Ethnic drums of the world. National musical instruments of Brazil Brazilian musical instruments

Agogo

A folk musical instrument of African origin. It consists of two or three sheep bells without tongues (they are all different colors), which are connected to each other by a curved metal handle. Sometimes agogo is made from nuts, which are sawed and placed on a wooden handle.

The music performed on the agogo is the basis of the polyrhythmic structure of the Brazilian carnival and the unforgettable samba. This musical instrument is also used in many other Brazilian musical styles and traditions. It also sounds in capoeira music. There have been cases when this instrument was used in rock music: Neil Peart used agogo in his composition - along with a drum solo. The agogo can be heard very clearly in the Kaiser Chiefs song “Addicted To Drugs”.

Related instruments: cowbell.

Berimbau

Percussion musical instrument, one-string. The genesis of the berimbau has not been fully established, most likely in Africa. This musical instrument is closely related to capoeiro and belongs to the Candomblé tradition. For capoeira, three sounds are used: open (tone) - produced when the string is struck when it does not touch the string, closed (ting) - produced when the string is pressed tightly against the string, and rustling (ch) - produced when the string is lightly touched.

Kashishi

Percussion musical instrument of African origin. Similar to a basket with a flat bottom. Widely known in Brazil.

It really is two baskets woven from straw, inside of which there are grains or some other fairly small objects.

It is used in capoeira music - where this musical instrument complements the sound of the berimbau, as well as the sound of other instruments. It creates both the rhythm and tempo of the game.

In East Africa, kashishis are still used by folk singers and solo percussionists.

Classification: percussion instrument, idiophone.

Related instruments: maracas, rhinestick.

Kuika

A percussion musical instrument that belongs to the group of friction drums. Most often used in samba. It has a rather creaky and sharp timbre in the high register.

Externally, it is a cylindrical metal case with a diameter of 6 to 10 inches. Previously it was made of wood. One side of the case is covered with leather, the other is open. Inside there is a bamboo stick, which is attached perpendicular to the leather membrane. The musical instrument is placed at chest level using a strap.

To make a sound on a kuik, you need to rub the stick up and down, using a damp cloth held in your hand. In this case, you need to press the thumb of your other hand on the leather membrane from the outside where the stick is attached. These movements give rise to sound, which can be changed depending on the strength and degree of pressure on the membrane itself.

This musical instrument is used by groups of performers at the Rio de Janeiro carnival, as well as in the rhythm sections of cuique performers. By the way, if such musicians are not available, Brazilian singers can imitate the sound of cuiki.

Classification: friction membranophone.

Related instruments: Bugai.

The "orchestra" changes depending on the musical direction being performed and can include more than 20 different instruments at the same time.

Agogo (port.agogo) - a double bell, which is played by striking each bell in turn with a wooden or metal stick. It is an addition to the above tools.

River-river (port.Reco- Reco) - is a ribbed wooden or metal ratchet surface, which is passed along with a stick, extracting a “crack”. Just like agogo, the sounds reku-reku are complementary.

Alfaia- a large wooden drum covered with thick leather on both sides. Produces a very low but loud sound. The tension of the skin depends on the tension of the intertwined ropes along the body of the instrument. This drum is played with two thick sticks. This is the main instrument in "Maracatu de Baque Virado".

He became popular in the early 90s due to the fact that he was involved in various musicians of modern music. Now it is used not only in traditional directions such as maracatu, afoshe, but also modern ones - fankeada, embolada and others.

Cuica– A Brazilian musical instrument from the group of friction drums, most often used in samba. The sound it makes is similar to a screaming human voice. The kuiki usually has a metal or wooden body in the shape of a cylinder, a leather membrane with a diameter of 6-10 centimeters, to the center of which a wooden rod (bamboo stick) is tied from the inside with threads. The musician, with a piece of cloth clutched in his hand, rubs the stick up and down, pressing the thumb of his other hand on the outer side of the leather membrane. Under the influence of friction, the skin of the drum begins to vibrate. The tone of the sound changes depending on the degree of pressure on the membrane. Cuica plays an important role in traditional Brazilian dance music.

Apito– wooden or plastic whistle. Brazilian musicians not only use it to signal the end of a melody or a change of rhythm, but also perform entire solo parts. The musician can simultaneously lead the rhythm in Alfaia or Surda and play along with Apitu.

Hansa– a metal shaker in the form of a single or double tube, sealed on all sides, filled with small pebbles or shot. When shaken, it creates a loud rustling sound. Playing the instrument seems simple, but requires a lot of strength and a good sense of rhythm from the performer.

Cavaquinho – looks like a guitar, but three times smaller in size. An instrument popular in Portugal and Brazil. Cawakinu is the prototype of the ukulele. It is an instrument with only four strings, tuned like the top four strings of a regular guitar. She is known around the world for her style of music, Bossa Nova.

Tamborim– a small, highly tuned tambourine with a 6-inch diameter plastic head. It is played with a plastic stick or brush made of nylon rods. Holding it with one hand, turning it down and up, they hit it with a stick, making sounds. He not only keeps the rhythm, but also places accents in the samba melodies.

Timbau– a cone-shaped drum, with a plastic membrane on one side. It has a clear, ringing sound and strong bass, which is sometimes reminiscent of the West African instrument Jambe. It comes in wooden and plastic, on a stand and on a belt, in different sizes. Played with your hands, this makes it possible to produce a variety of sounds: from a deep but clear thud to a high-pitched sonorous accent.

Surdo– a very deep, loud Brazilian double-headed bass drum. Made of metal or thin wood, the "heads" are covered with goatskin (often plastic these days). Essential in samba parades. The sound is produced with a wooden mallet and a hand or two mallets. This is the heart and pulse of any batucada orchestra. Maintains the basic rhythm on which all other instruments are based.

Agbeis an African instrument that has become firmly established in Brazil. Made from dried pumpkin, covered with a mesh of beads on top. When this instrument is shaken, a characteristic rustling sound is produced. The sound is very loud, it does not need sub-sounding, so it cannot replace loud drums in the orchestra of Alfay and others.

Repinique- a small drum on a belt. Plastic membrane with a diameter of 10-12 inches. Sounds are produced using one wooden stick. In Rio, there are variants of repenike, where sounds are produced from both sides using plastic sticks. It is a permanent instrument in samba orchestras. He directs the rhythm changes of the entire orchestra and performs solo figures.

Conga (Spanish: Conga)
Percussion instrument of African origin. A type of cylindrical drum with a body tapering downward. The height of the instrument is 70-80 cm. The sound is produced with the fingers and palms of both hands. Widely distributed in Latin America.

Djembe
A West African drum in the shape of a goblet with an open narrow bottom and a wide top, over which a membrane made of leather, most often goatskin, is stretched. In terms of shape it belongs to the so-called goblet-shaped drums, in terms of sound production - to membranophones. They play the djembe with their hands.

Darbuka
An ancient percussion musical instrument of indefinite pitch, a small drum, widespread in the Middle East, Egypt, the Maghreb countries, Transcaucasia and the Balkans. Traditionally made from clay and goatskin, metal darbukas are now also common.

Bongs
Percussion musical instrument. It is a small double drum. The drums have different sizes. The larger drum is tuned lower than the smaller one. They play bongo drums while sitting, holding the bongo between their legs.

Surdo (port. Surdo)
Brazilian bass drum. Used in batukada and during carnivals.

Pandeiro (port. Pandeiro)
A percussion musical instrument used in South America, Portugal and other countries. The instrument is played like a tambourine: striking the membrane, shaking the entire instrument. The pandeiro differs from the tambourine in its ability to be customized.

Tambourine (French tambourin)
Percussion musical instrument. It consists of one rim, and the sounding part of the instrument is the metal cymbals attached to it. The shape of the tambourine can be a circle or a semicircle. Modern tambourines can have any shape (for example, a star shape).

Berimbau (port. Berimbau)
A single-string percussion musical instrument originally from Brazil. The origin of the berimbau is not fully established, but it most likely has African roots. Berimbau is closely associated with the Brazilian martial art of capoeira and is also part of the Candomblé tradition.

Kashishi (port. caxixi)
A percussion musical instrument in the form of a basket with a flat bottom. It is of African origin, but is also widely known in Brazil. The instrument consists of one or two baskets woven from straw, inside of which grains or other small objects are poured.

Shaker (English shaker - “to shake” - shake)
Used to create rhythms and give music an original sound. It is a closed container partially filled with small bulk contents. Shakers have a variety of sizes, shapes and appearances: cylinder, ball, egg, etc.

Maracas
Latin American instrument of Indian origin. They are hollow balls with a handle and filled with pebbles, shot, peas or sand. Maracas are held by the handle and shaken when played, thus creating a loud, rustling sound.

Guiro (Spanish: guiro)
A Latin American musical instrument made from the fruits of the gourd tree, with serifs applied to the surface. Modern guiros often take the form of a metal tube with notches. The guiro player moves a pua scraper along it, producing a characteristic chirping sound.

A-go-go (port. A-go-go)
Brazilian folk instrument made of two or three multi-tone blocks. Agogo is made from metal or wood, giving the blocks the shape of a sheep bell without a tongue. Agogo is traditionally used to create the basis of the rhythmic pattern of samba and capoeira.

Block
One of the oldest and most widespread percussion instruments. They produce a characteristic “clicking” sound, the color of which varies depending on the design and material of the block. Blocks are widespread in both orchestral music and folk music of South America, the Far East and Africa.

Cowbell (eng. Cowbell - cow bell)
A percussion musical instrument, it is a quadrangular metal prism with an open front face. It has a sharp, piercing, well-readable sound. Used in dance genres of Latin American origin; as well as in popular music and rock music.

Flexaton (German: Flexaton)
Reed self-sounding percussion instrument. Constructed in the 1920s. It consists of a tongue - a thin steel plate mounted on a wire frame with a handle; On both sides of the plate, 2 rods with balls at the ends are attached opposite each other. When played, it makes a ringing, somewhat howling sound.

Basic information Agogo is a Brazilian folk percussion musical instrument, which consists of two different-toned sheep bells without tongues, connected by a metal curved handle. There are different variations of agogo. For example, with three bells; or agogos, made entirely of wood (also with two or three bells). The rhythmic pattern performed by agogo players is the basis of the polyrhythmic structure of the Brazilian carnival samba.

Basic information Asatayak is an ancient Kazakh and ancient Turkic percussion musical instrument. The shape resembles a staff or cane with a flat head, decorated with ornaments and metal rings and pendants. Asatayak had an open and sharp sound. To enhance the sound of the instrument, the bucks used konyrau - bells, which were attached to the head of the asatayak. When shaking the instrument, the konyrau complemented the sound with a metallic ringing. And asatayak,

Basic information Ashiko is a West African percussion musical instrument, a drum in the shape of a truncated cone. They play the ashiko with their hands. Origin The homeland of Ashiko is considered to be West Africa, presumably Nigeria, the Yoruba people. The name is most often translated as “freedom”. Ashikos were used for healing, during initiation rituals, military rituals, communication with ancestors, for transmitting signals over distances, etc. Drums

Basic information Bania (bahia) is a Bengali percussion musical instrument, common in Northern India. It is a small one-sided drum with a leather membrane and a bowl-shaped ceramic body. The sound is produced by striking the fingers and hand. Used together with tabla. Video: Bania on video + sound A video with this instrument will appear in the encyclopedia very soon! Sale: where to buy/order?

Basic information Bangu (danpigu) is a Chinese percussion musical instrument, a small one-sided drum. From the Chinese ban - wooden plank, gu - drum. There is a female version of bangu and a male version of bangu. It has a bowl-shaped wooden body with massive walls, with the convex side facing up. There is a small hole in the middle of the body. The leather membrane is stretched over the convex part of the body

Basic information Bar chimes is a self-sounding percussion musical instrument related to traditional Asian wind chimes. The instrument was introduced into use by percussionists by American drummer Mark Stevens, in whose honor it received the original name Mark Tree, which is widespread in the West. In Russia, the name Bar Chimes is more common. Metal tubes of different lengths that make up the instrument sound when they touch each other

Basic information, device The drum is a percussion musical instrument, a membranophone. Distributed among most peoples. It consists of a hollow cylindrical wooden (or metal) resonator body or frame, onto which leather membranes are stretched on one or both sides (plastic membranes are now used). The relative pitch of the sound can be adjusted by the tension of the membranes. The sound is produced by striking the membrane with a wooden mallet with a soft tip, a stick,

Basics The boiran is an Irish percussion instrument that resembles a tambourine with a diameter of approximately half a meter (usually 18 inches). The Irish word bodhran (in Irish it is pronounced boron or boiron, in English - bouran, in Russian it is customary to pronounce boiran or boran) is translated as “thundering”, “deafening” (and also “annoying”, but this is only in some cases ). Hold the boyran vertically, playing it in a specific way with a wooden

Basic information The big drum (bass drum), also sometimes called the Turkish drum or “bass drum”, is a percussion musical instrument with an indefinite pitch of sound, low register. It is a drum - a wide metal or wooden cylinder, covered with leather on both sides (sometimes only on one side). The sound is produced by striking a beater with a massive head wrapped in dense material. If it is necessary to perform complex

Basics Bonang is an Indonesian percussion musical instrument. It is a set of bronze gongs, secured with cords in a horizontal position on a wooden stand. Each gong has a bulge (penchu) in the center. The sound is produced by striking this convexity with a wooden stick wrapped at the end with cotton cloth or rope. Sometimes spherical resonators made of burnt clay are suspended under the gongs. Sound

Basic information Bongo (Spanish: bongo) is a Cuban percussion musical instrument. It is a small double drum of African origin, usually played while sitting, holding the bongo between the calves of the legs. In Cuba, the bongo first appeared in the province of Oriente around 1900. The drums that make up the bongos vary in size; the smaller of them is considered “male” (macho - Spanish macho, literally

Basic information A tambourine is a percussion musical instrument consisting of a leather membrane stretched over a wooden rim. Some types of tambourines have metal bells attached to them, which begin to ring when the performer strikes the membrane of the tambourine, rubs it, or shakes the entire instrument. The tambourine is common among many peoples: the Uzbek doira; Armenian, Azerbaijani, Tajik def; shamanic drums with a long handle among peoples

Basic information A tambourine (tambourine) is a percussion musical instrument, a small metal rattle (bell); is a hollow ball with a small solid ball (several balls) inside. Can be attached to horse harness (“Troika with bells”), clothing, shoes, headdresses (jester’s cap), tambourine. Video: Bell on video + sound A video with this instrument will appear in the encyclopedia very soon! Sale: where

Basic information Bugai (Berbenitsa) is an accompanying frictional percussion musical instrument with a sound reminiscent of the roar of a Bugai. The bugai is a wooden cylinder, the top hole of which is covered with skin. A tuft of horsehair is attached to the skin in the center. Used as a bass instrument. The musician, with hands moistened with kvass, pulls his hair. Depending on the place of contact, the pitch of the sound changes. Bugay is widespread

Basic information Vibraphone (English and French vibraphone, Italian vibrafono, German vibraphon) is a percussion musical instrument that belongs to metal idiophones with a certain pitch. Invented in the USA in the late 1910s. The instrument has wide virtuoso capabilities and is used in jazz, on stage and in percussion ensembles, less often in a symphony orchestra and as a solo instrument.

Basic information Gaval (daf) is an Azerbaijani folk percussion musical instrument. Very similar to tambourine and tambourine. One of those rare musical instruments that has retained its original form to this day. The Gaval device is a wooden rim with sturgeon skin stretched over it. In modern conditions, the ghaval membrane is also made of plastic to prevent moisture. TO

Basic information, structure, structure Gambang is an Indonesian percussion musical instrument. It consists of wooden (gambang kayu) or metal (gambang gangza) plates mounted horizontally on a wooden stand, often lavishly decorated with paintings and carvings. The sound is produced by striking two wooden sticks with a flat washer-like winding at the ends. They are held loosely between the thumb and forefinger, the other fingers

Basic information Gender (gendir) is an Indonesian percussion musical instrument. In gamelan, gender carries out a variational development of the main theme set by the gambang. The Gender device consists of 10-12 slightly convex metal plates, fixed in a horizontal position on a wooden stand using cords. Bamboo resonator tubes are suspended from the plates. Gender plates are selected according to the 5-step Slendro scale

Basic information The gong is an ancient percussion musical instrument of a symphony orchestra, which is a relatively large concave metal disk freely suspended on a support. Sometimes the gong is mistakenly confused with tam-tam. Varieties of gongs There are a huge number of varieties of gongs. They differ in size, shape, sound character and origin. The most famous in modern orchestral music are Chinese and Javanese gongs. Chinese

Basic information The guiro is a Latin American percussion instrument, originally made from the fruit of the gourd tree, known in Cuba and Puerto Rico as "higuero", with serifs applied to the surface. The word "guiro" comes from the language of the Taino Indians who inhabited the Antilles before the Spanish invasion. Traditionally, merengue often uses metal guiro, which has a sharper sound, and salsa

Basic information Gusachok (gander) is an unusual ancient Russian folk noise percussion musical instrument. The origin of the gander is very vague and ambiguous. Perhaps it was also played by buffoons, but in modern copies the clay jug (or “glechik”) is replaced by a papier-mâché model of the same shape. The gander has close relatives in different countries of the world. Let's face it, all relatives are very

Basic information Dangyra is an ancient Kazakh and ancient Turkic percussion musical instrument. It was a tambourine: a rim covered with leather on one side, inside of which metal chains, rings and plates were hung. Both dangyra and asatayak were attributes of shamanic rituals, which is why they were not widely used in the musical life of the people. Already since the beginning of the 19th century, both

Basic information Darbuka (tarbuka, darabuka, dumbek) is an ancient percussion musical instrument of indefinite pitch, a small drum, widespread in the Middle East, Egypt, the Maghreb countries, Transcaucasia and the Balkans. Traditionally made from clay and goatskin, metal darbukas are now also common. It has two holes, one of which (wide) is covered with a membrane. According to the type of sound production, it belongs to

Basic information A wooden box or wood block is a percussion musical instrument. One of the most common percussion musical instruments with an indefinite pitch. The sound of the instrument is a characteristic clicking sound. It is a rectangular block of ringing, well-dried wood. On one side, closer to the top of the block, a deep slot about 1 cm wide is hollowed out. The instrument is played with wooden or

Basic information The djembe is a West African percussion musical instrument in the shape of a goblet with an open narrow bottom and a wide top, over which a membrane made of leather, most often goatskin, is stretched. Previously unknown to the West, since its “discovery” it has gained enormous popularity. In terms of shape, djembe belongs to the so-called goblet drums, and in terms of sound production - to membranophones. Origin, history of Djembe

Basic information Dholak is a percussion musical instrument, a barrel-shaped wooden drum with two membranes of different diameters. They play the dholak with their hands or a special stick; You can play sitting cross-legged, placing it on your knees, or standing, using a belt. The tension force of the membranes is regulated by a system of rings and rope constrictions. Dholak is common in Northern India, Pakistan and Nepal; very popular

Basic information A carillon is a percussion musical instrument that, through a clock mechanism, forces a series of bells to play a melody, just as a rotating shaft sets an organ in motion. Often used in churches, especially in the Netherlands, it was known in China already in ancient times. The carillon is played “by hand” using a special keyboard. There are 600-700 carillons in the world. Famous musicians

Basic information Castanets are a percussion musical instrument, which consists of two concave shell plates, connected in the upper parts with a cord. The plates have traditionally been made from hardwood, although fiberglass is increasingly being used in recent years. Castanets are most widespread in Spain, Southern Italy and Latin America. Similar simple musical instruments suitable for rhythmic accompaniment of dance

Basic information The cymbal is an ancient oriental percussion musical instrument, consisting of a metal plate (bowl), in the middle of which a belt or rope was attached to be put on the right hand. The cymbal was struck against another cymbal, worn on the left hand, which is why the name of this instrument is used in the plural: cymbals. When the cymbals hit each other, they make a sharp ringing sound. Among the Jews

Basic information The clave (Spanish clave, literally “key”) is the simplest Cuban folk percussion musical instrument. Idiophone of African origin. It consists of two sticks made of hard wood, with the help of which the main rhythm of the ensemble is set. A musician playing the clave (usually a singer) holds one of the sticks in his hand so that the palm forms a kind of resonator, and the other

Basic information A bell is a metal percussion musical instrument (usually cast from so-called bell bronze), a sound source that has a dome-shaped shape and, usually, a tongue striking the walls from the inside. Bells without a tongue are also known, which are struck with a hammer or a log from the outside. Bells are used for religious purposes (calling believers to prayer, expressing solemn moments of the Divine service) and in

Basic information Orchestral bells are a percussion musical instrument of a symphony orchestra (idiophone). It is a set of 12-18 cylindrical metal tubes with a diameter of 25-38 mm, suspended in a stand frame (height about 2 m). They are struck with a mallet, the head of which is covered with leather. The scale is chromatic. Range 1-1.5 octaves (usually from F; notated an octave higher than it sounds). Modern bells are equipped with a damper. In the orchestra

Basic information Bells (Italian campanelli, French jeu de timbres, German Glockenspiel) are a percussion musical instrument with a certain pitch. The instrument has a light ringing timbre in the piano, brilliant and bright in the forte. Bells come in two varieties: simple and keyboard. Simple bells are a set of chromatically tuned metal plates placed in two rows on a wooden

Basic information Congo is a Latin American percussion musical instrument of indefinite pitch from the genus of membranophones. It is a barrel elongated in height, with a leather membrane stretched from one end. Used in pairs - two drums of different diameters (one is tuned lower, the other higher), often the conga is played simultaneously with the bongo (assembled on the same percussion set). Congo height 70-80

Basic information Xylophone (from the Greek xylo - wood + background - sound) is a percussion musical instrument with a certain pitch. It is a series of wooden blocks of different sizes, tuned to certain notes. The bars are struck with sticks with spherical tips or special hammers that look like small spoons (in the jargon of musicians, these hammers are called “goat legs”). Xylophone tone

Basic information Cuica is a Brazilian percussion musical instrument from the group of friction drums, most often used in samba. It has a creaky, sharp timbre of a high register. Kuika is a cylindrical metal (originally wooden) body, with a diameter of 6-10 centimeters. The skin is stretched over one side of the body, the other side remains open. On the inside, to the center and perpendicular to the leather membrane, it is attached

Basic information Timpani (Italian timpani, French timbales, German Pauken, English kettle drums) are a percussion musical instrument with a certain pitch. They are a system of two or more (up to five) metal boilers, the open side of which is covered with leather or plastic. There is a resonator hole in the bottom of each boiler. Origin The timpani is an instrument of very ancient origin. In Europe, timpani, close

Basic information Spoons are the oldest Slavic percussion musical instrument. In appearance, musical spoons are not much different from ordinary wooden table spoons, only they are made from harder wood. In addition, musical spoons have elongated handles and a polished impact surface. Sometimes bells are hung along the handle. The play set of spoons may include 2, 3 or

Basic information, device A snare drum (also sometimes called a military drum or “working drum”) is a percussion musical instrument that belongs to the membranophones with an indefinite pitch. One of the main percussion instruments of a symphony orchestra, as well as jazz and other genres, where it is part of a drum kit (often in several copies of different sizes). The snare drum is metal, plastic or

Basic information Maraca (maracas) is the oldest percussion-noise musical instrument of the indigenous inhabitants of the Antilles - the Taino Indians, a type of rattle that produces a characteristic rustling sound when shaken. Currently, maracas are popular throughout Latin America and are one of the symbols of Latin American music. Typically, a maraca player uses a pair of rattles, one in each

Basic information Marimba is a keyboard percussion musical instrument consisting of wooden blocks mounted on a frame, which are struck with mallets, a relative of the xylophone. The marimba differs from the xylophone in that the sound produced by each bar is amplified by a wooden or metal resonator or a pumpkin suspended underneath it. Marimba has a rich, soft and deep timbre that allows you to achieve expressive sound. The marimba arose in

Basic information Musical pendant (breeze) is a percussion musical instrument. It is a bunch of small objects that produce a pleasant chime when the wind blows, widely used in landscape design, especially when decorating porches, verandas, terraces, awnings, etc., adjacent to the house. It is also used as a musical instrument. Musical pendants are most widely used in the southern regions as an anti-stress remedy and

Basic information Pkhachich is an Adyghe and Kabardian folk percussion musical instrument, a relative of the rattle. It consists of 3, 5 or 7 plates of dried hardwood (boxwood, ash, chestnut, hornbeam, plane tree), loosely tied at one end to the same plate with a handle. Typical tool dimensions: length 150-165 mm, width 45-50 mm. Pkhachich is held by the handle, pulling a loop,

Basic information The cencerro (campana) is a Latin American percussion musical instrument of indefinite pitch from the ideophone family: a metal bell without a tongue, played with a wooden stick. Its other name is campana. Modern cencerros have the shape of a bell somewhat flattened on both sides. The appearance of the sencerro in Latin American music is associated with the ritual bells of econ Congolese religious cults. It is believed that in

Basic information Tabla is an Indian percussion musical instrument. The big drum is called baina, the small one is called daina. One of the most famous musicians who glorified this instrument throughout the world was the legendary tabla player Ravi Shankar. Origin The exact origin of the tabla is unclear. But according to existing tradition, the creation of this instrument (like many others, whose origin is unknown) is attributed to Amir

Basic information Tala (or talan; Sanskrit Tala - clapping, rhythm, beat, dance) is a South Indian paired percussion musical instrument from the category of percussion, a type of metal cymbal or cymbal. Behind each of them there is a silk or wooden handle. The sound of the tala is quite soft and pleasant. Video: Tala on video + sound Video with this instrument coming very soon

Trainings and activities take place to the accompaniment of live music. Must be present during childbirth three main tools:

Berimbau(port. Berimbau) - an instrument resembling a bow with a resonator. Berimbau plays the most important role in the musical accompaniment; he sets the main rhythm and tempo of the game in Roda.

The berimbau consists of a verga (port. verga) - a specially processed wooden stick (biriba, pereira, sometimes other types), a steel string - aram (port. arame), and a resonator cabaça (port. cabaça) - a dried hollow bottle gourd. Sounds are produced with a small wooden stick - a bucket, which also has many “local” names (Port. baqueta, vaqueta, vareta), and to combine sounds, a small flat stone, coin or metal round - dobrão (Port. dobrão) is used.

The hand that holds the bucket usually also holds a small rattle - kashishi (port. caxixi), woven in the form of a basket with a hard bottom (usually cut from cabassa). The sound of the kashishi complements the sound of the berimbau string and makes the rhythmic pattern of the game clearer.

There are 3 types of berimbau, each of which serves its own purpose:

Gunga, Berra-boi (port. Gunga, Berra-boi) - berimbau with the largest cabasa and the lowest tone. Sets the main tone and tempo of the game, plays the main rhythm, very rarely - variations;
Mediu, Centro (port. Medio, Centro) - middle berimbau, complementary to the gunga, usually plays the opposite rhythm to the gunga, sometimes with slight variations;
Viola, Violinha (port. Viola, Violinha) - the highest tone, usually plays rich improvised variations of the main rhythm.
Atabaque (port. Atabaque) is a traditional African drum that leads the main rhythm, waist-high.
Pandeiro (port. Pandeiro) - tambourine.

Other tools:

Agogo(port. Agogo) - a double bell, which is played by striking each bell in turn with a wooden or metal stick;
River-river(port. Reco-Reco) - is a ribbed wooden or metal ratchet surface, along which a stick is passed, producing a “crack”.
Pandeiro(port. Pandeiro) is a percussion musical instrument related to the tambourine, used in South America, Portugal and Brazil.
In Brazil, the pandeiro is considered a folk musical instrument, the soul of samba. The rhythm of the pandeiro complements the sound of the atabaque when used in the musical accompaniment of Brazilian capoeira.
Atabaque(port. Atabaque) - a traditional African drum, waist-high. Maintains the main rhythm of music in Capoeira (the main type is set by the Berimbau - gunga), is a traditional musical instrument played by African shamans. Introduced to Brazil by the Portuguese during colonization.