Jean Gabin, Luchino Visconti, Alfred Hitchcock, Alexander Vertinsky.

The bizarre repetitions of fate and the stunning career of Marlene Dietrich still do not allow the controversy to subside, where the intrigues of the film industry, love and politics are intertwined.

A retrospective of films starring Marlene Dietrich includes the melodrama “The Devil is a Woman” by Hollywood director Joseph von Sternberg (a prize at the Venice Film Festival in 1935); feature film"Destry Rides Back in the Saddle" by George Marshall, filmed in the Western genre (in 1996, it was added to the National Film Registry of the US Library of Congress); the romantic comedy "New Orleans Sweetheart" by the famous French director Rene Clair and the western "Scoundrels", based on the novel by Rex Beach.