“Wonderful picture...” A. Fet

Artists write canvases, poets write poems. And just as an artist with a brush, with one stroke, creates a play of chiaroscuro, so a poet, in one word, in one phrase, paints the subtlest shades and subtle shifts of artistic meaning. And now, before our eyes, as if in reality, a “Wonderful Picture” appears, written in words.

The pictures are different. Some you want to look at and look at, others you don’t want to return to. Because they leave neither a trace nor a clue in the soul. So it is with poems. One describes the beauty of birch trees in five, or even ten, quatrains, the other in four lines. And these four lines attract, fascinate, and make you want to re-read them again and again.

Many people took on landscape lyrics, but not everyone succeeded in landscapes, and not everyone succeeded in writing lyrics. And Afanasy Fet brought together both. A wonderful poet, the greatest lyric landscape painter. According to Nekrasov, after A.S. Pushkin, there was no one except Fet, whose poetry would give so much poetic and aesthetic pleasure.

Afanasy Fet's poem has only two stanzas. No expression, no questions, no exclamations, no anxiety. Everything is simple, calm. Night. An amazing, fabulous silence emanates from the poet’s painting. This white plain with the full moon is like a winter scenery set for centuries.

The hostess winter came and turned the plain into a white canvas - smoothed out all the roughness and unevenness. The canvas, like a cover, like a canopy, covered the vanity, absorbed the movement. There was silence, the flat snowy surface was illuminated " by the light of the high heavens" On the fairy-tale surface - not a soul, only " distant sleigh running alone».

This moving point is like a symbol of the fate of a person walking his lonely path in life. Only he and the Almighty. What's next? Everything lay low, frozen in anticipation, in anticipation of something wonderful. This is how children wait for the New Year. The anticipation is in the air. You can smell it. Waiting for a miracle is a sure sign of it. That’s why A. Fet calls his painting wonderful and dear, because in each of us there lives a child and a desire to see the incredible.

And theorists put the picture into pieces. They praised the inversion - high skies, distant sleighs. We were amazed at the sound, musicality, and lightness of the rhythm of the poem. We noticed the complete absence of verbs, and the manner of writing the poem - trochaic trimeter - characteristic of folk songs. We remembered that the work was from an early period and was included in the collection “Snow”.

Afanasy Fet lived 72 years. His paradox as a lyrical landscape painter was that he was both enterprising and successful in matters of career and business. He began writing poems at the age of 15. Many young men at that time were fond of poetry, but for Afanasy Fet this hobby became destiny. Because future generations will remember him as a poet, and not as a landowner or military man. First, being deprived of his noble title, Fet made a military career.

After leaving the service, he bought an estate with his wife’s dowry and turned her into a wet nurse - the whole family lived on the income from the estate. Rye was grown, poultry was bred, and a stud farm was developed. And at the same time, the poet paid a lot of attention to creativity and self-development. Knew several languages. Until the last days I worked on translations. Despite the difficult and complex life, Afanasy Fet did not complain, he endured and in his works he sang love and nature - that is, the Creator and His creation.

Wonderful picture
How dear you are to me:
White plain,
Full moon

Light of the high heavens,
And shining snow
And distant sleighs
Lonely running.

Analysis of Fet's poem "Wonderful Picture..."

The ability to convey all the beauty of the surrounding nature in a few phrases is one of the most striking distinctive features of Afanasy Fet’s work. He went down in the history of Russian poetry as an amazingly subtle lyricist and thoughtful landscape painter who was able to choose simple and precise words when describing rain, wind, forest or different seasons. At the same time, only the poet’s early works are distinguished by such liveliness and accuracy, when his soul was not yet clouded by a feeling of guilt before the woman he once loved. Subsequently, he dedicated a huge number of poems to Maria Lazic, moving further and further in his work into love and philosophical lyrics. Nevertheless, many of the poet’s early works have survived, which are filled with amazing purity, lightness and harmony.

In 1842, Afanasy Fet wrote the poem “Wonderful Picture...”, masterfully depicting a winter night landscape. For such works, the poet was often criticized by venerable writers, believing that the absence of deep thoughts in poetry is a sign of bad taste. However, Afanasy Fet did not claim to be an expert on human souls. He was simply trying to find simple and accessible words to talk about what he saw and felt. It is noteworthy that the author expressed his personal attitude to the surrounding reality extremely rarely, seeking only to record various objects and phenomena. Nevertheless, in the poem the poet cannot resist admiration and, talking about a frosty winter night, admits: “How dear you are to me!” Fet feels a special charm in what surrounds him - “the white plain, the full moon” bring into the author’s life long-forgotten feelings of joy and peace, which are enhanced by “the lonely running of a distant sleigh.”

It would seem that there is nothing remarkable or worthy of attention in the recreated picture of a winter night. Probably, the poem itself was written at the moment when Afanasy Fet was making a short journey across the vast Russian expanses. But the tenderness that the author puts into every line of this work indicates that such a night walk gave the author incomparable pleasure. Fet manages to convey his true feelings and remind us all that we can experience happiness even from simple and familiar things, which we often simply do not pay attention to.

An old teacher O.I. Nosovich lives in Klepiki. She has been retired for a long time and, although she is already in her late nineties, she is still cheerful and tireless. Olga Ivanovna never tires of studying her native land and its history. She not only reads books, but also conducts excavations herself, and during the meeting she showed me the act of donating several antiques to the Ryazan Regional Museum of Local Lore.

“A life well lived is a long life.” This saying of Leonardo da Vinci is doubly true in relation to Anna Akhmatova. She not only lived her life well and with dignity, but the time allotted to her on earth turned out to be surprisingly long. However, while rejoicing at Akhmatova’s creative longevity, one cannot help but mention some of the features of memoir literature about her that stem from this factor. Why do we have such rich memoir literature about Alexander Blok or Sergei Yesenin?

In awe of the greatness of the name and the extraordinary personality of Anna Andreevna Akhmatova, I never even dared to think about ever daring to sculpt her full-scale portrait. It seemed to me that the very idea of ​​meeting her, who had already become a classic of modern Russian literature during her lifetime, smacked of impudence and adventurism. And I probably would never have dared to approach her with a request to pose if...

Wonderful picture
How dear you are to me:
White plain,
Full moon

Light of the high heavens,
And shining snow
And distant sleighs
Lonely running.

Analysis of the poem “Wonderful Picture” by Fet

A. Fet was often reproached for excessive brevity and lack of deep meaning in his poems. The poet admitted that he considered even the manifestation of personal feelings unnecessary. In his opinion, a work should convey immediate impressions as accurately as possible and not impose the author’s position on readers. This idea of ​​Fet manifested itself especially clearly in his early work. A typical example is the poem “Wonderful Picture” (1842).

The author describes his real impressions under the influence of a winter night trip. The poem is a miniature. It could be created in a burst of creative inspiration in a few seconds. Fet's talent lies in the fact that he was able to capture the most necessary details. The author’s personal attitude is expressed in only one phrase: “how dear you are to me.” This is quite enough to show the poet’s boundless love for his land. If for most contemporaries patriotism was expressed in an abundance of solemn words and promises, then Fet just mentions some everyday signs of the Russian landscape: “white plain”, “brilliant snow”. “Sleigh... lonely running” connects his poem with the traditional image of the Russian troika, symbolizing the whole of Russia.

Fet was a man with a very sensitive soul. Ordinary things that many would not pay any attention to could delight him. The poet's main merit lies in his ability to convey this feeling to the reader using minimal artistic means. The poem “Wonderful Picture” seems simple and naive to the point of banality, but magically creates a joyful atmosphere in the soul.

The poet was still a very young man. His inspiration was directly related to his youthful dreams and hopes, which were distinguished by their freshness and purity.

Only after the tragic death of M. Lazic personal motives appear in Fet’s work. But at the same time, the poet never imposed his sad reflections on nature, but continued to look for in it a correspondence with personal experiences. Fet was of the opinion that nature stands on equal terms with man and has its own soul. Therefore, he saw his task as giving natural phenomena a well-deserved tribute, and not trying to explain them from the point of view of reason.

White plain,

Full moon

Light of the high heavens,

And shining snow

And distant sleighs

Lonely running.

A. Fet confesses his love for the winter landscape. In A. Fet’s poems, the shining winter prevails, in the brilliance of the prickly sun, in the diamonds of snowflakes and snow sparks, in the crystal of icicles, in the silvery fluff of frosty eyelashes. The associative series in this lyric does not go beyond the boundaries of nature itself; here is its own beauty, which does not need human spirituality. Rather, it itself spiritualizes and enlightens the personality. A. Fet introduced rural landscapes and scenes of folk life into his poems; he appeared in his poems as “a bearded grandfather,” he “groans and crosses himself,” or a daring coachman in a troika.

The poetry of F. Tyutchev is a kind of lyrical confession of a man who visited “this world in its cancerous moments,” in the era of the collapse of centuries-old social foundations, moral dogmas and religious beliefs.

In his lyrical masterpieces, F. Tyutchev outwardly proceeds as if not from a predetermined thought, but from a feeling or impression that suddenly captured him, inspired by phenomena of the external world, the surrounding reality, a momentary emotional experience. The poet sees a rainbow and immediately sketches out a small “landscape in verse” of just eight lines, as N. Nekrasov aptly called his poetic pictures of nature. But the process of creating a poem does not end there. In the poet’s creative vision, the brightness and fleetingness of the “rainbow vision” entails a different image - bright and fleeting human happiness. A new stanza appears, and the “landscape in verse” takes on the meaning of a philosophical allegory (“How unexpected and bright.”).

Another example. The hopeless rain inspires the poet with the idea of ​​equally hopeless human grief, and he writes poems not about rain, but about tears. However, the entire intonation, the entire rhythmic structure of the poem is imbued with the incessant sound of falling raindrops (“human tears, oh human tears.”).

A. Fet was always attracted to the poetic theme of evening and night. The poet early developed a special aesthetic attitude towards the night and the onset of darkness. At the new stage of his creativity, he already began to call entire collections “Evening Lights”, in them, as it were, a special, Fetov philosophy of the night.

In A. Fet’s “night poetry” a complex of associations is revealed: night - abyss - shadows - sleep - visions - secret, intimate - love - the unity of the “night soul” of a person with the night element. This image receives philosophical deepening and a new second meaning in his poems; In the content of the poem, a second plan appears - symbolic. His association “night-abyss” takes on a philosophical and poetic perspective. She begins to get closer to human life. The abyss is an airy road - the path of human life.

MAY NIGHT

Lagging clouds fly over us

The last crowd.

Their transparent segment softly melts

At the crescent moon

A mysterious power reigns in spring

With stars on the forehead. -

You, tender! You promised me happiness

On a vain land.

Where is the happiness? Not here, in a wretched environment,

And there it is - like smoke

Follow him! follow him! by air -

And we'll fly away into eternity.

The May night promises happiness, a person flies through life in pursuit of happiness, the night is an abyss, a person flies into the abyss, into eternity. Further development of this association: night - human existence - the essence of being. A. Fet imagines the night hours as revealing the secrets of the universe. The poet's nocturnal insight allows him to look “from time to eternity,” he sees “the living altar of the universe.” The association night - abyss - human existence, developing in the poetry of A. Fet, absorbs the ideas of Schopenhauer. However, the closeness of the poet A. Fet to the philosopher is very conditional and relative. The ideas of the world as a representation, man as a contemplator of existence, thoughts about intuitive insights, apparently, were close to A. Fet.

The idea of ​​death is woven into the figurative association of A. Fet’s poems about the night and human existence (the poem “Sleep and Death”, written in 1858). Sleep is full of the bustle of the day, death is full of majestic peace. A. Fet gives preference to death, draws its image as the embodiment of a unique beauty.

Useful articles:

Gogol and children
Dmitry Pogodin, the son of the historian Mikhail Petrovich Pogodin, in whose house Gogol stayed more than once, says that Nikolai Vasilyevich loved children very much and allowed them to frolic and be naughty as much as they wanted. "It used to be that we, that is, I and...

Introduction.
Epochs differ from one another in time, like countries in space, and when we talk about our Silver Age, we imagine, each in our own way, some kind of integral, bright, dynamic, relatively prosperous time with its own special...

Specifics of Enlightenment literature
New ideas developed in the works of thinkers of the 18th century. - philosophers, historians, naturalists, economists - were greedily absorbed by the era and received further life in literature. The new atmosphere of public mentality led...