An elegant and fragile woman, with a wary look and charming appearance, in this description it is easy to recognize the actress Marina Neyolova. Her biography and personal life still excites many fans. It’s hard to believe, but last year the artist celebrated her 70th birthday, and young people can envy her vigor and energy.

Personality formation

Although the girl grew up in a non-artistic family, from childhood her parents instilled in her a taste for beauty; they wanted to raise a creative person. From the age of 4 she studied ballet, however, the girl wanted to play, and after graduating from school, she entered the theater university the first time, taking the course of Vasily Merkuryev and Irina Meyerhold.

Marina Neelova in her youth

IN student years Neyolova starred in the film “Old, old tale", although this was not welcomed, she was forgiven for the violation. After university, Marina worked for a short time at the Moscow City Council until she was lured to Sovremennik.

Adult life

Marina Neelova’s theatrical activity began with the production of “Valentin and Valentina”, the debut turned out to be quite successful and the actress has continued to work there for more than 30 years.

Photo of the young actress

Over such a long period of time, she played many roles, the most memorable performances:

• "Twelfth Night" (1975);
• « Cherry Orchard"(1976);
• "Three Sisters" (1982);
• "The Inspector General" (1983);
• "Cool Route" (1989).

Moreover, in “The Overcoat” she successfully played the role of a man.

Neeelova on the stage of the theater

Cinema

After filming with Oleg Dahl, the actress was literally inundated with invitations; at first she played fairy-tale heroines and dreamy ladies. Her role as a mistress in “Autumn Marathon” brought her particular popularity; by the way, this film is still loved by viewers.

Still from the film “An Old, Old Tale”

The films in which Neyolova starred can be listed for a long time, here are the most famous of them:

1. “You are the only one I have” (1993).
2. "Prison Romance" (1996).
3. "The Barber of Siberia" (1998).
4. "Azazel" (2002).
5. "Steep Route" (2008).
6. "Suggested Circumstances" (2009).

Marina Neelova in the film " Autumn Marathon»

In addition, Alice from the cartoon “Alice in Wonderland” of the same name speaks in the voice of an actress. The biography and personal life of Marina Neelova attracted the interest of many foreign reviewers. For example, the famous American critic Peter Marks wrote: “The hardest thing is to imagine that someone or something could spoil Neelova’s play.”

Actress on the set of the film "Azazel"

Children and family

The actress met her first husband, Anatoly Vasilyev, on the set of the film “Color.” white snow", which he directed. The man couldn’t find a candidate for the role for a long time main character, Marina ideally suited all the requirements. Their marriage lasted only 8 years; nothing is known about the reasons for their separation.

The first husband of the actress Anatoly Vasiliev

Then a passionate love arose for the chess player Garry Kasparov, despite the fact that he was 16 years younger than her. However, the ending of the novel was unsuccessful, thanks to the man’s mother; the despotic and domineering woman believed that marriage would interfere with her son’s career.

Their breakup turned the entire theatrical elite against the athlete extremely negatively. After the breakup, Marina had a daughter, Nika, although Kasparov never acknowledged his paternity; in appearance, the girl is very similar to him.

Marina Neelova and Gary Kasparov

For a long time the actress led a rather closed life, focusing only on her career and raising her daughter, until her acquaintances almost by force dragged her on vacation, where she met her soulmate, Kirill Gevorgyan. After getting married, the newlyweds went to live in Paris. The man was able to replace the actress’s daughter’s father, so the girl believes that she grew up in full family.

The actress with her husband and daughter

By the way, Nika has become a popular artist, her works are known all over the world. And in 2010 she won the prestigious European competition “New Sensations”. Most recently, the girl’s personal exhibition took place in London, and her paintings have been purchased by private collectors around the world.

Marina Neelova today

For many women, photos of their daughters and grandchildren are of paramount value; unfortunately, Marina Mstislavovna cannot boast of this yet, but there is still more to come.

The actress continues her theatrical activities; in 2016, the artist was awarded the prize “For conquering the heights of acting and loyalty to the principles of the school of K.S. Stanislavsky."

Marina Neelova on the set of the film “Frostbitten Carp”

In January 2018, viewers saw the melodrama “Frozen Carp” with Neelova in leading role, she finally broke her many-year hiatus from cinema.

The actress plays a lonely pensioner who has no one to talk to except a live carp. An interesting fact: during filming they used the same fish; it already recognized the woman and swam to the side of the vessel when Marina approached her.

The biography of Marina Neelova indicates that she dreamed of becoming a famous actress as a child. Now we can say with confidence that this me...

Actress Marina Neelova: biography, personal life, photos and best roles

From Masterweb

03.06.2018 18:00

The biography of Marina Neelova indicates that she dreamed of becoming a famous actress as a child. Now we can say with confidence that this dream has come true. “Degtyarev’s Fantasies”, “Dear Elena Sergeevna”, “Autumn Marathon”, “Monologue”, “You Are the Only One for Me” - it is difficult to list all the films thanks to which Neyolova was remembered by the audience. By the age of 71, this talented woman managed to star in more than 50 film and television projects. She also has many bright roles, played on the stage of the Sovremennik Theater, to which she dedicated her entire life. What is the celebrity story?

Marina Neelova: biography, family

The Russian cinema star was born in Leningrad, this happened in January 1947. From the biography of Marina Neelova it follows that she was born into a family that has nothing to do with cinema and theater. Valentina Nikolaevna, her mother, devoted herself to raising the child. She actively encouraged the girl's desire for creative activity.

At the age of four, Marina began studying ballet. Then she developed an interest in theater and began participating in school plays. While studying in her senior year, Neelova already knew for sure that she had to become an actress.

Student years

Marina Neelova’s biography indicates that she managed to enter LGITMiK immediately after graduating from school. Of course, the girl chose the acting department. She learned the basics of the profession under the guidance of Irina Meyerhold and Vasily Merkuryev. It was interesting to study, so the years of student flew by instantly.

Neyolova first came to the set when she was studying in her third year at LGITMiK. She made her debut in the film “An Old, Old Tale” by Nadezhda Kosheverova, where she got two roles at once. Critics responded positively to the first experience of the aspiring actress. She received her diploma in 1969.

Theater

The biography of Marina Neelova indicates that during her student years she dreamed of joining the BDT troupe. However, the girl did not dare to make such a request to the chief director of the theater, Georgy Tovstonogov. In 1971, Marina moved to Moscow and joined the creative team of the Mossovet Theater. During her three years of service in this theater, she played several roles, for example, she took part in the production of “Tour Base”.

In 1974, Sovremennik opened its doors to Neelova, where she still serves. It all started with the fact that Konstantin Raikin and Valery Fokin offered her to replace the retired actress in the production of “Valentin and Valentina”.

It is difficult to list all of Neelova’s achievements over the years of service in this theater. She took part in many famous performances. For example, in “Twelfth Night” the actress embodied the image of Viola, and in “The Cherry Orchard” she played Anna. In “The Inspector General” she played the role of Marya Antonovna, and in “Three Sisters” she played the role of Masha. Listed below are other famous productions with her participation.

• "Forever Alive"
• "Snow White and the Seven Dwarfs."
• "Four drops."
• “Don’t part with your loved ones.”
• "Echelon".
• "From Lopatin's notes."
• "Faryatyev's Fantasy".
• "Ladies invite gentlemen."
• “Hasten to do good.”
• "Cabal of Saints."
• "Hell's Garden"
• "Cool route."
• "Stars in the morning sky."
• "Sweet-voiced bird of youth."
• "Autumn Sonata".
• "Lady".

From obscurity to fame

The biography of actress Marina Neyolova indicates that her first serious achievement was one of the key roles in Ilya Averbakh’s drama “Monologue”. She brilliantly embodied the image of young Nina, the granddaughter of the old Professor Sretensky. It was not easy for the actress to get this role; she made every effort to ensure that the director paid attention to her.

“Autumn Marathon” is a film through which Marina Neelova felt a taste of real fame. The biography, personal life, and photos of the actress began to arouse public interest precisely after the release of this film. Preparing for the role of Alla took a lot of time; Marina wanted to understand her character as best as possible. The most difficult episode for the actress was in which her heroine and Oleg Basilashvili’s hero (they played lovers) were lying under a blanket in an unheated room.

This was far from the first sacrifice that Marina made for the sake of her favorite job. For example, in the film “With You and Without You,” released several years earlier, the actress embodied the image of a farm laborer. She was forced to milk goats and cows, carry bags of stones, chop wood and mow grass.

Roles, roles

It cannot be said that actress Marina Neelova, biography, personal life and creative achievements which are discussed in the article, there is a clearly defined role. She began her film career with the roles of fairy-tale and romantic characters. As an example, we can recall the paintings “Broken Horseshoe”, “The Color of White Snow”, “The Prince and the Pauper”, “Shadow”. Next, Neelova began to play vulnerable, fragile, suffering women who are ready to fight for their individuality and defend their “I”. For example, this is her Nina in “Photos on the Wall”, Valentina in “A Word for Protection”, Sasha in “Simply Sasha”, Alla in “Autumn Marathon”.

In the 80s, Marina's repertoire was enriched with comedic roles with a touch of farce. Many viewers fell in love with the heroines, whose images she embodied in the films “Someone else’s wife and husband under the bed”, “Handsome Man”, “We are cheerful, happy, talented”, “Carousel”, “Ladies Invite Gentlemen”. She also continued to act in dramas. For example, Neelova performed one of her most striking roles in the film “Dear Elena Sergeevna.” One cannot fail to note the film “Prison Romance”, in which the star brilliantly embodied the image of the main character. She played an investigator from the prosecutor's office who manages to fall in love with a prisoner.

First marriage

Fans want to know about this talented woman everything, the public is interested in her biography, personal life, children. Marina Neelova met her first husband while working on her graduation film, in which she was entrusted with a key role. Actor and director Anatoly Vasiliev immediately made an impression on her, and the sympathy turned out to be mutual.

The lovers got married soon after the film was released. Anatoly lived in Moscow, and Marina moved from her hometown to the capital. Her first marriage lasted about eight years. Official reason their separations did not match their characters.

Romance with Garry Kasparov

What happened next in the personal life of Marina Neelova? The star's biography indicates that in 1984 she began to experience romantic relationship with chess player Garry Kasparov. The actress was 16 years older than her lover, but this did not stop her. It was Marina who helped Harry enter the circle of the capital's elite. Kasparov’s mother was categorically against their relationship. It is possible that this is what led to their separation.

What other facts are known from the biography of Marina Neelova? She did not have children in her marriage to Anatoly Vasiliev, but she gave birth to a daughter from Garry Kasparov. The actress named the girl Nika. Harry abandoned his daughter even before she was born, and Neelova crossed this man out of her life forever. Her friends also stopped communicating with Kasparov and hosting him.

Second marriage

The star’s second husband was diplomat Kirill Gevorgyan, as evidenced by her biography. Marina Neelova, whose photo can be seen in the article, met this man at one of the receptions where her friends invited her. The lovers dated for about three months, then got married. It was Kirill who became a real father for her daughter Nika.

Gevorgyan, on duty, spent a lot of time abroad, Marina traveled with him. Of course, this could not but affect her career. In the beloved Sovremennik, they met the star halfway and adjusted the performance schedule to suit her. Neelova became less likely to act in films. When she had to choose between family and work, she gave preference to family.

Daughter

Marina Neelova's father was an artist. It is possible that it was from her grandfather that her daughter Nika inherited the talent for drawing. The heir to the actress graduated from the Royal Academy of Arts in The Hague, then studied at University College London. Now Nika's works are exhibited at prestigious European exhibitions. It is interesting that the daughter of Neelova and Kasparov not only does not strive for publicity, but even avoids it.

Selected filmography

• "An old, old tale."
• "Shadow".
• "We're waiting for you, boy."
• "The Prince and the Pauper."
• "Monologue".
• "With and without you."
• "Broken Horseshoe"
• "Night of Mistakes"
• "A word for protection."
• "Just Sasha."
• "Between heaven and earth."
• "Twelfth Night"
• "Photos on the wall."
• "Mistakes of Youth."
• "Handsome man."
• "Autumn Marathon"
• "Faryatiev's Fantasies."
• "Ladies invite gentlemen."
• "We won't see you."
• “Hasten to do good.”
• "Carousel".
• “We are cheerful, happy, talented!”
• “Dear Elena Sergeevna.”
• "Shadow, or Maybe everything will work out."
• "Who's Afraid of Virginia Woolf?"
• "Prison Romance"
• “You’re the only one I have.”
• "Inspector".
• "Twenty minutes with an angel."
• "Lady for a day."
• "The Cherry Orchard".
• "Cool route."
• "Overcoat".
• "Proposed Circumstances"

My last role to date talented actress performed in the dramatic comedy “Frostbitten Carp.” Her character is an ordinary pensioner from a small town, Elena Mikhailovna, who learns about her fatal diagnosis. A woman decides to spare her only and beloved son, who works in another city as a business coach, from potential troubles. She begins to independently prepare for her own funeral.

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Dossier on stars: truth, speculation, sensations. Idols of all generations Razzakov Fedor

Marina NEELOVA

Marina NEELOVA

M. Neelova was born on January 8, 1947 in Leningrad. Her parents were creatively gifted people (her father drew beautifully) and dreamed that their daughter would devote herself to art. From the age of four, Marina’s mother began taking Marina to the Kirov Opera and Ballet Theater, and over the course of a year they watched all the performances several times. After this, Marina's dream for many years became ballet. However, in high school she became seriously interested in theater and, after graduating from school in 1964, she entered the acting department of the Leningrad State University. state institute theater, music and cinematography (workshop of V. Merkuryev and I. Meyerhold).

Even at the institute, the opinion was formed about Neelova that she had a bad character. “She, Margarita Terekhova and a couple of other students,” said gossips in the corridors of the institute. However, Vasily Vasilyevich Merkuryev, who never denied this opinion, still considered Neelova among his most gifted students. Neyolova herself spoke briefly about this: “I just have character, and there is no need to say that this is bad.”

In 1968, Neelova was suddenly invited to audition for Nadezhda Kosheverova’s film “An Old, Old Tale.” Several famous actresses auditioned for the two main roles - the daughter of the innkeeper and the princess from the show performed with dolls, but the director chose Neelova.

The actress recalls: “I remember the first day of shooting very well. I felt the fear that probably every normal person experiences before the first step on stage, before the second, before the tenth and whatever, no matter how much you work. I felt completely uninhibited from fear. Then I made everyone laugh with my despair. Kosheverova, a gentle, sensitive person, found something in this and approved me for the role, although everyone was categorically against it: “Anyone, but not this one.” Many people later asked me if this was really my first time filming, because the cameraman was surprised by my impudence, which was actually my way of self-defense...”

In 1969, Neyolova graduated from LGITMiK and was enrolled in the Lenfilm staff. However, after working with Kosheverova, no one invited her to act, and she was unemployed for some time. In her own words: “I went to the cinema in order to end up in the theater through it. I couldn’t show up in the theater because, firstly, I was terribly afraid, and secondly, I didn’t want to show up in any theater other than the Bolshoi Drama Theater, living in Leningrad, naturally, but in the Bolshoi Drama Theater... Show up and not be accepted was tantamount to a loss of self-confidence for many years. When a person loses, he loses a lot in his reserves. After graduation, I built my life in fantasies like this: I would have to star in some film where I would play wonderfully and where someone would see me and invite me to their theater...”

In 1970, Neelova starred in her second film, “The Color of White Snow,” directed by Anatoly Vasiliev. She played a girl working as a subway controller. The film did not bring the actress either fame or great creative satisfaction. However, in the same year, the film “An Old, Old Tale” was released on the screens of the country, and it was thanks to it that Neelova was noticed. As legend has it, a certain actor praised her to the director of the Mossovet Theater, describing her as “a young Ranevskaya.” After such praise, Neelova was invited to Moscow.

M. Neyolova recalls: “I started rehearsing for the play, and Yuri Zavadsky (chief director of the Mossovet Theater - F.R.) came to the fifth or sixth rehearsal. The entire artistic council came too. The artists involved in the upcoming performance were very worried, but because of the general excitement, I calmed down. Zavadsky could not reach my exit, he stopped everyone at every word: enter again, repeat, wrong. Like Stanislavsky: I don’t believe it. I stood ready all the time, and this situation was already beginning to irritate me. After all, it was my debut, and they were rehearsing here and couldn’t stop. So what is this? I’m just getting ready, and there’s another hitch on stage.

I already had such pressure that, unable to stand it, I jumped onto the stage. Zavadsky was stunned, and for twenty minutes I did not let him come to his senses for even a second. He, it turns out, was not aware that he had come to see me. He was simply asked to come to the next rehearsal and make comments. Yuri Alexandrovich looked at me in surprise, trying to understand who I was and what was going on. And I played and thought: if only I could reach the end, show what I’m capable of...”

In 1971, Neelova was accepted into the Mossovet Theater. In the same year, N. Kosheverova invited her to her next film - “Shadow” based on the comedy by E. Schwartz, where Neyolova was to become Annunziata, a devoted and selfless assistant to Accountant. The latter was played in the film by Oleg Dal, who was Neyolova’s partner in “The Old, Old Tale.” This coincidence will then be unambiguously interpreted by idle minds as a romance between the two actors. However, in reality there was no romance between them, although Neyolova, in her own words, was madly in love with Dahl.

Meanwhile, after filming “Shadow,” offers to star in other films rained down on Neelova from all sides. She credited the following films: “Waiting for you, guy...”, “The Prince and the Pauper” (both 1972), “Broken Horseshoe”, “Monologue” (both 1973). Of all the above, the one that made the strongest impression on both critics and viewers was last work Neelova - Ilya Averbakh’s film “Monologue”, where she played her contemporary Nina. Critic A. Plakhov wrote about this work of the actress: “The combination of Neelova’s internal theme and the corresponding life material occurred in the film “Monologue”. The actress played here the youngest representative of a family with well-established traditions. Professor Sretensky played by Mikhail? Gluzsky personified the inviolability of these traditions. His Daughter (Margarita Terekhova), limply floating with the flow in her Not-so-prosperous life, could not resist the danger of exchanging and wasting moral values. For general meaning In the film, it was extremely important what the granddaughter would bring with her, not yet formed as a person, but sensitively resonating with every emotional note sounding around her. Marina Neyolova in this role embodied a unique synthesis of the earthly and spiritual, energy and inaction, imperfection of beauty, thirst for the new and veneration of traditions. In this tear-stained, offended, rejected girl, there was something piercingly recognizable, characteristic of most of the actress’s heroines of the early seventies. Through immaturity and exaltation " ugly duckling“The conquering power of eternal femininity was breaking through, only deformed, but not outlived...” It is no coincidence that some foreign journalists, speaking about the “Monologue” shown at the Cannes festival, especially distinguished the heroine Neyolova. In one of the reviews, this image was even called the most unexpected and complex among female types Soviet cinema since Veronica from the film “The Cranes Are Flying.”

In 1973, Neelova starred in only one film - “With You and Without You” directed by Rodion Nakhapetov. This time the actress had to reincarnate as a farm laborer Stesha. The transformation was difficult. To do this, Nakhapetov forced the actress to carry a heavy bag filled with stones, sent cows to milk at six o’clock in the morning, and then demanded that she learn how to mow flax. Neyolova really learned how to mow, and she did it so quickly that the foreman of the collective farm where the film was filmed offered her an alternative: if she suddenly left the cinema, he would be happy to take her to his brigade.

In one of the scenes of the film, the hero of the actor J. Budraitis - the fist - was supposed to push the farmhand (Neelova) onto a cart, and then whip her on the back with the reins because she did not want to live with him on the farm and was eager to join the collective farm. To make the scene look believable, Nakhapetov spent a long time persuading the actor to make everything as natural as possible.

M. Neyolova recalls: “At the rehearsal, the non-flimsy Juozas pushed me onto the cart, I was a smack, the sound was heard - bone on bone, tree on tree. I tell him: “Juozas, you still guide me a little.” He said to me: “No, you somehow get out of it yourself, I don’t know how to push you, I have a temperament, I can’t.” And - balls me again. I'm covered in bruises: my legs are blue, my arms are blue, my face is beaten. He hits me five times. His hand is heavy. In the close-up you can clearly see how my head literally flies off my body with each blow. And Rodion thoughtfully said: “No, it’s somehow unnatural, let’s do it again.” After another take, Nakhapetov was again in thought: “It’s strange, I can’t understand. Yes, it seems normal. And I look at the camera - somehow it looks unnatural. Give it to her properly!”

In the end, the scene was filmed, however, when the long-awaited “Stop” command was heard, four scars appeared on Neelova’s face. However, Neelova’s torment was rewarded a hundredfold after the film was released: for this role she was awarded the Golden Femina prize at the International Festival in Brussels.

In 1974 creative career Neelova could change dramatically. The director of the BDT, G. Tovstonogov, having watched “Monologue” with her participation, suddenly decided to invite the actress to his troupe. He asked Zavlit to call the actress to the theater for a serious conversation. However, that meeting was never destined to happen. Shortly before this, Neyolova quit Lenfilm, having received an invitation to play in the troupe of the Sovremennik Theater.

She was invited to Sovremennik by Konstantin Raikin, who needed a partner in the play “Valentin and Valentina” based on the play by Mikhail Roshchin. Neyolova refused this invitation for some time, fearing her failure, but Raikin, tired of pestering her by phone, showed up at her home (he had just returned from the filming of the film “A Friend Among Strangers, a Stranger Among Our Own,” where he played the Tatar Kayum, and his head was shaved). They talked for about four hours, after which Neyolova finally gave her consent to play Valentina (at the same time, she continued to play in performances of the Mossovet Theater).

After this performance, popular rumor again attributed to Neelova some kind of close relationship, this time with Raikin Jr. What was true here and what was not, I don’t presume to judge; I’ll just quote on this score the words of one of the perpetrators of those rumors - K. Raikin. In particular, he said: “It’s difficult... partnership on stage and partnership in life are two different things. Marina and I - we absolutely irrevocably gravitate towards each other. And it has always been like this. Well, I was just dying from her, she also wanted me... no, “she treated me well” - these are not the right words, we simply could not live without each other...”

Meanwhile, to Neelova’s tossing between two theaters, another one was soon added - filming a movie. Director Vadim Abdrashitov invited her to play the role of Valentina Kostina, a woman accused of murdering her lover. From that moment on, Neelova’s daily routine was filled with work to the limit. During the day she played in Sovremennik, in the evening she rushed to Mossovet, at two o’clock in the morning, made up and ready for the role, she stood on film set, in the morning I flew again to the rehearsal at Sovremennik. It ended with the fact that one day during a rehearsal of the play “Lopatin's Notes”, where the heroine Neyolova was supposed to lie on the couch, she... fell asleep. She was woken up by Galina Volchek, who immediately posed the question bluntly: it was time to finally decide on theaters. And Neelova chose Sovremennik.

In Sovremennik, Neyolova received four roles at once: Larisa in Four Drops, Veronica in Forever Living (both plays by Viktor Rozov), Nika in Lopatin's Notes by Konstantin Simonov and Viola in Twelfth Night by William Shakespeare. As the critic N. Leikin wrote in those years: “One is tempted to say a “sacramental” phrase about the young actress who recently joined the troupe of the Moscow Sovremennik Theater: “A new one has risen on the theatrical horizon.” acting star"... The epithets naturally “flow” from the pen - natural, spontaneous, sincere, organic, reverent, etc., etc. Everything is true in relation to the images created by Neelova, to her stage existence in them. And at the same time, all these epithets are too general and therefore not accurate and expressive enough to determine her acting uniqueness and acting attractiveness: no matter who, in whatever brilliant acting environment Neelova plays, she is always a magnet (or magnet) of audience attention, audience immersion into the life of the human spirit created by it..."

Meanwhile, until the end of the decade, Neelova played several roles in films. It's about about films: “Olga Sergeevna” (TV) (1975), “Simply Sasha” (TV), “Shagreen Skin” (TV) (1976), “Enemies”, “Handsome Man” (TV), “photos on the wall ", "Mistakes of Youth" (the film was released only in 1989), "Meanwhile, somewhere..." (all - 1978), "Autumn Marathon" (1979) - There could have been more roles if Neelova I didn’t consciously refuse many offers. Why? She did not see in them material worthy of her talent. Later she would speak about this as follows: “My favorite film is Monologue.” And I don’t even want to remember the ones I don’t love. They exist, and I'm generally lately I'm afraid to act in films - There are various reasons. Of all the things I play in the theater, I can’t name a single role that I would like to exclude from my list. But in cinema I cannot boast of the same. And I would name only a few films for which I am not ashamed: I am ready to cross out all the rest. And, to my horror, I understand that this will continue. No one can be blamed..."

In 1976, for embodying the images of her contemporary in cinema, Neelova was awarded the title of laureate of the Lenin Komsomol Prize.

Of the entire list above, Neelova’s most notable work was the role of the typist Alla in the film “Autumn Marathon” by Georgy Danelia. As the actress herself recalls: “Danelia and I met on the set for the first time, and, as always with me, the start of work turned out to be very difficult. Almost a third of the picture argued, refuted each other, but then somehow suddenly we began to agree with everything that was proposed by them or me...”

“Autumn Marathon” attracted 22.3 million viewers at the box office and was awarded at festivals: San Sebastian (1979), Dushanbe (1980), Chamrous (1980). In 1981, the filmmakers were awarded the State Prize of the RSFSR.

In 1980, M. Neelova was awarded the title of Honored Artist of the RSFSR.

The first half of the 80s brought Neelova a whole string of interesting roles in theater and cinema. On the stage of Sovremennik she played: Olya Solentsova in Hurry to Do Good, Marquise Cibo in Lorenzaccio (both 1980), Masha in Three Sisters (1982), Elena in Gemini (1984).

She starred in the films: “Ladies Invite Gentlemen” (1981), “Faryatyev’s Fantasies” (1982), “Carousel” (TV) (1983), “Someone else’s Wife and Husband Under the Bed” (TV) (1984), “The Midday Thief” (from the television series “Experts Conduct the Investigation”) (1985).

In 1984, popular rumor attributed Neelova with another romance novel- this time with Garry Kasparov. It was difficult to believe this, if only because the chess player was 16 years old Younger than the actress. However, the rumors turned out to be true. We find their confirmation in the book of G. Kasparov himself, “Child of Change.” I will give an excerpt from it: “Our close communication with Marina Neyolova lasted more than two years. She was older than me, like all my friends at that time. Partly because I matured very quickly. But much more due to the fact that women of the same age, as a rule, sought to get married as soon as possible. Of course, I couldn’t even think about this, since I was preparing for my first world championship match (in 1985, Kasparov became the world champion. - F.R.). Everything - my health, my training, my aspirations - was subordinated to this goal. On the other hand, I was a normal young man with normal needs and desires. And he was by no means a monk.

Marina suited me because she didn’t want to get married. She understood the true nature of my struggle and provided me with support and encouragement. We had many mutual friends among writers and artists. She ended up in the elite Moscow Sovremennik theater after successfully role played a woman abandoned by her lover in the film Monologue. A theater critic once said of her: “She moves across the stage like a restless cat... She has the voice of a spoiled girl and an erotic appearance that electrifies the audience.” Outside the stage they said that “she is the woman who hides her soul deep inside, releasing evil words like a rose releasing thorns.” In short, she was an extraordinary woman, and it is not surprising that a young man of 21 was fascinated by her.

I am a generous guy by nature and it was a great pleasure to buy her gifts during my trips abroad. But in 1986 I was very preoccupied with preparing for the rematch with all the tedious restrictions that entailed. I almost stopped seeing Marina. Parting became inevitable. Therefore, I was completely sure that the child she was carrying could not be mine. Each of us already had a separate personal life. I tried to put it all out of my mind and focus on chess."

In 1987, Neelova actually gave birth to a girl, whom she named Nika (by the way, that was also the name of the heroine played by the actress in the play “Lopatin’s Notes” by K. Simonov).

The birth of a child certainly affected Neelova’s creative activity - she practically stopped playing in the theater and acting in films. On stage, she played only a few roles in the plays: “Who's Afraid of Virginia Woolf?”, “Steep Route”. Only three films with her participation were released in the cinema: “We are cheerful, happy, talented” (1986), “Shadow, or Maybe everything will work out,” “Dear Elena Sergeevna” (both 1988) - In the last film, Neyolova for the first time met with director Eldar Ryazanov. The film was shot in as soon as possible(22 days) in August-September 1987. It took 14th place at the box office, attracting 15.9 million viewers.

In the early 90s, Neyolova chalked up two more film roles: in Dmitry Astrakhan’s film “You Are the Only One for Me” (1993) she played Natasha (for this role she received “Nick-93”; in addition, the film collected prizes from seven various film festivals) and in Yevgeny Tatarsky’s film “Prison Romance” (1994) - a prosecutor’s office investigator who fell in love with a prisoner.

In April 1994, the news spread around theater circles that Neelova was going to leave the country. These rumors were soon confirmed: Neyolova actually left Russia for France with her daughter and husband, diplomat Kirill Gevorgyan.

For about two years, Neelova lived in Paris, completely absorbed in her personal life. But in the fall of 1996, she again appeared on the stage of her native Sovremennik and took part in the theater’s tour to the USA. On Broadway, Contemporary presented two of its best performances: Three Sisters and Steep Route. The audience was delighted. On May 18, 1997, Sovremennik was awarded an honorary award in the field of theatrical art, the Drama Award.

In the autumn of the same year, Neelova returned from Paris to Moscow. In this regard, critic A. Sokolyansky wrote: “Marina Neelova has all the data to become the best today tragic actress Russian scene - the question is whether it wants this. The role of a luxurious melodramatic beauty in adulthood, if we speak humanly, is just as tempting, and requires much less emotional investment. Soon Neyolova should play the heroine of Turgenev’s “A Month in the Country”. The play is staged by Roman Viktyuk, who knows how to seduce great actresses with the magnificent charms of stardom... In his play, Neyolova’s tragic talent has almost no chance to reveal itself. However, no matter in what capacity Marina Neyolova appears on stage, the audience’s love and appreciation are guaranteed to her.”

From an interview with M. Neelova different years: (1981) - “I am completely incapable of active recreation, I could never do tourism, I don’t like to just visit. I feel good only in the circle of people who are very close to me...”

(1982) - “I must say that unlike the theater, where no one tells me that I have a terrible character, in the cinema, perhaps, they think exactly like that. Although I think that my character is not terrible, but I just have it. But one way or another, my meetings with directors at work almost always lead to arguments, which causes indignation among the directors. There are times when you're filming in a terrifying atmosphere, when you feel the pain from just the back of the director's head. During one film, we developed mutual hatred, he couldn’t see me, and I couldn’t see him. And only on the site. Outside of it we communicate normally. In front of the camera - complete incompatibility, different blood types. Then I watched the film and I liked it...

What's the matter? Probably, in my, I would not call them excessive, demands. Firstly, I want the artist to be treated with respect in films. Secondly, that the artist has the right to express his opinion and that he is listened to to some extent. Thirdly, so that the director clearly knows what he wants and can tell the actor about it...”

(1984) - “I am an emancipated woman, fully equal in rights with a man, not dependent on anyone. I can change a car tire myself, drive a nail, move a sofa, and so on. But how sometimes you want to be weak, tender, unable to do anything, just a woman!..”

(1985) - “I have a terrible character! Horrible! Everything is bad for me, but I don’t feel good. If they ask me: “Marina, are you okay?” - everything is bad with me. Because I begin to program my life in advance, realizing that it does not lend itself to any program. But I need to know that I have to leave tomorrow. I start grumbling if I don't leave. And if they tell me: “Okay, you will leave,” then I think why am I leaving when I need to do this and that. Or I'm tired, I need to rest. But they said that tomorrow is a day off - and this is terrible, because instead of working, I will be resting. And everything is bad for me. The sun is bad, because on this day I was filming when I could have sunbathed. But if it rains, that’s also bad, because I could work that day. I never feel peace!

And there are people close to me too, because I never let them be calm. If I receive new role, then the first thing I say is: “I will fall into it, absolutely, I will fail in shame!” If I don’t fail too badly and they say to me: “See!” - I still find some outlets for negative emotions. I have positive emotions doesn't happen..."

This text is an introductory fragment.

194. MARINA The ocean, in which the splash of a wave rings, rushes about under the gaze of the mourning moon, and, gnawing sharper into the brown darkness of the sky, an ominous lightning zigzag shines in it. In a drunken convulsion, Each new wave dances, splashes zealously along the underwater rocks, and across the sky, prowling ahead, bursts

Marina Dima went to Canada after receiving an invitation to the wedding of the daughter of his friend, businessman Boris Birshtein. Then Dima lived according to the principle proclaimed in the film “Prisoner of the Caucasus”: “Life is good, and living is good. And living well is even better.” He lived, I must say,

NEYOLOVA I saw Marina Neyolova in course work her student in directing courses - there she played a subway worker. I really liked her, and I kept thinking: “We definitely need to film this girl.” And when we started the “Autumn Marathon,” I told Lenochka to

MARINA NEELOVA When Yura Rost read the script “Nastya,” he asked who I was planning for the role of the old woman. I said that most likely Nina Mamikonovna Ter-Osipyan. - Have you already talked to her? - Not yet. - Invite Marina Neelova. - To the old woman?! Marina should have been tried on Nastya. - A

Marina NEELOVA M. Neelova was born on January 8, 1947 in Leningrad. Her parents were creatively gifted people (her father drew beautifully) and dreamed that their daughter would devote herself to art. From the age of four, her mother began taking Marina to the Kirov Opera and Ballet Theater, and within a year

CHAPTER 2. MARINA AND SARAH BERNARD. TRANSLATOR OF HERACLITUS NILENDER. MEETING WITH ANDREY BELY. MARINA'S LETTER. GOLENISHCHEV'S EGYPTIAN COLLECTION. MARINA AND DAD I studied at home. I don’t remember the teacher for school subjects; an elderly French woman gave me literature lessons: I got carried away

Marina Joseph had many friends from his youth, including close ones, those whom he loved and whom he completely trusted. But he had no desire to introduce them all to each other and make friends. The result was groups of friends, separated from each other by almost impenetrable partitions,

Marina NEELOVA Neyolova has always belonged to the type of actresses who impose an unspoken taboo on talking about their personal life. Therefore, for a long time there were only all kinds of rumors about this side of the actress’s life. For example, in the late 60s, when Marina had just started

Marina Verse in St. Petersburg, the autumn scandal with poor Cherubina and the duel of famous poets, the winter sea in Koktebel Bay died down, it dozed peacefully summer night under the “tower” of the Voloshin house, leading into the distance with a fabulously bright moonlit path. In the evenings on the “tower” they sounded

Marina 1 Be his dove and eagle! To be more of a mother - Marina! A messenger - a sentinel - a messenger - a standard bearer - a courtier flatterer! Seraphim and the sentinel dog To guard restless sleep. Grabbing the deck of greasy cards, Foot in the stirrup! - through fire and water! Where on horseback -

They are so different. Marina Neelova and Iya Savvina. Different types, different roles. But their destinies have something in common. Everyone has one in their life big secret related to their children. And also one person who different times called himself the husband of both actresses.

THE SECRET OF PATERNITY

Marina Neelova's main secret is her daughter. More precisely, the name of the girl's father. Once upon a time, all of bohemian Moscow looked with surprise and some delight at the passionate romance between the famous actress and the chess player Garry Kasparof, who was just gaining popularity. They met in 1984 while visiting the famous figure skater Tatyana Tarasova (whom current generation knows exclusively from the ice shows of Channel One) and her husband, world-famous pianist Vladimir Krainev. Kasparov is 21 years old. Neelova - 16 more. They were not interested in such a trifle as the age difference. Those around, of course, sighed, groaned, aahed, condemned, blessed, but, without even understanding, they accepted. At a minimum - to their companies. This is how Garry Kasparov became accepted into best houses capitals.

Only one person, as popular rumor goes, was strongly against this relationship. Mother young chess player, the imperious and unshakable Klara Shagenovna, whose weighty word was law for Harry. All two years of this novel, she only watched its development. But when Neyolova’s “interesting situation” became known, she finally intervened. And it seems that after this intervention, Kasparov, obeying the will of his mother, resigned his beloved.

The capital's elite then behaved surprisingly unanimously. After such an act by Kasparov, everyone unanimously came to Neelova’s defense. And Valentin Gaft publicly announced that from now on the chess player is denied access to decent houses in the capital.

In 1987, Marina Neelova gave birth to a daughter, Nika. The question of her paternity was often raised in theatrical circles, but the actress herself always nipped it in the bud. Garry Kasparov also did not give any comments on this matter. Only once, when he was asked bluntly, straight to the point, about possible paternity, he answered vaguely: “Definitely this question (at least for me) is not resolved.” And go and understand what was meant...

Marina Neyolova herself, after several years of seclusion, unexpectedly married diplomat Kirill Gevorgyan, left the country and thus escaped from unnecessary gossip. After all, the child's parents are the ones who raised him. And Neelova’s daughter Nika grew up in a complete family, where everyone loved and adored her. Today Nika adequately represents her mother’s surname. Although she does not appear on stage, she also chose a creative profession. Nika is an artist whose original works are now talked about throughout Europe. And this is not an exaggeration. At the end of 2010, the girl became the winner of the prestigious European competition “New Sensations”; not long ago her personal exhibition was held in London; many of Nika’s works are in private collections around the world. And no one will say that Neyolova Sr. was involved in the success of Neelova Jr.

“GIVE UP YOUR CHILD!”

Iya Savvina’s only heir, son Sergei, was also awarded a personal exhibition at one time. And this was an incredible achievement for him. After all, the boy was born with a terrible diagnosis - Down syndrome, which in our country sounds like a death sentence.

She was offered to give up her son more than once or twice. First at the maternity hospital, then at the local clinic. Further - everywhere. The doctors, foaming at the mouth, argued that sending him to orphanage will be the most the right decision. Iya looked at the doctors with horror and understood: never in her life would she dare to take such a step. “Well,” they nevertheless convinced her, “after all, you famous actress, and children with such a diagnosis are usually born to all sorts of declassed individuals - alcoholics or drug addicts. What will your fans think? “Don’t even think that he will ever be able to even recognize you,” the medical luminaries continued to insist. “You’ll still have a hard time with it, because children with Down syndrome sometimes can’t even learn to sit.” “And remember that people with this diagnosis live up to sixteen years,” the same doctors frightened her.

And she, without listening to anyone or anything, threw all her strength into raising her son. Even about her own career, she, an actress with capital letters, I didn’t think at all then (which didn’t stop her, however, from continuing to shine on movie screens and theater stages). Yes and on family life- her first husband and father of the child was the famous geologist Vsevolod Shestakov - she had to give up. Days and nights she taught little Seryozha the most simple things. What takes other children months to master, he took years to master. But the results later surprised prominent doctors. And those of them who once assured her of the uselessness of such activities admitted their mistake. But what was more surprising was the dedication of the actress, who (with the help of her mother-in-law, a teacher by training, and the famous pediatrician Georgy Speransky) was able to achieve the impossible. Her son Sergei Shestakov not only mastered the alphabet and Russian speech, he even learned English. Orders began to appear - he worked from home as a translator. And already quite mature age Sergei became interested in painting. At the opening of his personal exhibition, the famous actress cried without hiding her tears. It was a real victory. Her son and herself! Today Sergei Shestakov is 56. Although he, in fact, remains a big child, he nevertheless amazes everyone with his numerous talents. Plays the piano and recites poetry. Well, he draws, of course. But he still can’t understand that his beloved mother will never look at him with pride and love: actress Iya Savvina passed away on August 27, 2011...

FIRST AND LAST MARRIAGE

Marina Neelova and Iya Savvina are also connected by the fact that both had the same person as their husband at different times. This is the director, actor of the Taganka Theater Anatoly Vasiliev.

He was married to Marina Neyolova when the young actress was just beginning her journey into the profession. Actually, it is he who can be thanked for revealing her talent to the world by filming “The Color of White Snow” in his graduation film, and then persuading her to move from St. Petersburg to Moscow. As soon as Neelova changed her place of registration, her career took off sharply. At first, the actress joined the troupe of the Mossovet Theater - with an obligatory, but such flattering formulation: “The young Ranevskaya came to us.” Then she was invited to Sovremennik, where for Marina herself (after working with Oleg Dahl in “The Old, Old Tale”) seemed an unattainable task...

It often happens like this: the higher your career goes, the more difficult family relationships become. And if this is a family of two creative people, one of whom suddenly jumps ahead, then the diagnosis is clear: such a union is practically doomed.

It is not surprising that the more often Neelova appeared in films, the gloomier the situation at home became. Nevertheless, she lived with her first husband for eight years. The marriage with Vasiliev quietly came to a close, and the couple, without publicly clarifying the relationship, decided to divorce. Then they agreed: if they do not hide this alliance of theirs from the idle public, then at least not particularly advertise it. And so it turned out that for a long time no one knew that Neelova and Vasilyev were once connected by marital ties.

Anatoly Vasiliev met actress Iya Savvina when they were both already established adults - at the time of their acquaintance they were over forty. This happened in 1979. Then Oleg Efremov invited Savvina to relax on Solovki. And it was there that Anatoly Vasiliev gained strength for future creative achievements.

They came to Moscow already as a couple. They settled in the same apartment, and then, realizing that the noise and bustle of the capital irritated them both, they fled to the village of Dorofeevo, where they bought a house. There, the movie star and theater prima spent all her free time - about five months a year. Together with her husband, she often sat for hours with a fishing rod in her hands and was immensely satisfied with such a life.

Yes, they also had disagreements. Still, both people are of a delicate spiritual structure; if you just throw them out of balance, not a trace remains of the idyll. Even those who were not familiar with her knew about Savvina’s explosive temper. Well, friends - as a joke, in which there is a lot of truth - called it a cross between a rattlesnake and a forest bell. Valentin Gaft even dedicated an epigram to her, very short and precise. Not in the eyebrow, but in the eyes, as they say:

Light blue eyes:
Each one is good, together they are evil.

So, of course, we quarreled. And they dispersed - each to his own corner. However, after a while they understood: they are two halves of one whole. And they reunited again.

Iya Savvina and Anatoly Vasiliev lived together for thirty long years. True, almost all this time - in civil marriage. And only two weeks before her death, when the actress began to take stock of her life, she herself invited Vasiliev to get married. So she went to another world with a calm soul. After all, I knew for sure: her only son will not be left unattended...

BY THE WAY

What's amazing is this. For some reason, Neelova was once called “young Faina Ranevskaya.” So - Iya Savvina, externally and internally so different from Neelova, was also constantly compared to Faina Georgievna. Moreover, the actress herself actively supported the opinion that there was something in common between them.

Savvina, like Neelova, once served in the Mossovet Theater. She was lucky enough to find Faina Georgievna. And although Ranevskaya took care of Savvina in every possible way, a huge scandal once broke out between them, owners of not the easiest disposition. Once Ranevskaya barked at Savvina: “How dare you stand with your back to me when I’m on stage!” Another would have remained silent in response, but that was not the case. “If you don’t stop your lordly hooliganism, I will leave, tumble around here as you wish,” she answered proudly. “Then we both cried for four hours. She blamed herself, and I blamed myself,” Savvina would later tell about that story.

Photo PHOTOXPRESS, ITAR-TASS

Marina Mstislavovna Neelova was born in Leningrad on January 8, 1947. From early childhood, the future People's Artist of Russia was drawn to art. At the age of four, the girl was already dancing in classes at the ballet school, where Marina Neelova’s parents enrolled their daughter. And in the future, Marina faced a difficult fate as a theater actress and a long, thorny path to the heights of true art.

Studying in St. Petersburg: In 1965, Marina Neelova entered the Theater Academy (formerly LGITMiK), and in 1969 she brilliantly completed her studies on the course of Vasily Merkuryev. That's when it started creative biography Marina Neelova. During her studies, she made her film debut, which, in fact, determined future fate young actress. This was a role in the film "An Old, Old Tale", which received rave reviews from critics. Neelova dreamed of working at the Leningrad Bolshoi Drama Theater under the direction of Georgy Tovstonogov, and therefore, after graduation, she set out to ask famous director about enrolling her in the troupe. However, her innate sense of tact did not allow the girl to openly make her request.

Moving to Moscow Then the biography of Marina Neelova was replenished with new pages. Having decided to wait for an invitation from Tovstonogov in the future, Marina moves to Moscow, where she joins the troupe of the Mossovet Theater with director Yuri Zavadsky. At the same time, the actress meets Anatoly Efros and auditions for him. However, the director has doubts short stature Marina Neelova. In 1974, Neelova moved to the Sovremennik Theater, where she works to this day. During her formation as a theater actress, she successfully participated in several film projects. The 1972 film “Monologue” with Mikhail Gluzsky made critics unanimously recognize our heroine’s performance as a manifestation of true acting skills, and films with Marina Neyolova soon began to take their place at the box office. Role From 1970 to 1980, Marina Neelova successfully developed her creative career.

In theatrical performances she plays leading and title roles, and appears in films with such famous directors as Eldar Ryazanov, Georgy Danelia, Vadim Abdrashitov. The role of the young actress is closest to that of a “travesty,” and the spiritual component of her roles impresses with its integrity and depth. Neelova’s heroines suffer, they are vulnerable, trying to resist cruel injustice. The images that the actress embodies on stage and on screen reflect the lives of many, many Russian women, their aspirations, aspirations, dreams and disappointments. Dramas and tragedies on stage Marina Neelova is a dramatic actress, even a tragic one, if we consider her roles in a narrower sense. At first glance, the most ordinary, most insignificant events in a woman’s life are presented by Neelova in the focus of deep analysis, and the audience, holding their breath, follows the development of the plot. However, despite all the obvious dramatic background of the production, Marina is not alien to some degree of comedy; she is able to give a humorous coloring to the episode, soften the severity of what is happening on stage and thus realize the full versatility of her theatrical skills. The audience understands this and they are gratefultalented actress for deep impressions.

Chess sketch The personal life of Marina Neelova began immediately after completing a course at the Academy of Theater Arts, when the certified actress married director Anatoly Vasilyev, moved with him to Moscow and lived in marriage for 8 long years. Marina tries not to remember this period of her life. Neelova's real personal life actually began with her acquaintance with world chess champion Garry Kasparov. This happened in 1984 at a party with pianist Vladimir Krainev and his wife Tatyana Tarasova, who is close friend Marina. They met - chess player Garry Kasparov, 21 years old, and actress Marina Neyolova, she was then 37 years old. A whirlwind romance began, which lasted several years and ended with the birth of a child, a girl. Marina named her daughter Nika. The relationship with Kasparov ended there, largely thanks to the efforts of the champion’s mother, who did not particularly favor actress Neelova with her attention. The influence of Garry Kasparov's mother on her son was overwhelming. Klara Shagenovna took care of her only child in all directions. She accompanied the chess player on his trips to competitions, where she sat behind him during the match and closely followed the game, believing that with her silent presence she was helping her son win.

Nika's daughter Nika Neyolova-Gevorgyan, daughter of Marina Neyolova and Kirill Gevorgyan (not by relationship, but by recognition), today is a famous artist, works in installation, lives in London. While in Holland with her father, the head of the Russian diplomatic mission in Amsterdam, Nika entered the Royal Academy of Arts, graduated from it and then continued her studies at UCL SLADE of FINE ART, London School fine arts, receiving a master's degree after graduation. Nika is fluent in French and English. fine arts has become a part of her life, installations by artist Nika Neelova-Gevorgyan are exhibited in prestigious art salons around the world. The last competition in which Nika took part was organized by the London Charles Saatchi Gallery for graduates of art institutes in England. The young artist took first place and received the prize awarded to her in live 4 UK TV channels. Daughter and her work What is Niki's art installation? This is a combination of the most unpredictable materials, objects and stationery. How can you use lamb bones in art, for example? Anthracite coal, nutshells or dried insects? After all, all of the above is a natural material, which means that in the hands of an artist it can take on a unique, inimitable form. And the artist Nika, a deeply creative person, the daughter of Marina Neelova, creates her fantastically interesting images by folding, gluing, combining and combining. Her works have been awarded diplomas. The artist Ilya Kabakov, who has reached unattainable heights in the field of installation, characterizes Nika’s work as an example of new, previously unknown solutions in art. Perhaps Nika is helped in creating exclusive works by her independent and decisive character, which was cultivated in a five-year-old girl by her father and mother. Immediately after the family moved to Paris, Nika went to school without knowing a single word of French. Her classmates teased her and laughed at her Russian origin. Nika just frowned, and three months later she began to speak French. Classmates and parents opened their mouths in surprise when they heard quite correct phrases from the lips of little Nika Neelova-Gevorgyan.

Marriage: In the early 90s, Marina Neyolova devoted herself entirely to work in the theater, experiencing a period of relative loneliness. At the same time, she periodically had roles in films. Marina devoted all her free time to raising her daughter. And when Kirill Horatievich Gevorgyan appeared in her life, the actress saw in this acquaintance a new perspective of life for herself. Future husband Marina Neelova was a diplomat, a senior official at the Russian Ministry of Foreign Affairs. He worked abroad for a long time. Despite the age difference, Marina Neelova and Kirill Gevorgyan got married. The husband was six years younger than his wife, but this did not affect their relationship in any way. In 1993, diplomat Gevorgyan was assigned to France, and the whole family moved from Moscow to Paris. Now Marina had to periodically come to Sovremennik performances, which were impossible without her, since the audience went “to Neelova.” The actress was tired of constant flights, but there was no way out; she could not leave her native theater. Galina Volchek, artistic director of the theater, tried to customize the performances, matching them with Marina’s visits, and to some extent this was successful.

The biography of Marina Neelova, thanks to numerous voyages, became more and more meaningful. Gradually the situation improved. Neelova's husband worked at the Russian embassy, ​​little Nika studied at school, and Marina lived between Paris and Moscow. Theater The repertoire of the Sovremennik Theater includes many productions based on literary classics. Marina Neelova, whose biography is constantly updated with new roles, is busy in almost all of these performances. "Three Sisters" and "The Cherry Orchard" by Chekhov, "Twelfth Night" by Shakespeare, "The Inspector General" by Gogol, "Anfisa" by Leonid Andreev. And in just 30 years of service in Sovremennik, the actress played more than 60 roles. In the play “The Cherry Orchard” in 1976, Marina got the role of Anya, to which the actress corresponded in age. "The Cherry Orchard" staged in 1997 already allowed her to play the role of Ranevskaya. Lyubov Andreevna Ranevskaya, performed by Marina Neelova, shocked the audience on the day of the premiere. The tragedy of the ending, the inevitability and hopelessness of grief - all this was written on Ranevskaya’s face. And the wide-open eyes reflected the pain from the blows of the ax that cut down the cherry trees. Cinema The filmography of Marina Neyolova includes about 50 films with her participation. Some of them went unnoticed. As the actress herself says: “I would leave a few films and cross out the rest.” But films such as “Autumn Marathon” or “You Are the Only One” are not forgotten; many viewers watch them several times. Marina conducts all her film roles unobtrusively, nobly, and with emphatic correctness. Her heroines have an internal culture, they are shy and reserved. And at the same time, each of them is capable of an explosion, decisive action, if it comes to their native loved one. As it happened in the film “Autumn Marathon”, in the episode when Andrei Buzykin almost gets hit by a car. Alla runs up and (where did the quiet employee of the machinery bureau go) attacks the dumbfounded driver of the Gazelle like a kite. Not every actress can achieve such transformations. Neyolova improvises on the fly, not paying attention to the script, and her vision of the situation gives a special emotional coloring to the episode.

Family The biography of Marina Neyolova can tell us a lot about the character qualities of the actress. She is a doubting person, constantly analyzing everything and everyone. I once had a complex about my waist being too thin and forced the dressmaker to try it on several times because she didn’t want to admit that her waist was only 54 centimeters. For some reason, Marina thought that this was not very normal, it was simply unacceptable. Once, when asked by her friends how things were going in her family life, Marina sadly answered: “This is the only role that I can’t do.” At the same time, everyone knows that she is happy in her marriage, and her husband Kirill Gevorgyan simply dotes on her and is ready to carry (and carries) her in his arms. The family of Neelova and Gevorgyan is friendly, but their daughter is trying to distance herself from her parents out of a desire to be completely independent.

Abandonment of the past: Neelova is one of the few high-class actresses who manage to combine their profession and home, family existence in all its manifestations, into one whole. Marina knows how to delete episodes from her life, just as entire pieces of film are cut out in the editing room at a film studio, irrevocably and without regret. The actress is often asked if she really doesn’t remember her former flame, Kasparov. And gradually everyone begins to understand that there will never be an answer to this question. Marina used editing scissors to cut out everything unnecessary from her past. The biography of Neelova Marina Mstislavovna, thus, undergoes a kind of editing, revealing to the public only the most important events in the life of the actress.

Documentary film: Not so long ago - in 2011 - was filmed documentary“Don’t ask me about my novels” about the life and work of Marina Neelova. For an hour, the actress talked about herself, her work in native theater"Contemporary", about a daughter and husband. Kirill Gevorgyan, Marina’s husband, also took part in the filming of the film; Nika Neelova-Gevorgyan, her daughter, also spoke about herself. But not a word was said about the chess player Kasparov, to whom the actress devoted several years of her life.