In which city is the Pokrovsky Cathedral located? Who built the Intercession Cathedral on Red Square

One of the most striking and famous monuments of ancient Russian architecture. Already in the 16th century, the cathedral delighted travelers and guests of Moscow, and for Russians it became a symbol of Russian history and national character.

In 1552, in honor of the victory of the troops of Ivan the Terrible in the war for the conquest of the Kazan and Astrakhan Khanates, a temple was founded, consecrated in honor of the Holy Trinity. In 1554, Ivan the Terrible ordered the construction of the Cathedral of the Intercession of the Virgin Mary with chapels glorifying the victory over the Tatars in its place. The temple was popularly called the Intercession on the Moat, because was built next to a deep ditch that ran along the eastern wall of the Kremlin.

Collection of S. Narozhnaya

Collection L. Franzek

An ancient Moscow legend says that when in a camp church near Kazan at a lunch service the deacon proclaimed the Gospel verses: “Let there be one flock and one shepherd,” part of the fortress wall of the enemy city, under which a tunnel was made, flew into the air, and Russian troops entered Kazan .

The chronicle names the Russian architects Postnik and Barma as the authors of St. Basil's Cathedral. There is a legend, according to which Ivan the Terrible, having seen the cathedral built according to their design, was so delighted with its beauty that he ordered the architects to be blinded so that they could not build a temple anywhere else equal in beauty to the Intercession Cathedral. Some modern historians offer a version according to which the architect of the temple was one person - Ivan Yakovlevich Barma, who was nicknamed the Faster because he kept a strict fast. As for the legend about the blinding of Barma and Postnik, it can be partially refuted by the fact that the name of Postnik later appears in the chronicle in connection with the creation of other significant architectural structures.

Popular rumor spread the rumor that supposedly Ivan the Terrible built this temple in honor of his father, the Grand Duke Vasily III: “People will remember me even without churches for a thousand years, but I want my parent to be remembered.”

It is a symmetrical ensemble of eight pillared churches, surrounding the ninth, highest, temple, crowned with a tent. Each of the eight churches is named after a saint on whose day this or that happened. important event Kazan campaigns of Ivan the Terrible. Each dome is decorated with cornices, kokoshniks, windows, and niches. In general, the cathedral creates a feeling of festivity and elegance.

Collection of V. Kolobov

Agreed one of the legends, the temple is an inaccurate copy of the Kul-Sharif mosque in Kazan. When the army of Ivan the Terrible stormed the city, the tsar was angry at the resistance of the residents and ordered the demolition of the beautiful mosque immediately after a successful assault. The gilded domes of the mosque, according to legend, were taken to Moscow on twelve carts. St. Basil's Cathedral, erected in honor of the conquest of Kazan, supposedly carries an encrypted image of the lost mosque. The eight chapters of the Moscow temple repeat the eight minarets of Kul-Sharif, and the ninth, as a symbol of victory, dominates them. Historians cannot completely deny this legend, because supposedly the architect was simultaneously working on Red Square and in Kazan, where he was erecting new walls of the Kremlin.

Collection of I. Koltakova

Tenth Church, Church of St. Basil, was added in 1588. So the temple became ten-domed and received its second, unofficial name - St. Basil's Cathedral.

According to legend, St. Basil the Blessed, the most revered holy fool in Rus', himself collected money for the future Church of the Intercession, brought it to Red Square and threw it across right shoulder, and no one, not even thieves, touched these coins. And before his death, in August 1552, he gave them to Ivan the Terrible, who soon ordered the construction of a temple on this site.

Vasily was born in 1469 in the Moscow village of Elokhov. At the age of sixteen, he began the feat of foolishness, which he performed for 72 years, without shelter and clothing, subjecting himself to great hardships, burdening his body with chains that still lie on his coffin.

Many legends, stories and miracles are associated with the name of St. Basil. So, in the summer of 1547, Vasily came to the Ascension Monastery on Ostrog (now Vozdvizhenka) and prayed for a long time in front of the church with tears. So he foreshadowed the terrible Moscow fire, which began the next day precisely from the Vozdvizhensky Monastery.

Tsar Ivan Vasilyevich the Terrible honored and feared the Blessed One, “as a seer of human hearts and thoughts.” When, shortly before his death, Vasily fell into a serious illness, the Tsar himself visited him with Tsarina Anastasia. Vasily died on August 2, 1552.

Since 1588, they began to talk about miracles occurring at the tomb of Blessed Basil; As a result, Patriarch Job determined to celebrate the memory of the miracle worker on the day of his death, August 2. Tsar Theodore Ioannovich ordered a chapel to be built in the Intercession Cathedral in the name of St. Basil the Blessed, on the spot where he was buried, and built a silver reliquary for his relics.

In total, St. Basil's Cathedral has 9 iconostasis, containing about 400 icons. The walls are decorated with oil paintings and frescoes of the 16th-19th centuries. In addition to icons, the cathedral displays portrait and landscape paintings of the century, and church utensils. Among the particularly valuable exhibits is a 17th-century chalice that belonged to Tsar Alexei Mikhailovich.

The Temple of extraordinary beauty was repeatedly tried to be demolished, but each time the Temple miraculously remained standing in place. In 1812, Napoleon, leaving the devastated capital of Russia, ordered the bombing of the Intercession Cathedral along with the Kremlin. However, in their haste, the French did not have time to make the required number of tunnels, and the Kremlin was undermined in only five places. But the Intercession Cathedral was not damaged, since the rain extinguished the lit wicks.

Photo by V. Leonov

Other legends date back to the 30s of the 20th century. Lazar Kaganovich, who succeeded in destroying the Cathedral of Christ the Savior, the Kazan Cathedral of the Kremlin and other churches in Moscow, proposed demolishing the Intercession Cathedral to clear the place for parades and demonstrations. As if he ordered the production of a model of Red Square with a removable cathedral and brought it to Stalin. Proving that the temple interfered with cars and demonstrations, he unexpectedly tore the temple from the square. The stunned Stalin allegedly said historical phrase: "Lazarus, put him in his place!" And the famous restorer P.D. Baranovsky sent telegrams to Stalin calling on him to save the temple. There were rumors that allegedly Baranovsky, invited to the Kremlin on this issue, knelt before the assembled Central Committee, begging not to destroy the temple, and this had an effect. True, Baranovsky subsequently received a considerable prison sentence.

Historian I.E. Zabelin spoke about St. Basil's Cathedral this way: “In its way, it is the same, if not more, Moscow, and, moreover, folk wonder, like Ivan the Great, the Tsar-bell, the Tsar-cannon.”

Since 1934, St. Basil's Cathedral has been a branch of the State Historical Museum.

Freeing Red Square from buildings that “interfered” with large-scale festive events (parades and demonstrations), Lazar Kaganovich proposed completely dismantling St. Basil’s Cathedral. And in order to convince Stalin that he was right, for clarity, he made a model of the square from which the church could be removed. But everything did not go as he planned: when he took the cathedral from the model, the leader did not appreciate these actions and said a phrase that went down in the history of the temple forever: “Lazarus, put it in its place!”

St. Basil's Cathedral is located in the capital of Russia, Moscow, not far from the Kremlin, in the southern part of Red Square. On geographical map it can be found at the following coordinates: 55° 45′ 9.25″ N. latitude, 37° 37′ 23.27″ e. d.
A huge stone temple appeared here after Tsar Ivan the Terrible promised God that if the Kazan campaign was successful, he would build a cathedral.

In the meantime, while hostilities lasted, after each serious victory on Red Square, temporary churches were erected around the Trinity Church, dedicated to the saints on whose day the battle was won. When the war ended in victory, the tsar ordered on the site of these churches (there were eight buildings in total) to build one, a stone one, which would stand for centuries, and in honor of the fact that the final victory came on the Intercession, in October 1552, to name the temple the Intercession Cathedral.

The new church was built very quickly, in six years. The construction of the Moscow temple began in 1555 and ended in 1561. Researchers have still not come to a consensus about who exactly was its architect. The official version says that the architects Plotnik Yakovlev and Barma were responsible for the construction work, but in lately Many historians agree that the architect of the temple was only one master - Ivan Yakovlevich Barma, popularly known as Plotnik.

Some historians put forward another unconfirmed hypothesis that the architect of the building is an Italian master (this is evidenced by the original style of construction, combining both elements of Russian architecture and European architecture of the Renaissance).

After the construction was completed, a legend arose that the king ordered the architects to be blinded so that they could not build a temple of such beauty. Recently, historians agree that this is just a myth, since there are documents confirming the architectural activities of Plotnik, who was involved in the construction of the Kazan Kremlin and other buildings.

Temple names

Even before the start of construction work, Moscow Tsar Ivan the Terrible named the temple erected not far from the Kremlin the Intercession Cathedral. For a long time, Muscovites called the cathedral the Trinity Church (the previously located shrine was dedicated to the Holy Trinity). And some time after the completion of construction, people nicknamed the temple St. Basil's Cathedral - in honor of the local holy fool, who constantly, regardless of the season, walked around with chains on his naked body. St. Basil the Blessed had clairvoyance and was able to predict the fire that almost destroyed Moscow in 1547.

He died in 1557 and was buried near the walls of the unfinished shrine, and thirty years later a chapel, an extension, was erected over his grave, in which an altar with a throne for worship was installed. Naturally, the chapel received the name of the blessed one, who was canonized at the same time: more than one miraculous healing was recorded over the place of his burial.

After the extension was completed, services began to be held in the Moscow Cathedral every day: previously the temple was not heated, and therefore services took place there only in the warm season (the new extension was more spacious and warm).

Construction

The architects built the cathedral from brick - a rather new and unusual material at that time (usually, when building churches, architects used white hewn stone). In the western part of the temple, the craftsmen were even able to lay a ceiling of bricks, making round holes in them, inserting a metal clip and securely fastening them together.

Already at the initial stage, the architect faced the first problem: the building had to be built on sandy, loose and wet soil (the proximity of the Moscow River flowing nearby affected it), which made it impossible to make a deep foundation (the foundation of the temple is several meters deep). To resolve the situation, the architects used a very interesting move: the massive structure of the temple rests on a basement consisting of several rooms - the lower floor, the height of which is six meters, and the width of the walls is three meters, while the basement has very powerful vaults and ceilings.

It was decided to use white limestone as a building material for the lower floor: its ability to absorb moisture well made it possible to minimize the risk of flooding in the event of a flood. After the basements were installed, octagonal foundations were placed on them, on which it was planned to build future temples (thus, the foundation of the building externally resembled a honeycomb and was characterized by increased strength).

It is interesting that experts, when speaking about the secrets of St. Basil's Cathedral, often mention hiding places that were built in special niches on the lower floor (until the end of the 16th century, the royal treasury was even hidden here, and rich townspeople hid their property).

It was not easy to get here - only a few people knew about the stairs leading from the Church of the Intercession of the Mother of God, and subsequently this narrow passage was walled up. The passage was discovered only in 1930, when restoration work was carried out; now the icons of the cathedral are stored in the basement rooms.

The architects used an interesting method when creating acoustics inside the cathedral (a method not uncommon in the construction of ancient Russian churches): in order to create good sound, the architects built clay pots, voice boxes, pointing their necks towards the interior of the building. This method made it possible to relieve pressure on the load-bearing parts of the temple.

Description of the temple

Giving a description of the Moscow temple, experts focus on the fact that it lacks a clearly defined main facade: all its sides look basic. The height of the structure reaches 65 meters, so for a long time the temple was considered the tallest building in the city.

Nowadays, looking at the temple, it is difficult to believe that initially the cathedral was not so colorful: judging by the descriptions, the walls of the church were white. They began to repaint it some time later, and they did this, radically changing the appearance of the cathedral - historians discovered drawings on its walls depicting false windows, kokoshniks, and memorial inscriptions. Polychrome and floral painting on a red background appeared only at the end of the 17th century.

Judging by the descriptions that have survived, in former times the Intercession Cathedral was more beautiful and elegant: it had more complex paintings, and the main dome was surrounded by smaller ones.

The appearance of the building was quite changed a hundred years after construction was completed: two porches were added, the external gallery was covered with vaults, and the walls were painted inside the cathedral. Therefore, in the temple you can see a combination of rare monuments of ancient Russian icon painting with frescoes of the sixteenth century, paintings of the seventeenth, and oil paintings of the eighteenth.

The temple was built taking into account the cardinal directions: focusing on them, they built four churches, and the same number were built diagonally. The Intercession Cathedral has nine churches: in the center is the main Church of the Intercession of the Mother of God, surrounded by four large (from 20 to 30 m) and four small churches (about 15 m), near which there was a bell tower and St. Basil's chapel. All these churches are located on the same foundation, have a common bypass gallery and are connected by internal corridors.

Domes of the Intercession Cathedral

At first, twenty-five domes were installed on the Intercession Cathedral, symbolizing the Lord and the elders located near his throne. Subsequently, only ten of them remained: one is located above the bell tower, the other rises above the chapel of St. Basil's, the rest - each above its own temple. At the same time, they are all different from each other: not only the design of the large domes is unique, but also the finishing of each drum.

Scientists suggest that initially the domes had a helmet-shaped shape, but were quickly replaced by a bulbous shape; the current coloring appeared only in the middle of the 19th century, and until the 17th century. the temple had golden domes.

Temple today

Judging by the descriptions, throughout history, St. Basil's Cathedral was rebuilt and changed its appearance more than once (frequent fires, which were not uncommon in the city, also contributed to the need for frequent repair work).

For the first time, St. Basil's Cathedral found itself on the verge of extinction in 1812, when the French, leaving the capital of Russia, mined it (though for some reason they could not blow it up, but they plundered the church). When the war ended, the Intercession Cathedral was not only restored, but also its wall on the river side was decorated with a cast-iron fence.

The temple experienced the saddest times in the 20th century. In 1918, the Bolsheviks shot the rector of the church, Ivan Vostorgov, for “anti-Semitic propaganda.” Three years later, all valuables were removed from the cathedral, and the building was transferred to the Historical Museum. For some time it remained an active church, until in 1929 services were banned by removing all the bells (services in the cathedral were resumed only in 1991).

The second time the temple was on the verge of extinction was in 1936, when restorer Pyotr Baranovsky was asked to measure the temple in order to subsequently demolish it. In response to this, the architect categorically stated that this idea was insane and criminal, and threatened to commit suicide if it was carried out. Immediately after this, an arrest followed, but the church was not touched: it had too many defenders. Therefore, when he was released six months later, the temple stood in the same place.

The chronicle names the Russian architects Postnik and Barma as the authors of St. Basil's Cathedral, who, quite likely, built the cathedral without any drawings at all. There is a legend according to which Ivan the Terrible, having seen the cathedral built according to their design, was so delighted with its beauty that he ordered the architects to be blinded so that they could not build a temple anywhere else equal in beauty to the Intercession Cathedral. Some modern historians offer a version according to which the architect of the temple was one person - Ivan Yakovlevich Barma, who was nicknamed the Faster because he kept a strict fast. As for the legend about the blinding of Barma and Postnik, it can be partially refuted by the fact that the name of Postnik later appears in the chronicle in connection with the creation of other significant architectural structures.

St. Basil's Cathedral is a symmetrical ensemble of eight pillar-shaped churches surrounding the ninth - the tallest - temple, topped with a tent. The chapels are connected to each other by a system of transitions. The pillar-shaped churches are topped with onion domes, none of which is identical in architectural decoration to the others. One of them is densely dotted with golden cones, they are like stars in the sky dark night; on the other, scarlet belts run in zigzags across a bright field; the third resembles a peeled orange with yellow and green segments. Each dome is decorated with cornices, kokoshniks, windows, and niches.

Until the end of the 17th century, until the Ivan the Great Bell Tower was built on the territory of the Kremlin, St. Basil's Cathedral was the tallest building in Moscow. The height of the cathedral is 60 meters. In total, there are nine iconostases in St. Basil's Cathedral, which contain about 400 icons of the 16th-19th centuries, representing best samples Novgorod and Moscow icon painting schools.

July 12, 2016 marks the 455th anniversary of one of the most famous architectural monuments Moscow - Intercession Cathedral Holy Mother of God on the Moat, which we know as St. Basil's Cathedral.

This famous cathedral, with its powerful walls and vaults, used to be used for hiding places. Deep niches were built in the walls of the basement, the entrance to which was closed by metal doors. There were heavy forged chests in which rich townspeople kept their valuable property - money, jewelry, utensils and books. The royal treasury was also kept there. What other legends and secrets does the temple that we call St. Basil’s Cathedral keep today?

Where did the name "St. Basil's Cathedral" come from?

Despite the fact that the cathedral was built in 1554 in honor of the victories of Ivan the Terrible over the Golden Horde, it was popularly named St. Basil's, after the name of the chapel attached to the cathedral on the north-eastern side in 1588. It was built by order of the son of Ivan the Terrible - Fyodor Ioannovich over the grave Blessed Basil, who died in 1557, and was buried near the walls of the cathedral under construction. The holy fool walked naked in winter and summer, wearing iron chains; Muscovites loved him very much for his gentle disposition. In 1586, under Fyodor Ioannovich, the canonization of St. Basil took place. With the addition of St. Basil's Church, services in the cathedral became daily. Previously, the cathedral was not heated, as it was in to a greater extent, a memorial, and services were held there only in the warm season. And the chapel of St. Basil's was warm and more spacious. Since then, the Intercession Cathedral has been known more as St. Basil's Cathedral.

Is it true that Ivan the Terrible gouged out the eyes of the temple builders?

The most common myth about the cathedral is the chilling story of gullible souls that Tsar Ivan IV allegedly ordered its builders, Postnik and Barma, to be blinded so that they would never be able to build anything else that could surpass and eclipse the newly erected architectural masterpiece. Meanwhile, there is no real historical evidence. Yes, the builders of the temple were really called Postnik and Barma. In 1896, Archpriest John Kuznetsov, who served in the temple, discovered a chronicle in which it was said that “The pious Tsar John came from the victory of Kazan to the reigning city of Moscow... And God gave him two Russian masters named Postnik and Barma and was wise and convenient for such a wonderful work ..." This is how the names of the cathedral’s builders became known for the first time. But there is not a word about blindness in the chronicles. Moreover, after completing the work in Moscow, Ivan Yakovlevich Barma took part in the construction of the Annunciation Cathedral in the Moscow Kremlin, the Kazan Kremlin and other iconic buildings, which are mentioned in the chronicles.

Is it true that the cathedral was originally intended to be so colorful?

No, this is a wrong opinion. The current appearance of the Intercession Cathedral is very different from its original appearance. It had white walls, strictly painted to resemble brick. All the polychrome and floral painting of the cathedral appeared only in the 1670s. By this time, the cathedral had already undergone significant reconstruction: two large porches were added - on the north and south sides. The external gallery was also covered with vaults. Today in the decoration of the Intercession Cathedral you can see frescoes of the 16th century, tempera painting of the 17th century, monumental oil painting of the 18th-19th centuries, and rare monuments of Russian icon painting.

Is it true that Napoleon wanted to move the temple to Paris?

During the War of 1812, when Napoleon occupied Moscow, the Emperor liked the Cathedral of the Intercession of the Virgin Mary so much that he decided to move it to Paris. The technology of that time did not allow this to happen. Then the French first built stables in the temple, and later simply planted explosives in the base of the cathedral and lit the fuse. The assembled Muscovites prayed for the salvation of the temple, and a miracle happened - heavy rain began, which extinguished the wick.

Is it true that Stalin saved the Cathedral from destruction?

The temple miraculously survived the October Revolution - marks from shells remained on its walls for a long time. In 1931, a bronze monument to Minin and Pozharsky was moved to the cathedral - the authorities cleared the area of unnecessary buildings for parades. Lazar Kaganovich, who was so successful in destroying the Kazan Cathedral of the Kremlin, the Cathedral of Christ the Savior and a number of other churches in Moscow, proposed completely demolishing the Intercession Cathedral in order to further clear the place for demonstrations and military parades. Legend has it that Kaganovich ordered the production of a detailed model of Red Square with a removable temple and brought it to Stalin. Trying to prove to the leader that the cathedral interfered with cars and demonstrations, he unexpectedly tore off the model of the temple from the square. Surprised Stalin allegedly at that moment uttered the historical phrase: “Lazarus, put him in his place!”, so the question of demolishing the cathedral was postponed. According to the second legend, the Cathedral of the Intercession of the Virgin Mary owes its salvation to the famous restorer P.D. Baranovsky, who sent telegrams to Stalin calling not to destroy the temple. Legend has it that Baranovsky, who was invited to the Kremlin on this issue, knelt before the assembled members of the Central Committee, begging to preserve the iconic building, and this had an unexpected effect.

Is it true that the Cathedral now serves only as a museum?

The historical and architectural museum in the cathedral was founded in 1923. However, even then, in Soviet era, services in the cathedral continued anyway. They continued until 1929, and resumed again in 1991. Today the cathedral is in joint use of the State Historical Museum and the Russian Orthodox Church. Divine services are held in St. Basil's Cathedral weekly on Sundays, as well as on patronal holidays - August 15, the day of remembrance of St. Basil, and October 14, the day of the Intercession of the Blessed Virgin Mary.

№ 7710342000 State good Website Official website Cathedral of the Intercession of the Blessed Virgin Mary, on the Moat (St. Basil's Cathedral) on Wikimedia Commons

Coordinates: 55°45′08.88″ n. w. 37°37′23″ E. d. / 55.752467° s. w. 37.623056° E. d.(G) (O) (I)55.752467 , 37.623056

Cathedral of the Intercession of the Blessed Virgin Mary, on the Moat, also called St. Basil's Cathedral- an Orthodox church located on the Red Square of Kitai-Gorod in Moscow. A widely known monument of Russian architecture. Until the 17th century, it was usually called Trinity, since the original wooden church was dedicated to the Holy Trinity; was also known as “Jerusalem”, which is associated both with the dedication of one of the chapels and with the procession of the cross to it from the Assumption Cathedral on Palm Sunday with the “procession on the donkey” of the Patriarch.

Status

St. Basil's Cathedral

Currently, the Intercession Cathedral is a branch of the State Historical Museum. Included in the List of UNESCO World Heritage Sites in Russia.

The Intercession Cathedral is one of the most famous landmarks in Russia. For many, it is a symbol of Moscow, Russian Federation. Since 1931, in front of the cathedral there has been a bronze Monument to Minin and Pozharsky (installed on Red Square in 1818).

Story

Versions about creation

The Pokrovsky Cathedral was built in 1960 by order of Ivan the Terrible in memory of the capture of Kazan and the victory over the Kazan Khanate. There are several versions about the creators of the cathedral. According to one version, the architect was the famous Pskov master Postnik Yakovlev, nicknamed Barma. According to another, widely known version, Barma and Postnik are two different architects, both participating in the construction; this version is now outdated. According to the third version, the cathedral was built by an unknown Western European master (presumably an Italian, as before - a significant part of the buildings of the Moscow Kremlin), hence such a unique style, combining the traditions of both Russian architecture and European architecture of the Renaissance, but this version is still I never found any clear documentary evidence.

According to legend, the architect(s) of the cathedral were blinded by order of Ivan the Terrible so that they could not build another similar temple. However, if the author of the cathedral is Postnik, then he could not have been blinded, since for several years after the construction of the cathedral he participated in the creation of the Kazan Kremlin.

The cathedral at the end of the 16th - 19th centuries.

in honor of St. Nicholas the Wonderworker (in honor of his Velikoretskaya icon from Vyatka),
in honor of the torment. Adrian and Natalia (originally - in honor of St. Cyprian and Justina - October 2),
St. John the Merciful (until XVIII - in honor of St. Paul, Alexander and John of Constantinople - November 6),
Alexander Svirsky (April 17 and August 30),
Varlaam Khutynsky (November 6 and 1st Friday of Peter's Lent),
Gregory of Armenia (September 30).

All these eight churches (four axial, four smaller ones between them) are crowned with onion domes and grouped around the ninth pillar-shaped church towering above them in honor of the Intercession of the Mother of God, completed with a tent with a small dome. All nine churches are united by a common base, a bypass (originally open) gallery and internal vaulted passages.

First floor

Podklet

“Our Lady of the Sign” in the basement

There are no basements in the Intercession Cathedral. Churches and galleries stand on a single foundation - a basement, consisting of several rooms. The strong brick walls of the basement (up to 3 m thick) are covered with vaults. The height of the premises is about 6.5 m.

The design of the northern basement is unique for the 16th century. Its box vault long distance has no supporting pillars. The walls are cut with narrow holes - by the spirits. Together with "breathable" building material- brick - they provide a special indoor microclimate at any time of the year.

Previously, the basement premises were inaccessible to parishioners. The deep niches in it were used as storage. They were closed with doors, the hinges of which have now been preserved.

Until 1595, the royal treasury was hidden in the basement. Wealthy townspeople also brought their property here.

One entered the basement from the upper central Church of the Intercession of Our Lady via an internal white stone staircase. Only the initiated knew about it. Later this narrow passage was blocked. However, during the restoration process of the 1930s. a secret staircase was discovered.

In the basement there are icons of the Intercession Cathedral. The oldest of them is the icon of St. St. Basil's at the end of the 16th century, written specifically for the Intercession Cathedral.

The icon “Our Lady of the Sign” is a replica of the façade icon located on east wall cathedral Written in the 1780s. In the XVIII-XIX centuries. The icon was located above the entrance to the chapel of St. Basil the Blessed.

Church of St. Basil the Blessed

Canopy over the tomb of St. Basil the Blessed

The lower church was added to the cathedral in 1588 over the burial place of St. St. Basil's. A stylized inscription on the wall tells about the construction of this church after the canonization of the saint by order of Tsar Fyodor Ioannovich.

The temple is cubic in shape, covered with a cross vault and crowned with a small light drum with a dome. The roof of the church is made in the same style as the domes of the upper churches of the cathedral.

The oil painting of the church was done for the 350th anniversary of the start of construction of the cathedral (1905). The dome depicts the Savior Almighty, the forefathers are depicted in the drum, the Deesis (Savior Not Made by Hands, the Mother of God, John the Baptist) is depicted in the crosshairs of the vault, and the Evangelists are depicted in the sails of the vault.

On the western wall is the temple image of the “Protection of the Blessed Virgin Mary”. In the upper tier there are images of the patron saints of the reigning house: Fyodor Stratilates, John the Baptist, Saint Anastasia, and the Martyr Irene.

On the northern and southern walls there are scenes from the life of St. Basil: “The Miracle of Salvation at Sea” and “The Miracle of the Fur Coat.” The lower tier of the walls is decorated with a traditional ancient Russian ornament in the form of towels.

The iconostasis was completed in 1895 according to the design of the architect A.M. Pavlinova. The icons were painted under the guidance of the famous Moscow icon painter and restorer Osip Chirikov, whose signature is preserved on the icon “The Savior on the Throne”.

The iconostasis includes earlier icons: “Our Lady of Smolensk” from the 16th century. and the local image of “St. Saint Basil against the backdrop of the Kremlin and Red Square" XVIII century.

Above the burial place of St. St. Basil's Church has an arch decorated with a carved canopy. This is one of the revered Moscow shrines.

On the southern wall of the church there is a rare large-sized icon painted on metal - “Our Lady of Vladimir with selected saints of the Moscow circle “Today the most glorious city of Moscow flaunts brightly” (1904)

The floor is covered with Kasli cast iron slabs.

St. Basil's Church was closed in 1929. Only at the end of the 20th century. its decorative decoration was restored. On August 15, 1997, on the day of remembrance of St. Basil the Blessed, Sunday and holiday services were resumed in the church.

Second floor

Galleries and porches

An external bypass gallery runs along the perimeter of the cathedral around all the churches. Initially it was open. In the middle of the 19th century. the glazed gallery became part of the cathedral's interior. Arched entrance openings lead from the external gallery to the platforms between the churches and connect it with internal passages.

The central Church of the Intercession of Our Lady is surrounded by an internal bypass gallery. Its vaults hide the upper parts of the churches. In the second half of the 17th century. the gallery was painted with floral patterns. Later, narrative oil paintings appeared in the cathedral, which were updated several times. Tempera painting is currently unveiled in the gallery. Oil paintings from the 19th century have been preserved on the eastern section of the gallery. - images of saints in combination with floral patterns.

Carved brick entrances leading to the central church organically complement the decor. The portal has been preserved in its original form, without late coatings, which allows you to see its decoration. The relief details are laid out from specially molded pattern bricks, and the shallow decoration is carved on site.

Previously, daylight penetrated into the gallery from windows located above the passages in the walkway. Today it is illuminated by mica lanterns from the 17th century, which were previously used during religious processions. The multi-domed tops of the outrigger lanterns resemble the exquisite silhouette of a cathedral.

The floor of the gallery is made of brick in a herringbone pattern. Bricks from the 16th century have been preserved here. - darker and more resistant to abrasion than modern restoration bricks.

Gallery painting

The vault of the western section of the gallery is covered with a flat brick ceiling. It demonstrates a unique for the 16th century. engineering technique for constructing a floor: many small bricks are fixed with lime mortar in the form of caissons (squares), the edges of which are made of figured bricks.

In this area, the floor is laid out with a special “rosette” pattern, and the original paintings, imitating brickwork, have been recreated on the walls. The size of the drawn bricks corresponds to the real ones.

Two galleries unite the chapels of the cathedral into a single ensemble. Narrow internal passages and wide platforms create the impression of a “city of churches”. After passing through the labyrinth of the internal gallery, you can get to the porch areas of the cathedral. Their vaults are “carpets of flowers,” the intricacies of which fascinate and attract the attention of visitors.

On the upper platform of the right porch in front of the Church of the Entry of the Lord into Jerusalem, the bases of pillars or columns have been preserved - the remains of the decoration of the entrance. This is due to the special role of the church in the complex ideological program of the cathedral’s dedications.

Church of Alexander Svirsky

Dome of the Church of Alexander Svirsky

The southeastern church was consecrated in the name of St. Alexander of Svirsky.

In 1552, on the day of memory of Alexander Svirsky, one of the important battles of the Kazan campaign took place - the defeat of the cavalry of Tsarevich Yapancha on the Arsk field.

This is one of four small churches 15 m high. Its base - a quadrangle - turns into a low octagon and ends with a cylindrical light drum and a vault.

The original appearance of the church interior was restored during restoration work in the 1920s and 1979-1980s: a brick floor with a herringbone pattern, profiled cornices, stepped window sills. The walls of the church are covered with paintings imitating brickwork. The dome depicts a “brick” spiral - a symbol of eternity.

The iconostasis of the church has been reconstructed. Icons from the 16th - early 18th centuries are located between the wooden beams (tyablas) close to each other. The lower part of the iconostasis is covered with hanging shrouds, skillfully embroidered by craftswomen. On the velvet shrouds there is a traditional image of the Calvary cross.

Church of Varlaam Khutynsky

Royal doors of the iconostasis of the Church of Varlaam Khutyn

The southwestern church was consecrated in the name of St. Varlaam of Khutyn.

This is one of the four small churches of the cathedral with a height of 15.2 m. Its base has the shape of a quadrangle, elongated from north to south with the apse shifted to the south. The violation of symmetry in the construction of the temple is caused by the need to create a passage between the small church and the central one - the Intercession of the Mother of God.

The four turns into a low eight. The cylindrical light drum is covered with a vault. The church is illuminated by the oldest chandelier in the cathedral from the 15th century. A century later, Russian craftsmen supplemented the work of the Nuremberg masters with a pommel in the shape of a double-headed eagle.

The Tyablo iconostasis was reconstructed in the 1920s. and consists of icons from the 16th – 18th centuries. Features of the architecture of the church - irregular shape apse - determined the shift of the Royal Doors to the right.

Of particular interest is the separately hanging icon “Vision of Sexton Tarasius”. It was written in Novgorod at the end of the 16th century. The plot of the icon is based on the legend about the vision of the sexton of the Khutyn monastery of disasters threatening Novgorod: floods, fires, “pestilence”.

The icon painter depicted the panorama of the city with topographical accuracy. The composition organically includes scenes of fishing, plowing and sowing, telling about everyday life ancient Novgorodians.

Church of the Entry of the Lord into Jerusalem

Royal Doors of the Church of the Entry of the Lord into Jerusalem

The Western Church was consecrated in honor of the Feast of the Entry of the Lord into Jerusalem.

One of the four large churches is an octagonal two-tier pillar covered with a vault. The temple is different large sizes and the solemn nature of the decorative decoration.

During the restoration, fragments of architectural decoration from the 16th century were discovered. Their original appearance has been preserved without restoration of damaged parts. No ancient paintings were found in the church. The whiteness of the walls emphasizes the architectural details, executed by architects with great creative imagination. Above the northern entrance there is a trace left by a shell that hit the wall in October 1917.

The current iconostasis was moved in 1770 from the dismantled Alexander Nevsky Cathedral in the Moscow Kremlin. It is richly decorated with openwork gilded pewter overlays, which add lightness to the four-tier structure. In the middle of the 19th century. The iconostasis was supplemented with wooden carved details. The icons in the bottom row tell the story of the Creation of the world.

The church displays one of the shrines of the Intercession Cathedral - the icon “St. Alexander Nevsky in the Life of the 17th century. The icon, unique in its iconography, probably comes from the Alexander Nevsky Cathedral.

In the middle of the icon the noble prince is represented, and around him there are 33 stamps with scenes from the life of the saint (miracles and real historical events: Battle of Neva, the prince’s trip to the Khan’s headquarters, Battle of Kulikovo).

Church of Gregory of Armenia

The northwestern church of the cathedral was consecrated in the name of St. Gregory, the enlightener Great Armenia(d. 335). He converted the king and the entire country to Christianity, and was the bishop of Armenia. His memory is celebrated on September 30 (October 13 n.st.). In 1552, on this day, an important event in the campaign of Tsar Ivan the Terrible took place - the explosion of the Arsk Tower in Kazan.

One of the four small churches of the cathedral (15m high) is a quadrangle, turning into a low octagon. Its base is elongated from north to south with a displacement of the apse. The violation of symmetry is caused by the need to create a passage between this church and the central one - the Intercession of Our Lady. The light drum is covered with a vault.

The architectural decoration of the 16th century has been restored in the church: ancient windows, half-columns, cornices, brick floor laid out in a herringbone pattern. As in the 17th century, the walls are whitewashed, which emphasizes the severity and beauty of the architectural details.

The tyablovy (tyablas are wooden beams with grooves between which icons were attached) iconostasis was reconstructed in the 1920s. It consists of windows from the 16th-17th centuries. The Royal Doors are shifted to the left - due to a violation of the symmetry of the internal space.

In the local row of the iconostasis is the image of St. John the Merciful, Patriarch of Alexandria. Its appearance is connected with the desire of the wealthy investor Ivan Kislinsky to re-consecrate this chapel in honor of his heavenly patron (1788). In the 1920s the church was returned to its former name.

The lower part of the iconostasis is covered with silk and velvet shrouds depicting Calvary crosses. The interior of the church is complemented by the so-called “skinny” candles - large wooden painted candlesticks of an antique shape. In their upper part there is a metal base in which thin candles were placed.

The display case contains items of priestly vestments from the 17th century: a surplice and a phelonion, embroidered with gold threads. The 19th century candilo, decorated with multi-colored enamel, gives the church a special elegance.

Church of Cyprian and Justina

Dome of the Church of Cyprian and Justina

The northern church of the cathedral has an unusual dedication for Russian churches in the name of the Christian martyrs Cyprian and Justina, who lived in the 4th century. Their memory is celebrated on October 2 (15). On this day in 1552, the troops of Tsar Ivan IV took Kazan by storm.

This is one of the four large churches of the Intercession Cathedral. Its height is 20.9 m. The high octagonal pillar is completed with a light drum and a dome, which depicts Our Lady of the Burning Bush. In the 1780s. Oil painting appeared in the church. On the walls are scenes of the lives of saints: in the lower tier - Adrian and Natalia, in the upper - Cyprian and Justina. They are complemented by multi-figure compositions on the theme of Gospel parables and scenes from the Old Testament.

The appearance of images of martyrs of the 4th century in painting. Adrian and Natalia is associated with the renaming of the church in 1786. Rich investor Natalya Mikhailovna Khrushcheva donated funds for repairs and asked to consecrate the church in honor of her heavenly patrons. At the same time, a gilded iconostasis was made in the style of classicism. It is a magnificent example of skillful wood carving. The bottom row of the iconostasis depicts scenes of the Creation of the World (days one and four).

In the 1920s, at the beginning of scientific museum activities in the cathedral, the church was returned to its original name. Recently it appeared to visitors updated: in 2007, the wall paintings and iconostasis were restored with charitable support Joint stock company"Russian Railways".

Church of St. Nicholas Velikoretsky

Iconostasis of the Church of St. Nicholas of Velikoretsky

The southern church was consecrated in the name of the Velikoretsk Icon of St. Nicholas the Wonderworker. The icon of the saint was found in the city of Khlynov on the Velikaya River and subsequently received the name “Nicholas of Velikoretsky”.

In 1555, by order of Tsar Ivan the Terrible, they brought miraculous icon procession along the rivers from Vyatka to Moscow. An event of great spiritual significance determined the dedication of one of the chapels of the Intercession Cathedral under construction.

One of the large churches of the cathedral is a two-tier octagonal pillar with a light drum and a vault. Its height is 28 m.

The ancient interior of the church was badly damaged during the fire of 1737. In the second half of the 18th century - early XIX V. a single complex of decorative and fine arts: carved iconostasis with full ranks of icons and monumental plot painting of the walls and vault. The lower tier of the octagon presents the texts of the Nikon Chronicle about the bringing of the image to Moscow and illustrations to them.

In the upper tier the Mother of God is depicted on a throne surrounded by prophets, above are the apostles, in the vault is the image of the Savior Almighty.

The iconostasis is richly decorated with stucco floral decoration and gilding. The icons in narrow profiled frames are painted in oil. In the local row there is an image of “St. Nicholas the Wonderworker in the Life” of the 18th century. The lower tier is decorated with gesso engraving imitating brocade fabric.

The interior of the church is complemented by two external double-sided icons depicting St. Nicholas. They were committed religious processions around the cathedral.

At the end of the 18th century. The floor of the church was covered with white stone slabs. During restoration work, a fragment of the original covering made of oak checkers was discovered. This is the only place in the cathedral with a preserved wooden floor.

In 2005-2006 The iconostasis and monumental paintings of the church were restored with the assistance of the Moscow International Currency Exchange.

Holy Trinity Church

The eastern one is consecrated in the name of the Holy Trinity. It is believed that the Intercession Cathedral was built on the site of the ancient Trinity Church, after which the entire temple was often named.

One of the four large churches of the cathedral is a two-tiered octagonal pillar, ending with a light drum and a dome. Its height is 21 m. During the restoration of the 1920s. In this church, the ancient architectural and decorative decoration was most fully restored: half-columns and pilasters framing the entrance arches of the lower part of the octagon, the decorative belt of the arches. In the vault of the dome, a spiral is laid out with small bricks - a symbol of eternity. Stepped window sills in combination with the whitewashed surface of the walls and vault make the Trinity Church especially bright and elegant. Under the light drum, “voices” are built into the walls - clay vessels designed to amplify sound (resonators). The church is illuminated by the oldest chandelier in the cathedral, made in Russia at the end of the 16th century.

Based on restoration studies, the shape of the original, so-called “tyabla” iconostasis (“tyabla” - wooden beams with grooves, between which the icons were fastened close to each other) was established. Features of the iconostasis: unusual shape low royal doors and three-row icons, forming three canonical orders: prophetic, Deesis and festive.

“Old Testament Trinity” in the local row of the iconostasis is one of the most ancient and revered icons of the cathedral of the second half of the 16th century.

Church of the Three Patriarchs

The northeastern church of the cathedral was consecrated in the name of the three Patriarchs of Constantinople: Alexander, John and Paul the New.

In 1552, on the day of remembrance of the Patriarchs, an important event of the Kazan campaign took place - the defeat by the troops of Tsar Ivan the Terrible of the cavalry of the Tatar prince Yapanchi, who was coming from the Crimea to help the Kazan Khanate.

This is one of the four small churches of the cathedral with a height of 14.9 m. The walls of the quadrangle turn into a low octagon with a cylindrical light drum. The church is interesting for its original ceiling system with a wide dome, in which the composition “The Savior Not Made by Hands” is located.

The wall oil painting was made in the mid-19th century. and reflects in its plots the then change in the name of the church. In connection with the transfer of the throne of the cathedral church of Gregory of Armenia, it was reconsecrated in memory of the enlightener of Great Armenia.

The first tier of the painting is dedicated to the life of St. Gregory of Armenia, in the second tier - the history of the image of the Savior Not Made by Hands, its bringing to King Abgar in the Asia Minor city of Edessa, as well as scenes from the lives of the Patriarchs of Constantinople.

The five-tier iconostasis combines baroque elements with classical ones. This is the only altar barrier in the cathedral from the mid-19th century. It was made specifically for this church.

In the 1920s, at the beginning of scientific museum activity, the church was returned to its original name. Continuing the traditions of Russian philanthropists, the management of the Moscow International Currency Exchange contributed to the restoration of the interior of the church in 2007. For the first time in many years, visitors were able to see one of the most interesting churches of the cathedral.

Central Church of the Intercession of the Virgin Mary

Iconostasis

Interior view of the central dome drum

Belfry

The modern bell tower of the Intercession Cathedral was built on the site of an ancient belfry.

By the second half of the 17th century. the old belfry had become dilapidated and unusable. In the 1680s. it was replaced by a bell tower, which still stands today.

The base of the bell tower is a massive high quadrangle, on which an octagon with an open platform is placed. The site is fenced with eight pillars connected by arched spans and crowned with a high octagonal tent.

The ribs of the tent are decorated with multi-colored tiles with white, yellow, blue and brown glaze. The edges are covered with figured green tiles. The tent is completed by a small onion dome with an eight-pointed cross. There are small windows in the tent - the so-called “rumors”, designed to amplify the sound of the bells.

Inside the open area and in the arched openings, bells cast by outstanding Russian craftsmen of the 17th-19th centuries are suspended on thick wooden beams. In 1990, after a long period of silence, they began to be used again.

Notes

Literature

Gilyarovskaya N. St. Basil's Cathedral on Red Square in Moscow: A monument of Russian architecture of the 16th-17th centuries. - M.-L.: Art, 1943. - 12, p. - (Mass Library).(region)
Volkov A. M. Architects: Novel / Afterword: Doctor of Historical Sciences A. A. Zimin; Drawings by I. Godin. - Reprint. - M.: Children's literature, 1986. - 384 p. - (Library series). - 100,000 copies. (1st edition - )