Presentation about Vysotsky with musical accompaniment. Presentation on the topic "Vladimir Vysotsky"

Slide 2

Lesson objectives: - to introduce the life and work of the poet-bard of the 70s Vladimir Vysotsky; -draw students’ attention to the variety of themes in Vysotsky’s poems, to the tragic note in poems and songs when performed; - to reveal the poet’s extraordinary nature, the stylistic richness and originality of his work; - cultivate civic feelings and moral qualities students using the example of the poet-fighter and patriot V. Vysotsky.

Slide 3

Slide 4

Vladimir Semenovich Vysotsky.

Childhood, youth, beginning. Born on January 25, 1938, in Moscow. His parents - Nina Maksimovna Seregina and Semyon Vladimirovich Vysotsky - lived together for about five years - at the front, Volodya's father met another woman and left the family. And after some time, Nina Maksimovna also got a new husband. After being evacuated in the Urals, and then with his father in post-war Germany, Vysotsky settled in Bolshoi Karetny Lane.

Slide 6

Slide 7

In 1955, Vladimir Vysotsky entered the Moscow Institute of Civil Engineering at the Faculty of Mechanics. However, he did not study there for long - after three months he left the institute with the firm intention of soon entering drama school. He applied to the Moscow Art Theater School and, to the surprise of his loved ones, he entered there on the first try. There he met a girl who would soon become his first wife. The girl's name was Iza Zhukova.

Slide 8

In 1959, Vladimir Vysotsky made his film debut. In the film “Peers” directed by Vasily Ordynsky, he played a tiny role of a student at a theater institute. In the same year, Vladimir Vysotsky appeared on stage for the first time. He mastered playing the guitar immediately after graduating from school and by that time had managed to compose several of his own songs. He performed them on the stage of the MSU student club.

Slide 9

Slide 10

Mature years.

In 1964, Vysotsky created his first songs for films and went to work at the Moscow Taganka Drama and Comedy Theater, where he worked until the end of his life. In July 1967, Vladimir Vysotsky met the French actress of Russian origin Marina Vladi, who became his third wife.

Slide 11

In the summer of 1969, Vysotsky had a clinical death, and then he survived only thanks to Marina Vladi. She was in Moscow at that time. Walking past the bathroom, she heard groans and saw that Vysotsky was bleeding from his throat. Fortunately, the doctors brought Vysotsky to the Sklifosovsky Institute on time; a few more minutes of delay - and he would not have survived. Doctors fought for his life for eighteen hours. Rumors about his death were already spreading around Moscow.

Slide 12

Slide 13

Slide 14

Together with the actors of the Taganka Theater, he went on tour abroad: to Bulgaria, Hungary, France, Germany, Poland. Having received permission to go to his wife in France for a private visit, he also managed to visit the USA several times (including concerts in 1979), Canada, etc. Vysotsky gave more than 1000 concerts in the USSR and abroad. On January 22, 1980, he signed up for the CT program “Kinopanorama”, fragments of which were first shown in January 1981, and the entire program was released only in 1987.

Slide 15

On July 25, 1980, Vysotsky died in his sleep in his Moscow apartment. Vladimir Semyonovich was buried on July 28, 1980 at the Vagankovskoye cemetery.

Slide 16

About creativity.

Vysotsky starred in almost 30 films, many of which feature his songs. The most famous are “Two Comrades Served,” “Dangerous Tours,” “Bad good man", "Meeting place can not be Changed".

Slide 17

Vysotsky wrote over 100 poems, about 600 songs and a poem for children (in two parts), that is, he wrote approximately 700 poetic works. Quite a lot of songs were written specifically for films, but most of them, sometimes for technical reasons, but more often due to bureaucratic restrictions, were not included in the final versions.

Slide 18

It is difficult to find aspects of life that he would not touch upon in his work. These are “thieves” songs, ballads, love lyrics, as well as songs on political topics: often satirical or even containing sharp criticism of the existing system and state of affairs, humorous songs and fairy tale songs. Many songs are written in the first person and were later called “monologue songs.” Other songs could have several characters, whose “roles” Vysotsky performed by changing his voice (for example, “Dialogue in the Circus”). These are original “songs-performances” written for performance by one “actor”.

Slide 19

Let's listen to the song "Song about a Friend." (text in the form handouts) 1. How does the image of a friend emerge in the poem? 2. How did the categorical and cruelty of the author’s position manifest itself? (according to stanza 2).

Let's listen to the song "Crystal House". (text in the form of handouts) 1. Does the attitude towards women in the poem take on the character of service? Give examples from the text. 2. From where (in space) does the hero admire his beloved? Why?

Slide 21

Slide 22

Sources: Literature. 11th grade. Textbook for general education Institutions. At 2 o'clock"; edited by V.G. Marantsman. -. : Education, 2009. http://ru.wikipedia.org http://vysotskiy.lit-info.ru/

Image links. Vysotsky http://cdn.vluki.ru/pics/pai/40217_20080122172635.jpg With father http://stat11.privet.ru/lr/Vysotsky-child http://900igr.net/datas/muzyka/Vysotskij-voennye -pesni/0012-012-Vysotskij-voennye-pesni.jpg House http://img3.proshkolu.ru/content/media/pic/std/3000000/2020000/2019228-f4f466f4a2973427.jpg Iza http://im0-tub -ru.yandex.net/i?id=561643534-13-72

Slide 23

With Abramova http://young.rzd.ru/dbmm/images/41/4080/6530001 Sl.7 http://www.pravoslavie.ru/sas/image/101001/100172.p.jpg Sl.13 http: //im6-tub-ru.yandex.net/i?id=305952190-45-72 In the role of Hamlet http://im2-tub-ru.yandex.net/i?id=442537631-66-72 Sl.14 http://im6-tub-ru.yandex.net/i?id=144973153-70-72 Cl. 15 http://im7-tub-ru.yandex.net/i?id=307559067-48-72 Cl. .17 http://im0-tub-ru.yandex.net/i?id=61540927-40-72 Sl.20 http://im5-tub-ru.yandex.net/i?id=319137274-57- 72 http://im3-tub-ru.yandex.net/i?id=127754861-65-72 http://event-review.ru/attachments/Image/%3DD0%3D92%3DD1%3D8B%3DD1%3D81 %3DD0%3DBE%3DD1%3D86%3DD0%3DBA%3DD0%3DB8%3DD0%3DB9_2.jpg?template=generic

Presentation by 7th grade student Alina Gruzdeva

Vladimir VYSOTSKY was born on January 25, 1938 in Moscow, in maternity hospital on Shchepkina street, 61/2. His parents - Nina Maksimovna Seregina and Semyon Vladimirovich Vysotsky - lived together for about five years - at the front, Volodya's father met another woman and left the family. And after some time, Nina Maksimovna also got a new husband.

Some time after his parents' divorce, in 1947, Vladimir moved to live with his father and his second wife, Evgenia Stepanovna Vysotskaya-Likhalatova. In 1947-1949 they lived in Eberswalde (Germany), at their father’s place of service, where young Volodya learned to play the piano

In October 1949, he returned to Moscow, going to the 5th grade of men's secondary school No. 186. At this time, the Vysotsky family lived in Bolshoi Karetny Lane, 15.

Graduated in 1955 high school No. 186, and, at the insistence of relatives, entered the mechanical faculty of the Moscow Institute of Civil Engineering. Kuibyshev, from which he left after the first semester.

In his first year, he met Iza Zhukova, whom he married in the spring of 1960. In 1961, on the set of the film “The 713th Requests Landing,” he met Lyudmila Abramova, who became his second wife. (The marriage was officially registered in 1965) In the early 60s, the first songs appeared. The song “Tattoo”, written in 1961 in Leningrad, is considered by many to be the first.

Later, songwriting became, along with acting, the main thing in life. After working for less than two months at the Moscow Theater of Miniatures, Vladimir unsuccessfully tried to enter the Sovremennik Theater. In 1964, Vysotsky created his first songs for films and went to work at the Moscow Taganka Drama and Comedy Theater, where he worked until the end of his life.

In July 1967, he met the French actress Marina Vladi (Marina Vladimirovna Polyakova), who became his third wife (December 1970). In 1968, he sent a letter to the Central Committee of the CPSU in connection with sharp criticism of his early songs in central newspapers. In the same year, his first author’s gramophone record, “Songs from the film “Vertical””, was released. In the summer of 1969, the actor had a clinical death, and then he survived only thanks to Marina Vladi. She was in Moscow at that time. Walking past the bathroom, she heard groans and saw that Vysotsky was bleeding from his throat.

On June 15, 1972 at 10:50 p.m., a 55-minute program “The Guy from Taganka” was shown on Estonian television - Vysotsky’s first appearance on a Soviet television screen, not counting films with his participation. Together with the actors of the Taganka Theater, he went on tour abroad - to Bulgaria, Hungary, Yugoslavia, France, Germany, Poland. Having received permission to go to his wife in France for a private visit, he also managed to visit the USA several times, etc. Vysotsky gave more than 1000 concerts in the USSR and abroad. On January 22, 1980, it was recorded on CT in the Kinopanorama program, fragments of which will be shown for the first time in January 1981, and the entire program will be released only in 1987.

Vladimir Vysotsky played dozens of roles in the theater, including Hamlet (“Hamlet” by W. Shakespeare), Galileo (“Life of Galileo” by B. Brecht), Lopakhin (“ The Cherry Orchard"A. Chekhov). The most notable works in cinema are his roles in the films “The Meeting Place Cannot Be Changed”, “Little Tragedies”, “Intervention”, “Master of the Taiga”, “Vertical”, “Two Comrades Served”, “The Tale of How Tsar Peter the Arab got married”, “Brief Encounters”, Bad Good Man”. Actor of the Taganka Drama and Comedy Theater in Moscow, created by Yuri Lyubimov in 1964. Vladimir Vysotsky went down in history as the author-performer of his songs with an acoustic seven-string “Russian” guitar.

On June 22, 1980, one of the last concerts took place (in Kaliningrad), at which he became ill. On July 14, 1980, during a performance at NIIEM (Moscow), the musician performed one of his last songs - “My sadness, my longing... Variation on gypsy themes.” On July 16, he held his last concert in Kaliningrad near Moscow (now Korolev. July 18, 1980 Vysotsky last time appeared in his most famous role at the Taganka Theater, in the role of Hamlet - a production of the same name based on Shakespeare. On July 25, 1980, Vysotsky died in his sleep in his Moscow apartment.

Death reports in Soviet means mass media almost nothing was published. For a tiny obituary in "Evening Moscow" two days after publication, he was removed from his position Chief Editor newspapers. A modest announcement was posted above the box office window: “The actor Vladimir Vysotsky has died.” Not a single person returned the ticket - everyone keeps it as a relic. And yet, a huge crowd gathered at the Taganka Theater, where he worked, and stayed there for several days. It seemed like the whole of Moscow was burying the actor; the stadiums were half empty, although official message there was no mention of death.

Vladimir Vysotsky Vladimir Semyonovich Vysotsky (January 25, 1938, Moscow, USSR - July 25, 1980, Moscow, USSR) - he was an outstanding Soviet poet, bard, actor, author of several prose works, Honored Artist of the RSFSR (1986, posthumously), and also a laureate of the USSR State Prize (1987, posthumously). Vladimir Vysotsky managed to play about thirty roles in films (including “The Meeting Place Cannot Be Changed”, “Little Tragedies”, “Brief Encounters”, “Master of the Taiga”, “Vertical”). He was a regular member of the Taganka Drama and Comedy Theater troupe. Vladimir Vysotsky became especially famous for performing his own songs with an acoustic guitar.

Slide 2

Lesson Objectives

• introduce the life and work of the poet-bard of the 70s Vladimir Vysotsky;
• draw students' attention to the variety of themes in Vysotsky's poems, to the tragic note in poems and songs when performed;
• to reveal the poet’s extraordinary nature, the stylistic richness and originality of his work;
• to cultivate civic feelings and moral qualities of students using the example of the poet-fighter and patriot V. Vysotsky.

Slide 16

About creativity

Vysotsky starred in almost 30 films, many of which feature his songs.

The most famous are “Two Comrades Served”, “Dangerous Tours”, “A Bad Good Man”, “The Meeting Place Cannot Be Changed”.

Slide 17

Vysotsky wrote over 100 poems, about 600 songs and a poem for children (in two parts), that is, he wrote approximately 700 poetic works.

Quite a lot of songs were written specifically for films, but most of them, sometimes for technical reasons, but more often due to bureaucratic restrictions, were not included in the final versions.

Slide 18

About creativity.

It is difficult to find aspects of life that he would not touch upon in his work. These are “thieves” songs, ballads, love lyrics, as well as songs on political topics: often satirical or even containing sharp criticism of the existing system and state of affairs, humorous songs and fairy tale songs. Many songs are written in the first person and were later called “monologue songs.” Other songs could have several characters, whose “roles” Vysotsky performed by changing his voice (for example, “Dialogue in the Circus”). These are original “songs-performances” written for performance by one “actor”.

Slide 1

Slide 2

Vladi Mir Semyonovich Vysotsky (January 25, 1938, Moscow, USSR - July 25, 1980, ibid.) - Russian Soviet poet, composer and performer, actor. Widely known as the author of songs based on his own poems; created several prose works (“A Novel about Girls”, etc.), and had experience as a film director. Vysotsky wrote about 700 songs and poems, played about thirty roles in films, played in the theater, toured the whole country with concerts, and toured abroad. Vysotsky touched upon forbidden topics during the years of strict censorship (for example, in early years performed songs on thieves themes), sang about everyday life Soviet life and about the Great Patriotic War - all this brought him wide popularity.

Slide 3

As an author and performer of his own songs with guitar, he gained wide popularity. In the 70s of the 20th century, citizens of the USSR bought tape recorders (an expensive purchase at that time, more than a month’s salary) specifically to listen to the songs of Vladimir Vysotsky. Many of his songs were known by almost the entire population of the USSR, and the names of the heroes of these songs became household names. And this despite the fact that neither his songs nor his name itself were practically mentioned in the official media of the USSR, although records with recordings of some of his songs were nevertheless published.

Slide 4

Vysotsky wrote about 700 songs and poems, played about thirty roles in films, played in the theater, toured the whole country with concerts, and toured abroad. During the years of strict censorship, Vysotsky touched upon forbidden topics (for example, in his early years he sang songs with criminal themes), sang about everyday Soviet life and the Great Patriotic War - all this brought him wide popularity.

Slide 5

As a rule, Vysotsky is classified among bard music, but a reservation must be made here. The themes of the songs and Vysotsky’s manner of performance were noticeably different from most other, “intelligent” bards; in addition, Vladimir himself had a rather negative attitude towards the so-called KSP (amateur song clubs) [source?]. In view of these circumstances, representatives of the modern bard movement often consider Vysotsky as a kind of independent creative unit that did not fit well into the genre framework of bard music. The poet himself called his work “author’s song,” defining this genre as poetry performed by the author with a guitar. Vysotsky's work probably influenced many representatives of Russian rock. The protest nature of many of Vysotsky’s songs, the harmonic, inextricable unity of text, music and vocals and other features apparently had an impact direct influence on such rock musicians as Alexander Bashlachev, Yuri Shevchuk (“DDT”), Andrei Makarevich (“Time Machine”) and Igor Talkov, and indirectly on Viktor Tsoi (“Kino”), Boris Grebenshchikov (“Aquarium”), Alexandra Vasilyeva (“Splin”), Yuri Klinskikh (Khoy) (“Gas Sector”), Egor Letov (“Civil Defense”) and others.

Slide 6

V. S. Vysotsky was born on January 25, 1938 in Moscow. Father, Semyon Vladimirovich (Volfovich) Vysotsky (1916-1980) - military man, colonel, native of Kyiv. According to Kyiv researchers, the poet’s grandfather came from the city of Brest-Litovsk, and the Vysotsky family comes from the town of Seltsy, Pruzhany district, Grodno province, now Brest region, Belarus; the surname may be associated with the city of Vysokoye, Kamets district, Brest region. (“In the cold, in the cold, From our homes, others call us cities - Be it Minsk, be it Brest...” - wrote V. Vysotsky in the song “Cold”, 1965.) His grandfather is Wolf Shliomovich Vysotsky (1889, Brest- Litovsk - 1962, Moscow; “Velvl” in one of the early songs of his grandson Vladimir Vysotsky) - from the family of a glassblower, studied at the Lublin Commercial School, since 1911 he lived in Kyiv, where he studied at the Kiev branch of the Odessa Commercial Institute at the same time as I.E. Babel, then at the Faculty of Law of Kyiv University; During the years of the New Economic Policy, he organized a handicraft workshop for the production of theatrical makeup and a law office. Mother, Nina Maksimovna (née Seregina, 1912-2003) - a translator by profession German language. Vladimir's uncle was the writer A.V. Vysotsky. Vladimir spent his early childhood in Moscow communal apartment on 1st Meshchanskaya Street: “...There is only one restroom for thirty-eight rooms...” - Vysotsky would write about his early childhood. During the Great Patriotic War For two years he lived with his mother in evacuation in the city of Buzuluk in the Urals. In 1943 he returned to Moscow, to 1st Meshchanskaya Street, 126. In 1945 he went to the first grade of school 273 in the Rostokinsky district of Moscow. In 1947-1949, he lived with his father and his second wife, Evgenia Stepanovna Likhalatova-Vysotskaya, in Eberswalde (Germany), where he learned to play the piano. Then he returned to Moscow, where he lived in Bolshoy Karetny Lane, 15. This lane is immortalized in his song - “Where are your seventeen years? On Bolshoy Karetny!

Slide 7

Since 1953, Vysotsky attended the drama club in the Teacher's House, led by the Moscow Art Theater artist V. Bogomolov. In 1955 he graduated from secondary school No. 186, and at the insistence of his relatives he entered the Moscow Institute of Civil Engineering. V. Kuibysheva. After the first semester he leaves the institute. The decision to leave was made in New Year's Eve from 1955 to 1956. Together with Vysotsky's school friend Igor Kokhanovsky, it was decided to spend New Year's Eve in a very unique manner - by completing the drawings, without which they would not be allowed to attend the session. Somewhere around two o'clock in the morning the drawings were ready. But then Vysotsky stood up and, taking a jar of ink from the table (according to another version, the remains of strong brewed coffee), began pouring its contents over his drawing. "All. I’ll get ready, I still have six months, I’ll try to join the theater school. And this is not mine..."

Slide 8

From 1956 to 1960 Vysotsky is a student in the acting department of the Moscow Art Theater School. V. I. Nemirovich-Danchenko. He studied with B.I. Vershilov, then with P.V. Massalsky and A.M. Komissarov. In my first year, I met my first wife, Iza Zhukova. The year 1959 was marked by the first theatrical work (the role of Porfiry Petrovich in the educational play “Crime and Punishment”) and the first film role (the film “Peers”, the episodic role of student Petit). In 1960, the first mention of Vysotsky occurred in the central press, in the article by L. Sergeev “Nineteen from the Moscow Art Theater” (“ Soviet culture", 1960, June 28). In 1960-1964. Vysotsky worked (with interruptions) at the Moscow Drama Theater. A. S. Pushkin. Played the role of Leshy in the play " The Scarlet Flower"based on the fairy tale by S. Aksakov, as well as about 10 more roles, mostly episodic. In 1961, on the set of the film “The 713th Requests Landing,” he met Lyudmila Abramova, who became his second wife. In the same year his first songs appeared. The song "Tattoo", written in Leningrad, is considered his first song. Subsequently, songwriting became the main (along with acting) work of life. He worked for less than two months at the Moscow Theater of Miniatures and unsuccessfully tried to enter the Sovremennik Theater. In 1964, Vysotsky created his first songs for films and went to work at the Moscow Taganka Drama and Comedy Theater, where he worked until the end of his life. In July 1967, he met the French actress Marina Vladi (Marina Vladimirovna Polyakova), who became his third wife.

Slide 9

In 1968, he sent a letter to the Central Committee of the CPSU in connection with sharp criticism of his early songs in central newspapers. In the same year, his first author’s gramophone record, “Songs from the film “Vertical””, was released. In the summer of sixty-nine, Vysotsky “died” clinical death, and then survived only thanks to Marina Vladi. She was in Moscow at that time. Walking past the bathroom, she heard groans and saw that Vysotsky was bleeding from his throat. In her book “Vladimir, or Interrupted Flight,” Marina Vladi recalls You don’t speak anymore, half-open eyes ask for help. I beg you to call an ambulance, your pulse has almost disappeared, I’m panicking. The reaction of the two arriving doctors and a nurse is simple and cruel: it’s too late, there’s too much risk, you’re not transportable. They don't want to have a dead person in the car, it's bad for the plan. From the confused faces of my friends, I understand that the doctors’ decision is irrevocable. Then I block their exit, shouting that if they don’t take you to the hospital right now, I will start an international scandal... They finally understand that the dying man is Vysotsky, and the disheveled and screaming woman is a French actress. After a short consultation, cursing, they carry you away on a blanket...

Slide 10

Fortunately, the doctors brought Vysotsky to the Sklifosovsky Institute on time; a few more minutes of delay and he would not have survived. Doctors fought for his life for eighteen hours. Rumors about his death were already spreading around Moscow. On June 15, 1972 at 10:50 p.m., a 55-minute program “The Guy from Taganka” was shown on Estonian television - Vysotsky’s first appearance on a Soviet television screen, not counting films with his participation. In 1975, Vysotsky moved into a cooperative apartment on the street. Malaya Gruzinskaya, 28. In the same year, for the first and last time during his lifetime, Vysotsky’s poem was published in a literary and artistic collection (Poetry Day 1975. M., 1975). In 1978, he recorded on television in the Chechen-Ingush Autonomous Soviet Socialist Republic. In 1979 he participated in the publication of the METROPOL almanac. In the 1970s, he met the gypsy musician and artist Alyosha Dmitrievich in Paris. They repeatedly performed songs and romances together and even planned to record a joint record, but Vysotsky died in 1980 and this project did not materialize. Author of several film scripts (including “Vienna Holidays” in collaboration with Volodarsky). Together with the actors of the Taganka Theater, he went on tour abroad - to Bulgaria, Hungary, Yugoslavia (BITEF), France, Germany, Poland. Having received permission to go to his wife in France for a private visit, he also managed to visit the United States. Recorded about 10 radio plays (including “The Hero of the Mongolian Steppes”, “The Stone Guest”, “Stranger”, “Beyond the Bystryansky Forest”). Gave more than 1000 concerts in the USSR and abroad. On January 22, 1980, it was recorded on CT in the “Kinopanorama” program, fragments of which will be shown for the first time in January 1981, and the entire program will be released only in 1987