Alexey Alexandrovich Karenin, the true hero of the novel. The image of Alexei Alexandrovich Karenin (in comparison with Vronsky)

One of the main characters in the work is the husband main character Alexey Alexandrovich Karenin.

The writer presents the hero in the image of a high-ranking government official, influential and respected in an aristocratic society, constantly strengthening his prosperous position.

Karenin is distinguished by impeccability, honesty, decency and prudence. Characteristics Alexey Alexandrovich is his willpower, diligence in business, expressed in determination and hard work.

In family relationships, Karenin is characterized by deliberate disdain for his son and wife, hiding his true feelings, but in his heart he sincerely loves and values ​​his family.

Trusting his wife, being firmly confident in domestic peace, Karenin directs his energy and time to serving the sovereign, working continuously with ambitious zeal and vanity.

Calm in the Karenin family disappears due to the outbreak of an affair between his wife Anna and the young officer Vronsky, which Karenin, unable to understand the feelings of his wife, learns about only after noticing the reaction of secular society.

Karenin manifests himself in family discord as a weak person, unable to show his feelings, incapable of fighting for his wife’s love. Confused and not understanding how to resolve the current situation, Karenin plunges into everyday work and becomes withdrawn, taciturn, wanting to leave everything to the will of fate, only worrying about the violation of decency.

Truly human qualities are manifested in Alexei Alexandrovich, a seemingly dispassionate and dry person, only at the time of the difficult birth of his wife, who gave birth to the child of Vronsky’s lover. Karenin realizes Anna's painful condition, shows sympathy and sincere care for her, thereby expressing a feeling of forgiveness and selfless love.

However, having recovered from childbirth, Anna again leaves Karenin, unprepared to show the strength of her character and prove to her wife her sincere love and tenderness. Feeling like an unhappy husband, Karenin begins to have compassion for his condition, showing religious and moral obligation to his fallen wife.

At the end of the work, Karenin has completely lost interest in public service, falls under the influence of the old Countess Lydia Ivanovna and begins to attend a secret religious society, dreaming of getting rid of mental suffering. However, Anna’s daughter, born from a love union, after the death of her wife, Karenin takes into her care.

Revealing the image of Alexei Karenin, the writer narrates the fate of a weak and weak-willed person who has a spiritual desire to always remain honest with himself.

Essay about Alexei Karenin

Alexey Alexandrovich Karenin - a character from the novel "Anna Karenina" by L.N. Tolstoy.

Karenin was born into a poor family. He also had a brother. Their parents died early: their father died a long time ago, and their mother ten years after Alexei was born. They were raised by their uncle. Karenin studied at the university and graduated with medals. His uncle was at good standing official. After Alexei graduated from the university, he got him a job. Karenin, due to his hard work and ambition, rose through career ladder and became a high-ranking official.

Alexey Karenin is a calm and reasonable person. He does his work slowly and without rest. His speech is slow and a little unamusing. His voice is thin and squeaky when he shouts. Alexey has long fingers and a weak figure, with a high forehead and large eyes.

There was no definite attitude towards him in society. Some thought he was smart, some thought he was stupid, some liked him, some didn’t. But overall, Karenin was respected.

At the age of forty, he was offered to marry Anna, demanding an immediate answer. Alexey Alexandrovich was twenty years older than his wife. He was attached to his wife and loved her as best he could. He always treated her mockingly. Anna never believed that he loved her. She, in turn, hated her husband, considering him insensitive. In their marriage, they had a son, to whom Karenina transferred all her love. Alexey treated his son as an imaginary boy.

Before his wife’s betrayal, Karenin considered his marriage successful. At first he tried to force his wife to stay in the family, not to save the marriage, but for revenge, so that Anna would suffer. Knowing that she is not pregnant with his child, he recognizes the girl as his child, wanting Anna to die. Seeing that his wife might die after the second birth, he forgives her and Vronsky, with whom she is having an affair. After this incident, compassion and kindness awaken in Alexey. He takes full responsibility for raising his son. But even after forgiveness, Anna does not believe him and considers him a bad person.

Later, Karenin again becomes impartial and wants to harm Anna in every possible way. He forbids her to see her son, knowing that they suffer from this separation. He does not give his wife a divorce. Everyone in society considers her “fallen.”

After his wife’s suicide, he takes Anna and Vronsky’s daughter into his care.

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Vasily Sigarev

Alexey Karenin

A play based on the novel by L. N. Tolstoy “Anna Karenina”

Characters:

Alexey Karenin

Anna

Graph Vronsky

Lidia Ivanovna

Landau

Princess Besi

Stepan Arkadyevich

and others.

The Karenins' house in St. Petersburg. Night. Exhausted Alexey Karenin, head down, sits on the edge of a chair in his office. In the twilight, the doctor’s cigarette glows by the window. The doctor's face is not visible. Suddenly a terrible scream is heard. Karenin looks at the doctor in fear. The doctor turns around at the scream, tilting his head to the side.

KARENIN. Is that necessary?

The doctor silently leaves the office. Karenin runs after him on tiptoe. She runs into the bedroom, where Anna lies in a crumpled bed. Approaches Anna. Anna grabs his hands.

ANNA. Don't go, don't go! I'm not afraid, I'm not afraid! Take the earrings. They bother me. Aren't you afraid? Soon, soon...

Karenin takes the earrings, holds them in his outstretched hand, turns his head in search of help from the midwife and the doctor.

ANNA. No, this is terrible! I will die, I will die! Go, go! (Screams terribly).

Karenin looks pleadingly at the doctor, frees his hand and backs away towards the wall. Standing there with his mouth open.

DOCTOR. Nothing, nothing, everything is fine...

Karenin, like a confused woman, presses her hands to her mouth. Anna screams again.

KARENIN. What is this? What is this?

DOCTOR (to the midwife). It ends...

KARENIN. It ends... It ends...

The doctor and midwife are doing something to Anna. Karenin hides behind the curtain and covers his ears. A scream, the fuss of the doctor and midwife, hasty breathing. Finally everything goes silent.

DOCTOR. It's over...

Karenin wraps himself in the curtain. The doctor takes him out of this cocoon and leads him by the waist to the bed. Karenin covers his eyes with his hands.

DOCTOR. It's over already... Why aren't you looking?

KARENIN. It's over... It's over...

Karenin tries to break free and run away.

DOCTOR. Look how it all happened...

KARENIN. I can't do this...

MIDWIFE. And still a boy.

KARENIN. Even if it’s a boy... what do I care?

ANNA. Alexey, it's a boy.

Karenin opens his eyes. He sees Anna, something living in the hands of the midwife.

ANNA. Give it to me. Give it and he will look.

DOCTOR. Wait, we'll clean up first.

ANNA. Give it, give it!

Anna is handed a baby in a diaper. They put it on her chest.

MIDWIFE. Well, let dad take a look.

DOCTOR. Wonderful child!

ANNA. This is Seryozha. (Karenin.) Yes, Alexey?

The child lies on Anna's chest. Karenin looks at him almost with disgust. He puts his head next to her, burying his face in Anna’s chest. And only now the child begins to cry. And with him, Karenin.

The train slowly crawls along the platform. It spits out clouds of steam and puffs. Karenin looks out the windows of the carriages. Faces and silhouettes float by. Here is Anna's face, she is talking to a fellow traveler. Here in the next carriage is the familiar face of an officer. Karenin stops at him, their eyes meet. They look at each other for a long time until the officer disappears from sight. Karenin, moving his whole pelvis and stupid legs, walks along the platform towards Anna’s carriage. The officer who was looking at Karenin, noticing him, disappears into the carriage. Karenin tries to make him out and moves on. Anna gets out of the carriage.

KARENIN (kisses her hand). Did you get there well?

ANNA. Fine.

KARENIN. And how good it is that I had exactly half an hour of time to meet you, and that I could show you my tenderness.

ANNA. You already emphasize your tenderness too much for me to really appreciate.

KARENIN. What's in Moscow?

ANNA. Stepan Arkadyevich got into a lot of trouble with the governess, and Dolly is now in mourning.

KARENIN. Which time is this?

ANNA. To do this for the first time.

KARENIN. I don't think it's the first time...

ANNA. I feel so sorry for both of them. He wants forgiveness, she cannot give it, but I tried to do everything...

KARENIN. Every unhappy family is unhappy in its own way. So you're back, and we're now a happy family again?

ANNA. And what about every happy one?

KARENIN. What is this question?

ANNA. Free spirit of Moscow.

KARENIN. I never thought that there was a free spirit in Moscow.

ANNA. Believe me, it happens.

KARENIN. I hope he didn't turn your head?

ANNA. I was still so excited.

KARENIN. So what should we do with this spirit now? How to drive him out?

ANNA. I'm afraid it's deeply embedded in me.

KARENIN (laughs). So far I only feel the spirit of second class. Why were you stuck next to me? A very inconvenient neighborhood. Shall we go?

ANNA. I didn't even notice that we were nearby.

KARENIN. I guess because I was bored? There can be no more reasons.

ANNA. Maybe…

Saying this, Anna looks somewhere behind Karenin. Karenin turns around. An officer walks towards them and meets Karenin’s gaze..

ANNA (as if he were explaining his own opinion). This is Count Vronsky.

Vronsky approaches and bows.

VRONSKY. Did you have a good night?

KARENIN. Pretty good, despite the neighborhood.

ANNA. Thank you, very good. (Karenin.) Count Vronsky...

KARENIN. A! We know each other, it seems. I went there with my mother, and back with my son. You're probably back from vacation?

VRONSKY. Yes, I'm returning to the regiment.

KARENIN. Well, good luck with your service. (Anna.) How many tears were shed in Moscow during separation?

VRONSKY. I hope to have the honor of being with you.

KARENIN (without turning around). I'm very glad. We accept on Mondays.

Vronsky bows and leaves. Anna tries not to look after him.

ANNA. How is Seryozha?

KARENIN (almost sarcastically). I see that your trip was a success.

ANNA. How is Seryozha?

KARENIN. Seryozha, what about Seryozha... Meriet says that he was very nice and... I have to disappoint you... I didn’t miss you, not like your husband. What a spirit, however! Let's go.

They are walking along the platform.

The porter rolls Anna's things behind them.

KARENIN. What other news did you bring? Where have you been?

ANNA. I was at the Shcherbitskys’ ball.

KARENIN. At the ball?! Here's the news! Did you dance?

ANNA. You know, I don’t dance when I don’t have to dance.

KARENIN. And was it possible?

Anna is silent.

KARENIN. I see it was impossible. And who are these lucky ones?

ANNA. I didn't dance...

KARENIN. Okay, don't let her dance. Was it received well? I don’t remember at all how it’s customary to receive in Moscow...

ANNA. In Moscow style.

KARENIN. I hope this is good. What other news?

ANNA. The count gave two hundred rubles to the widow.

KARENIN. Graph?

ANNA. Count Vronsky.

KARENIN. Very commendable of him. And what kind of happy widow is this?

ANNA. A guard was crushed by a train at the station...

Karenin covers his ears.

KARENIN. Not these passions, Anna! Please! You know…

ANNA. Maybe he rushed...

KARENIN (covers his ears even more). Anna!

ANNA. Or he was drunk... And I was dancing...

KARENIN. Anna!

ANNA. I danced with the Count...

KARENIN. Anna, I can't listen to this! Please!

At this moment the train starts moving. Anna falls silent, comes very close to the train and looks at the rotation of the metal wheels. Karenin is also watching. The snow under the wheels swirls into bizarre whirlwinds. The train's couplings groan, scream, and shudder. Karenin, as if imagining something, turns away.

Karenin's office in the committee. There are piles of papers on the table, Alexey Alexandrovich is poring over them. He writes something down quickly. Footman enters.

LACKEY. Countess Lidia Ivanovna, your Excellency.

Some of which have literally become world classics. Today, his novels are filmed not only in our country, but also abroad, ranking them among the best creations of the nineteenth century. One of these worldwide popular works is the novel Anna Karenina, to which the author devoted about four years to writing. The novel was written immediately after the implementation of the peasant reform and therefore covers not only family, but also everyday issues.

The main character of the work is an intelligent, gifted, sophisticated married woman, an example of attractiveness among the St. Petersburg beau monde - socialite Anna Karenina. Anna's husband high-ranking official. The couple is well known in wide circles, so rumors about Anna’s passion for the representative of the “golden youth” Alexei Vronsky could not pass without a trace. Karenina's husband, Alexey Alexandrovich, at first tries not to notice this change in family life, but due to the will of the events taking place, he can no longer turn a blind eye to his wife’s affair.

Karenin was a respected man, as he occupied one of the most important positions in the ministry. He married during his governorship after the skillful intrigues of Aunt Anna. She put him in such a position, supposedly he compromised young girl and now he is obliged to marry her. After hesitating, Karenin finally proposed to her. In his marriage, he tried to give as much as possible more love and attention to Anna. She understood that she did not love him, and gave him the only thing she could offer in return - namely, respect. Their son Seryozha was growing up. Everything changed in the Karenin family after Anna met Count Vronsky. Alexey in St. Petersburg was considered eligible bachelor: handsome, rich, and educated. At first he was promised to marry Kitty Shcherbatskaya, but since he met Anna, he could not think about any other woman.

Anna resisted this passion for a long time and avoided Alexei in every possible way, but the feelings turned out to be stronger and a year later they were already lovers. This was discussed in high society Petersburg, which of course did not escape Karenin’s eyes. The turning point There was an episode with horse racing, where Count Vronsky fell from his horse and was seriously hurt. Anna expressed her despair so openly that her husband had no choice but to immediately take her home. After this event, she openly asked Alexey Alexandrovich for a divorce, which he refused her. He chose to punish his wife for treason and sentence her to maintain a false appearance of family life. To this he also added the threat of separation from her son, after which Anna found herself in an ambiguous and very difficult position.

Her relationship with her husband did not improve even after many changes in their lives. Anna nevertheless began to live with Count Vronsky, condemned by all her friends. When she was pregnant and almost died in childbed fever, Karenin sincerely felt sorry for her and even felt joy that he managed to save her and the child. Over time, he was even ready to give a divorce, understanding and accepting Anna’s connection with Vronsky. But the famous spiritualist, Princess Myagkova, intervened in the matter. She convinced Alexey Alexandrovich, for religious reasons, not to give a divorce to his promiscuous wife. Perhaps it was this refusal that became the last straw that overflowed the cup of Anna’s suffering.

Shortly before her death, she managed to see her son. On his birthday, she secretly came for a visit. She was depressed by the separation from her son, the loss of her good name, the misfortune that she brought to her husband, and the sidelong glances of her acquaintances. All these hardships pushed Anna under the train wheel. She simply could not cope with the suffering that fell upon her. One of the reasons for this ending was, of course, Alexei Alexandrovich’s refusal to understand and forgive her. And in this sense, the completely broken relationship with her husband played a key role. Tolstoy's heroine was undoubtedly a moral person. She could never be happy by making others unhappy.

That Princess Myagkaya from Karenina, whom everyone admires so much, is, in essence, a low creature. She believes that Alexey Aleksadrovich is stupid because, when going on a business trip, he returned to the treasury the money for driving 12 horses, due to his rank and position - he was traveling to his destination by train. Princess Myagkaya and her husband steal this money: “and it’s already customary for me that I use this money to support my carriage and driver.”

What started here!

“Of course, Karenin, you’re stupid,” she wrote to me. free2xpress . - How else can you describe it? He married a young woman who is 20 years younger than him. Without love. He lived not with his own mind and heart, but according to the standards established by the state and the church. Methodical, systematic, lifeless... In a word - a bureaucrat."

I had to answer like this:

You took your characterization either from the words of Anna Arkadyevna, who is annoyed with her husband, or from a Soviet film, where Gritsenko actually portrays something like that. The author describes it completely differently. Alexey Alexandrovich is the most alive, honest to himself and God and truly suffering face of the novel. Not to mention the fact that he is the only one, besides Levin, who works in the novel. And Tolstoy emphasizes many times that he is an efficient official.

Alexey Alrovich married Anna out of honor; this marriage was arranged by her aunt. Of course, he could have done the same as Vronsky did with Kitty, but this was contrary to his principles.

In response I read:

//Alexei Alexandrovich is the most alive, honest to himself and God and truly suffering face of the novel.//

Quite a controversial thesis, I think. Undoubtedly, one must initially stock up on sympathy for all deceived husbands, in order to then extend it to Karenin. Calling Karenin the most suffering figure in the novel can be done with great reservations. Undoubtedly, he suffers, but in too peculiar a way: he only wants to “shake off the dirt with which she splashed him in her fall, and continue to follow his path of an active, honest and useful life.”

Narcissism, immaturity, selfishness - this is what feeds these so-called. suffering. A person obedient to the church, but not a Christian at heart. Case from Christian. And blackmail by a child is generally base. But what can you expect from the case?

//Alexey Alrovich married Anna out of honor, this marriage was arranged by her aunt //

NB. The fact is that madam, having become convinced of my inflexibility, ended up erasing her comments, so I have to fish them out of the mail notices.

My answer:

This is how status marriages are covered up. What kind of honor could there be? He married a young provincial beauty, whom he was not ashamed to show in the world (an addition to his status), because he was sure that he could completely control her.

Where did you get this from? Where is this written? Let's stick to the text of the novel and the author's position. After all, this plot can be told from the point of view of a guards officer, and from the point of view of Betsy Tverskaya, and from the point of view of Dolly. And these will all be different stories.

Alexey Alexandrovich is an orphan, like Anna, a poor man, who has achieved everything through hard work and exceptional abilities, and is terribly lonely. Before making the offer, he hesitated for a long time, and in these thoughts there is absolutely nothing about “status marriage”. He did absolutely nothing to deserve the grief that befell him.

Anna Arkadyevna enjoys complete freedom in Karenin’s house; no one controls her. Maintaining external decency is the minimum price for this freedom.

Where did you read “blackmail by a child”? Blackmail is when something is demanded in return. What does he require? He simply sees perfectly well that Anna doesn’t need Seryozha, just as she doesn’t need her daughter from Vronsky, just as she doesn’t need children at all, that with her chaotic life she won’t be able to properly raise him, but he himself takes raising his son very seriously and thoroughly .

How can you not see that Karenin, besides Levin, is the only hero of the novel capable of moral torment? Yes, the situation is hopeless, all three are tormented, but Anna and Vronsky are tormented by the inconvenience of their situation, and only Karenin solves the existential questions of existence.

L.N. Tolstoy wrote the novel in 1873-1878. This was the time after the peasant reform of 1861. Significant changes were taking place in the life of Russia, which extended to everyday, family relationships, religious beliefs. The main focus of the novel is everyday life characters from different strata: nobles and officials.

Alexey Alexandrovich Karenin is one of the main characters of the book. The novel is based on love story, and Tolstoy describes in detail the appearance of the heroes. Karenin had a St. Petersburg fresh face, a self-confident figure, and a slightly prominent back. When walking, he moved his entire pelvis and blunt legs. A large round hat rested on her ears. He wrapped his cold and bony legs in a fluffy blanket. When he smiled, “unfading white teeth” were revealed. The voice is thin.
Alexey Alexandrovich and his brother grew up orphans. They did not remember their father, and their mother died when Alyosha was ten years old. The fortune was small. They were raised by their uncle, an important official.

Alexey graduated from the gymnasium and university with medals and “with the help of his uncle, he immediately entered a prominent career path.” Brother died.

During his governorship, Anna's aunt, through intrigue, put him in such a position that he allegedly compromised the girl and had to marry her. Karenin, after much hesitation, proposed and “gave his wife all the feeling that he was capable of.” Above the chair in his office hung an oval portrait of Anna, beautifully made by the famous artist.

In St. Petersburg, Karenin “occupied one of the most important places in the ministry.” Karenin worked a lot. “Every minute of Alexei Alexandrovich’s life was busy and distributed.” "He was very careful." He worked “without haste and without rest.” Karenin was distinguished by stubborn ambition, restraint, honesty, and self-confidence. In my work I tried to reduce correspondence and save money. Anna noted that “...considerations of kinship cannot stop him from expressing his sincere opinion.” L.N. Tolstoy writes with humor: “A major thought was born in his head, which should unravel this whole matter, elevate him in his career, destroy his enemies and therefore bring the greatest benefit to the state.”

The author illustrates Karenin’s official activities with cases about the irrigation of the Zaraisk province and about foreigners. Both cases brought troubles to Karenin in his career. Although Karenin received Alexander Nevsky, his upward movement in office ceased. But Karenin, wanting to be useful, prepares one project after another: on the reasons for the poor state of Russian finances; “across all branches of management, pointing to funds for IS. error management*.

Karenin also took a thorough approach to raising his son: he read several books on anthropology, pedagogy, and didactics, drew up an education plan, and invited the best teacher. But he never achieved sincerity and trust in his relationship with his son. Every year, with the opening of spring and until July, he went abroad to the waters to improve his health. Karenin followed everything “wonderful... in the mental sphere.” He was interested in political, philosophical, and theological books, but he considered it his duty to become acquainted with poetry and art. The Karenins had a box at the theater.

Alexey Alexandrovich made his career with the help of Lydia Ivanovna’s circle. The envoy's wife said about Karenin that there are few such statesmen in Europe. Princess Betsy was amazed at the clarity and accuracy of Karenin’s thinking. In a conversation with the famous traveler, he was amazed by the depth of his knowledge of the subject. The lawyer confesses to Karenin: “I know you and your useful activities, like every Russian.”

Justifying her love for Vronsky, Anna accuses her husband of strangling her life for eight years, calling him a ministerial machine and insensitive. This accusation, firstly, is strange to hear from a woman who herself persistently sought marriage with the much older Karenin. Secondly, Karenin's emotions are strong, but he restrains their expression. Let us recall only one episode characteristic in this sense, when Anna announced to him about her relationship with Vronsky and began to cry. Alexey Alexandrovich restrained himself and “with the usual courtesy said goodbye to her.”

Karenin fell in love with the daughter of Vronsky and Anna and after the death of his wife he took her from Vronsky. After the birth of the girl, Karenin “was annoyed with his wife for not taking care of this lovely child.” At first he even completely agreed to all Anna’s conditions that would give her happiness. But Anna did not demand a divorce and went abroad with Vronsky. Karenin was ready to sacrifice his principles. “His self-esteem and respect for religion did not allow him to accept the accusation of fictitious adultery, much less allow his wife, forgiven and loved by him, to be exposed and disgraced.” According to church law, a wife “cannot have marriage while her husband is alive.”

Karenin constantly made sure that by the fifteenth the money was transferred to his wife for expenses.

After Anna's betrayal, Karenin lost his love for his son. It seemed so to him. But he cared about him, about his upbringing. Karenin began to pay more attention to religion and Christianity. He is always true to his word. When the assertive Oblonsky finally persuaded him to come for a visit, Karenin sadly replied: “I promised and I will come.”

The attentive reader develops a sympathetic attitude towards Karenin. His intelligence, education, honest attitude work ethic, administrative experience, tact, and sense of duty earn us respect. There are no ideal people. There is no need to focus on Karenin’s minor shortcomings.

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